Quotes About Commercials

I've always been a fan of advertising, I've always been a fan of television, I've loved commercials, I've loved all the jingles, I loved all the stuff

I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.

I'd been doing some light-beer commercials for Budweiser and Coors, and I was doing stand-up comedy. I wanted to get into the acting world, and my agent sent me on audition and they liked it.

I pretty much draw the line when people want you to do original music for commercials.

I love doing commercials! Usually, they have enough money that they can take time and photograph it well.

Commercials are also any opportunity to meet new crew and work with new kind of rigs. You can explore working with different people without having to make the full commitment of having to do an entire feature film with them and see whether you like them. Also it's great for testing out new equipment, like on the last spot we just did, I used a lot of drone technology, really cutting edge drone stuff, more than I've ever done before, and it worked out really really well.

Just look at the messages today's media are sending everybody, from TV and commercials to actors and singers. Kids are just drowning in that 24-7 and it's getting really bad.

I mean, a lot of people don't realize it, but fashion is one of the most racial industries left out there now. Radio and music aren't. Television and movies aren't. Even commercials now are showing interracial couples. You see a lot of diversity in TV shows, but you don't see that in fashion. You think there would be some, because the consumer is of all colors and all shades. But you don't see that in fashion.

Dreams are like commercials, but her dreams are picture perfect.

To me, the greatest thing in the world is downloading TV shows on iTunes because there are no commercials, and yet if I were a working stiff, I could never afford to do this. But I don't even think about money.

You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy.

I tell children from all over the country that it's good to eat healthy and nothing to be ashamed about. They know me from the Subway commercials and can relate to what I'm saying.

Hillary [Clinton] is hitting me with tremendous commercials. Some of it's said in entertainment. Some of it's said - somebody who's been very vicious to me, Rosie O'Donnell, I said very tough things to her, and I think everybody would agree that she deserves it and nobody feels sorry for her.

The good thing about those original credit card commercials was that they were very "filmic", they were like little movies, so it wasn't a big step to think well maybe we could make a big movie using this character, which we eventually did.

Suppose I try to say the US carries out terror, in fact it's one of the leading terrorist states in the world. You can't say that between commercials. People rightly want to know what do you mean. They've never heard that before. Then you have to explain. You have to give background. That's exactly what's cut out.

I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.

Back in the day, if you did any commercials or were affiliated with a company you were a sellout. Now it's kind of normal to do that.

At 3 years old, I was imitating and doing fun little commercials for the family. Then at 5, I knew, 'OK, this is something I really like.' At 8, I was crying in front of the mirror and my mom was like, 'Oh boy, here we go. We know what she's going to do.'

A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.

I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.

The blessing is that everyone knows who I am because of the commercials.

My aunt was a fashion model and I happened to go to her agency with her, one day, when I was five. A talent agent said, "You should come talk to us." I did a few things. I did an indie movie and commercials, and stuff.

There is one catagory of advertising which is totally uncontrolled and flagrantly dishonest: the television commercials for candidates in Presidential elections.

I, Tivadar Kosztka, who gave up his prime of youth for the rebirth of the world, accepting the call of the invisible Spirit, had a regular civil job, comfort, wealth then... Going to Paris in 1907 I oppositely standed alone in front of millions with only the result of the divine providence, and I beat the vanity of the world hollow, but I haven't killed 10 million people, only sobered them. I haven't made commercials from things, because I didn't care for the pedlar's press; I retired from the world instead, going to the top of the Lebanons, and I painted cedars.

All the black leather she needs is the E-Z boy recliner where her love is parked with one of his hands wrapped around a remote, the other, a bottle of beer. She's right. It's kinky. The way he doesn't look away from the TV, as her head bobs in his lap like a fisherman's float on a nature program, hectic with the pace his breath sets. His crotch swells under her mouth's prowess. He's such a sweetheart he waits until the commercials to come.

My first job was an AFI short film, Chasing Daylight, when I was 11, and I made a couple of commercials that never aired.

I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.

I liked working in advertising, but don't believe my taste in art, such as it is, was entirely formed by TV commercials. And I don't feel especially conflicted enjoying a Mantegna one day, a Carl Andre the next day and a brash student work the next.

Nine out of 10 people who recognize me recognize me from the commercials.

I don't have anything against commercials, and I really like BMWs.