Quotes About Commercials

I love commercials. I love to hate commercials, too. I talk back to them.

I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.

Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.

I said I would do all the films about the commercials, and the films about ball-bearings and Ford tractors and so on, if once a year they gave me money for a free film.

One would think America big enough to set aside wilderness preserves for the many of our citizens who seek to escape the incessant crowd, to search for solace in solitude amidst a sanctuary far removed from the banality of beer ads and cigarette commercials.

Be very careful of what you allow to infiltrate your consciousness and subconsciousness. When you watch too much television, you'll start to feel inferior from all the commercials hard selling the idea that you're not complete unless you buy their product. The ad agencies appeal to your fear of not being wanted or loved. It's the same with the local news. They get you to stay tuned with a constant stream of fear tactics. It's as if our culture is addicted to fear and the flat screen is our drug dealer. Don't allow that crap into your head!

I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.

I did all the Chef Boyardee commercials, in America, when I was young.

I started with commercials - for shampoo, pancakes, insurance, Volvo. I did a Lux soap commercial with Sarah Jessica Parker. And I got a role in an indie film called Satellite that did well in festivals.

I think I did a couple of test commercials that didn't even make it on the air. That's how little I had really done. I knew almost nothing about the camera. In fact, I actually did know nothing about the camera.

I skip through the programming to watch the commercials.

I began modeling in N.Y. and doing commercials. That led to regional theatre and then Broadway and then movies.

To me, the greatest thing in the world is downloading TV shows on iTunes because there are no commercials, and yet if I were a working stiff, I could never afford to do this. But I don't even think about money.

Commercials and sometimes other guests - it's the down side of TV. Other people - it's the downside of life in general.

TV commercials make parenting look like there are going to be good days and bad days - like, it'll be this gentle wave, like you'll have a blissed-out, really wonderful day or two, and then, you know, then you'll have an issue. And what parenting is, is kind of earthquake.

I was from such a large family that when I first met my wife, I told her: 'You can go work outside of the house and I'll stay home and continue making my cartoon strips. Maybe I'll make some commercials nearby, you know I'll do anything locally, but I would love to just stay at home and raise the kids like I did when I was growing up.'

I had kicked around the idea for Good Eats when I was directing commercials.

I can't believe a war against drugs when they have anti-drug commercials on TV all day long followed by This Bud is for you.

I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.

If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator -- the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.

At the time of Polaroid - and I did a couple of other commercials just before I stopped doing that stuff - at that point I was at the level where they respect you and your opinion and all that sort of thing.

Bob Scarpelli [of DDB] has told me I'd rot in hell for the commercials I've done, but I think he's kidding.

Many media commercials encourage us to believe that if we buy a certain product, we can be physically appealing, or popular, or successful. According to the commercial message, it may be easy to make friends and influence people if we simply do what we're told to do. It would be wonderful if that were true, but unfortunately life does not seem to work that way. What is inside of us can be much more important and influential than what is outside.

Commercials were too phony for me. I just didn't like selling products I didn't believe in.

i held it up, and tried to channel happy dog thoughts toward Cerberus- Alpo commercials, cute little puppies, fire hydrants.

I spent a long time trying to make it in the commercial world hoping that commercials would then lead to movies. That was a less-travelled path at the time, although it's very well-travelled now.

I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.

I have a company in New York City producing music for commercials, for radio, TV, features, etc. That's how I've been making my living. And now the company is very successful - to the extent that I can afford to come out and play.

I think what really clicked for me was when I started booking commercials as a dancer... just being on set and seeing every element of production, it was magic to me.

I also notice the very nasty commercials that Hillary Clinton do on me in so many different ways, which I don't do on her. Maybe I'm trying to save the money.

I lived in San Francisco for about eight years and I did a lot of improvisation there. The improvisational world ruled the voice world in San Francisco, so I became a voice talent there and did a lot of commercials and worked all the time. But I never could break into animation.

Christmas can have a real melancholy aspect, 'cause it packages itself as this idea of perfect family cohesion and love, and you're always going to come up short when you measure your personal life against the idealized personal lives that are constantly thrust in our faces, primarily by TV commercials.

I was a teenager, we were pretty much fully indoctrinated, thanks to sexual scare tactics. I remember so many public-health commercials with a B-actor in a fake alley background warning us to use protection or telling us the only real safe choice was abstinence. We were highly frightened of sex from day one. There was no free-swinging '90s.

My dad's an actor. Ever since I was little, I'd watch him do it, and I was always very into it. I got into when I was about two years old. I started out with print work, doing modeling and stuff. Then I got into commercials and TV. Once I started, I loved doing it. It's just something that I've continuted over the years, and I love it.

With television, the image has been degenerated, no question. With the internet, commercials... people are much too cynical about image. It's stale. And all over the world, not just America.

I didn't really like doing commercials.

I remember saying in college that I would never do commercials.

Nine out of 10 people who recognize me recognize me from the commercials.