Quotes About Color

My favorite name for a color is "puce." It's kind of a dried blood color. It's a hideous color. But I love the word. It's so euphonic. But my favorite colors are lavender, purple, periwinkle blue, and white.

Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress; smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

Cause Jesus I do think did exist, and he was, I think, a guy who had interesting ideas in the Gandhi-type area, in the Nelson Mandela-type area, you know, relaxed and groovy; and the Romans thought, Relaxed and groovy?! No, no, no, no, no! So they murdered him. And kids eat chocolate eggs, because of the color of the chocolate, and the color of the... wood on the cross. Well, you tell me! It's got nothing to do with it, has it?

The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.

Orange is an underrated color, it's the second most underrated color after yellow.

Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color.

Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.

I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.

The vision preached by my father a half-century ago was that his four little children would no longer live in a nation where they would judged by the color of their skin but by the content of their character. However, sadly, the tears of Trayvon Martin's mother and father remind us that, far too frequently, the color of one's skin remains a license to profile, to arrest and to even murder with no regard for the content of one's character.

It's time we become comfortable with the uncomfortable conversations about race...Instead of being color blind, we need to be color brave.

You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.

It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

All color is no color.

Brent Berlin and Paul Kay in Basic Color Terms demonstrate exhaustively and empirically, the very simple thesis that anywhere in the world, as a language develops and acquires names for color, the colors always enter in the same order. The most primitive are black and white. Then red. Then either green or yellow.

Not an ugly color, Nanny thought. Just not a human color.

The leaves streamed down, trembling in the sun. They were not green, only a few, scattered through the torrent, stood out in single drops of green so bright and pure that it hurt the eyes; the rest were not a color, but a light, the substance of fire on metal, living sparks without edges. And it looked as if the forest were a spread of light boiling slowly to produce this color, the green rising in small bubbles, the condensed essence of spring. The trees met, blending over the road and the spots of sun on the ground moved with the shifting of the branches, like a conscious caress.

It is an absolute impossibility in this society to reversely sexually objectify heterosexual men, just as it is impossible for a poor person of color to be a racist. Such extreme prejudice must be accompanied by the power of society's approval and legislation. While women and poor people of color may become intolerant, personally abusive, even hateful, they do not have enough power to be racist or sexist.

My hope as an actress is knowing that I'm someone who is more privileged - I'm biracial and lighter-skinned - and I hope it can open up the door for more women of color, especially darker-skinned black women. I hope everyone hops on the bandwagon and decides to start putting women of color in movies that aren't just about race.

I am curious about color as one would be visiting a new country, because I have never concentrated so closely on color expression. Up to now I have waited at the gates of the temple.

If anything, there's a difference in working with color in England and the color in the US.

Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.

As my friend Jeremy Gilbert-Rolfe has argued persuasively, there is an element of positivity in the visible world, and in color particularly, that totally eludes the historicity of language, with its protocols of absence and polarity. The color red, as an attribute of the world, is always there. It is something other than the absence of yellow and blue--and, thus, when that red becomes less red, it becomes more one or the other. It never exists in a linguistic condition of degradation or excess that must necessarily derive from our expectations.

When I was a kid, we said that we were precluded from going to certain neighborhoods because of the color of our skin Now the neighborhoods are the neighborhoods of ideas, youre not supposed to be there because of the color of your skin.

I narrowed my eyes at it. Ming-de’s little gift, I assumed. “You look better in color,” I snapped. He sent me a sultry look over his shoulder. “Really? Most women think I look better in nothing at all.

So many people shy away from using color in their homes for fear of getting it wrong...But ignorance and fear are no reason to live in a bland box.

I used to get my hair dyed at a place called Big Hair. It cost $15. They just used straight bleach, so my hair was the color of white lined paper, and my eyebrows looked like they were done with a thick black marker.

I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.

I admit it: I am louder than the average human being and have no fear of speaking my mind. These traits don't come from the color of my skin but from an unwavering belief in my own intelligence.

Psychology is still trying to explain the perception of the position of an object in space, along with its shape, size, and so on, and to understand the sensations of color.

Accomplishments have no color.

Of all God's gifts to the sighted man, color is holiest, the most divine, the most solemn.

It were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower -- and this is the burthen of the curse of Babel.

...stand with me today and pledge to work for an America that doesn't ignore those in need and lifts up those who wish to succeed. Pledge to hold your government accountable for ignoring the suffering of so many for far too long. And pledge to do your part to build the America that we have dreamed of - where the bright light of opportunity shines on every person - an America where the family you are born into, or the color of your skin, will never control your destiny.

No race has a monopoly on vice or virtue, and the worth of an individual is not related to the color of his skin.

Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.

Justice should be blind especially color-blind and able to fairly deal with the very real need for honest law enforcement.

A song should have all the color and beauty of every rose.

We should manage our thoughts as shepherds do their flowers in making a garland: first, select the choicest, and then dispose them in the most proper places, that every one may reflect a part of its color and brightness on the next.

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

Clean lines have always been important to me, both in terms of interiors as well as fashion. For interiors, I am more interested in textures and surface treatments than bold color or print - the vein on a wood or the shine on a lacquer, for example. I know immediately when something isn't working - usually it's a question of consistency - and I make instantaneous decisions on how to remedy the situation.

In the morning, you tear up the pages of your fever, but every word naturally leads you back to its color, its night.

Color is made to obscure the brightest endowments, to degrade the fairest character, and to check the highest and most praiseworthy aspirations.

I'd only started noticing that something had gone wrong when I got a call from Naomi [Campbell], she called me and said, "You gotta do something about it, it's really bad, they're not using any models of color."

A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more.

You need minimum color for maximum effect.

My hair's been every color. My hair's been all over the map.

I'm not going to play a racial game. With me, you're going to meet a guy named Shelby Steele, and you will have to get to know me as an individual. The color of my skin won't tell you anything. I think there's more and more of that in America.