Quotes About Commercials

I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.

Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.

Consider the oddity of those drug commercials on television. Fifteen seconds of the purported therapeutic effort, followed by about 45 seconds of a rapidly muttered list of horrific possible side effects. When the ad is over, I can't remember a thing about what the pill is supposed to do, except perhaps cause nausea, liver damage, projectile vomiting, a nasty rash, a four-hour erection, and sudden death. Sudden death is my favorite because there is something comical about it being a side effect. What exactly is the main effect in that case? Relief from abdominal bloating?

In France a lot of songs were ruined by their associations with commercials. But so far no Apple commercial has ruined a song for me.

The Coca-Cola Mean Joe Greene ad is one of the most famous commercials of all time, so I was blown away when they asked me to be in this new spot.

The only thing that takes away from it is when they steal some music from one of my movies and put it in a TV commercial. I am not crazy about influencing TV commercials. But if I legitimately influence someone making a movie, I think that is really flattering.

Seeing a murder on television can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.

It is vital that there is a narrator figure whom people believe. That's why I never do commercials. If I started saying that margarine was the same as motherhood, people would think I was a liar.

Philosophically, I don't like doing commercials.

I was from such a large family that when I first met my wife, I told her: 'You can go work outside of the house and I'll stay home and continue making my cartoon strips. Maybe I'll make some commercials nearby, you know I'll do anything locally, but I would love to just stay at home and raise the kids like I did when I was growing up.'

I had such a great time doing commercials and things as a kid. My grandparents were on set with me all the time, and I loved that I got to hang out with them, so I will forever be grateful for that. But I just loved every minute of it.

You will not be able to stay home, brother./You will not be able to plug in, turn on and cop out./You will not be able to lose yourself on skag and skip,/Skip out for beer during commercials,/Because the revolution will not be televised.

If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator -- the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.

I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.

Daytime television, you can tell who’s watching by the three kinds of commercials. Either it’s clinics for drying out drunks. Or it’s law firms who want to settle injury suits. Or it’s schools offering mail-order vocational degrees to make you a bookkeeper. A private detective. Or a locksmith. If you’re watching daytime television, this is your new demographic. You’re a drunk. Or a cripple. Or an idiot.

Too many commercials. Too many lies. Too many celebrities. I don't recognize. Too many brand names. Too many magazines. I got so much sensation, I can't feel a thing. Simple. Living. Got to get to simple - living. Simple living. Simple... simply living.

The person who writes the bank's commercials is not the person who makes the loans.

The great coming to age of cable is really a beautiful thing. No commercials. It's like a small theater. It's a cinema on a TV screen.

Every movie is a commitment of a year or a year and a half. Commercials are much faster than that because they're much more contained. You can get in and out really fast, and you do a piece of work the you see the end result very quickly.

I gotta tell, that's one of the things in Hollywood that has not been a barrier. I've gotten lots of offers, and I did try my hand at it, I directed two commercials. I won best commercial of ad week [laughs] on my first try.

Two-thirds of American movies are extensions of commercials -- they tell you how to feel and they tell you how to think -- rather than letting you figure it out on your own.

They do what they do for money - that's all. I don't even know why you're listening to me. I've done commercials for both Coke and Pepsi. Truth is, I can't even taste the difference, but Pepsi paid me last, so there it is.

Commercials are not the only exposure that obesity gets on TV. It is by no means a rarity on the wonderful Judge Judy's show when both plaintiff and accused all but literally fill the screen.

It was a lot of fun doing the Nike commercials, too.

And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.

When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was being subliminally influenced to watch Pokémon by Japanese spies.

I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.

You can't watch 'Dr. Strangelove' with commercials. That would be sacrilegious.

Well, I wasnt just kind of standing in a queue at McDonalds and someone sat down and said, Youre the director of a $100 million Hollywood movie. Ive been working in commercials for ten years.

I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.

Well, there is a contradiction in a sense. If you're making commercials which sell products which are unhealthy or which are unnecessary, I think that you are part of a system - I am part of a system which encourages people to buy things and do things which are not to their best interest. And to that extent you could say it was contradictory.

When I was a little kid, I kind of liked the commercials more than a lot of the stuff on TV. My favorite ones were the Miller Lite ads with all the jocks in them. "Tastes great, less filling."