Quotes About Critical

A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.

Some people are always critical of vague statements. I tend rather to be critical of precise statements; they are the only ones which can correctly be labeled wrong.

I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.

My film is actually very critical of the level of French we're using back home. To have an immigrant from an ancient French colony come and do that is a little critical of our education system back home. Balzac is definitely over their heads. It's meant to be funny also because it would be also probably too much for kids in France, but kids in France would know who Balzac is. But, back home at that age, I guarantee you they don't know who he is.

The production of knowledge in schools today is instrumental, wedded to objective outcomes, privatized, and is largely geared to produce consuming subjects. The organizational structures that make such knowledge possible enact serious costs on any viable notion of critical education and critical pedagogy. Teachers are deskilled, largely reduced to teaching for the test, business culture organizes the governance structures of schooling, knowledge is viewed as a commodity, and students are treated reductively as both consumers and workers.

I often notice how students can gain the capacity to use certain critical methodologies through engaging with very different texts - how a graphic novel about gentrification and an anthology about Hurricane Katrina and a journalistic account of war profiteering might all lead to very similar classroom conversations and critical engagement. I'm particularly interested in this when teaching law students who often resist reading interdisciplinary materials or materials they interpret as too theoretical.

Islam doesn't have a monopoly on violence in Africa. And violence plays a particularly critical role in places where statehood is weak at best, such as the Maghreb.

When the size of the group supporting your cause reaches a critical mass, any legislator or elected official has to pay attention.

If you're going to have a kid who engages in critical thinking, you're not going to shut them down when they ask a question. You're not going to settle for "because." You're going to encourage them to ask more. And you want them to understand how other people think.

I think I will always have a connection to young people, to try to bring their voices to the polls, bring their voices wherever they can make a difference. Even to protect their own interests or the interests of the planet or the animals or other individuals, which is critical. I try to keep it.

When a person identifies himself with a group his critical faculties are diminished and his passions enhanced by a kind of emotive resonance. The individual is not a killer, the group is, and by identifying with it, the individual becomes one. This is the infernal dialect reflected in man's history.

Success in TV-showmaking is just a matter of being authentic and doing the best you can, and you hope that people watch it and like it. For us [showmakers], we know where our bread is buttered, and we live by the written word of the critic. That's how shows build a critical mass on cable.

Despite my critical take on the city, I love Delhi, on the whole - love its monuments, love how easily graspable the city's turbulent history is. The negative things I write about are considered normal here.

Most of us have very clear memories of the self-critical internal conversation running on in our heads while we were playing poorly, and yet it often seems that we hardly remember noticing it at all while we were playing well.

Education as a democratic project always presupposes a vision of the future in its introduction to, preparation for, and legitimation of particular forms of social life. It is utopian in its goal of expanding and deepening the ideological and material conditions that make a democracy possible. As a moral and political practice, education produces the modes of literacy, critique, sense of social responsibility, and civic courage necessary to imbue young people with the knowledge and skills needed to enable them to be engaged critical citizens willing to fight for a sustainable and just society.

The Turkish road is not my model because I am critical of the way you are dealing with freedom of expression, of how you are dealing with the treatment of minorities, and your economic vision.

Bless yourself with holy water, have Masses said, and so on; by a simple and natural process this will make you believe, and will dull you - will quiet your proudly critical intellect.

This ability to have reliable sources of energy and a reliable transmission of energy here in North America is critical for both of us and for Mexico as we want to keep our economies growing.

When you make a record, you probably are not going to hit exactly what you were aiming for. You also have to let go at a certain point, and just trust it. I remember feeling we had fallen short, or that it had fallen short. At the same time it was great to see a good critical reaction to it, and to hear people were enjoying it, which made me think, "Well, maybe it's a good thing I didn't get exactly what I wanted." Now we're testing that theory.

Mental health and mental balance is critical to leading a healthy life.

Imagine a world where unbelievers were critical of what we believed but envious of how well we treated one another.

Learning to read the Bible in the light of the times in which it was written is critical.

The copy of an ad is merely a punning gag to distract the critical faculties while the image of the product goes to work on the hypnotized viewer. Those who have spent their lives protesting about 'false and misleading ad copy' are godsends to advertisers, as teetotalers are to brewers, and moral censors are to books and films. The protesters are the best acclaimers and accelerators. Since the advent of pictures, the job of the ad copy is as incidental and latent as the 'meaning' of a poem is to a poem, or the words of a song are to a song.

In 2008, Obama won 56 percent of the women's vote to John McCain's 43 percent. It was the critical difference in the race.

Part of abandoning the all-or-nothing mentality is allowing yourself room for setbacks. We are bound to have lapses on the road to health and wellness, but it is critical that we learn how to handle small failures positively so that we can minimize their long-term destructive effects. One setback is one setback—it is not the end of the world, nor is it the end of your journey toward a better you.

Every young lady may feel for my heroine in this critical moment, for every young lady has at some time or other known the same agitation.

Just because I am critical of the coalition doesn't mean I am anti-English. I am just anti-scumbags.

Companies will often use the legal system to scare people away from attacking them. But we all should be free to make critical statements about anybody, unless those statements are malicious.

There is a tremendous amount of confusion and denial that exists about mass incarceration today, and that is the biggest barrier to movement building. As long as we remain in denial about this system, movement building will be impossible. Exposing youth in classrooms to the truth about this system and developing their critical capacities will, I believe, open the door to meaningful engagement and collective, inspired action.

It's true that people do assume that people who are critical are smarter than people who are uncritical.

The critical question is not whether you'll have luck, but what you do with the luck that you get.

Right-wing media and politicians are looking for any opportunity to be critical of the reporters who are here. Some reporters make judgments, but that is not my style. I present both sides and report what I see with my own eyes.

In some ways, the great danger for this commodified universe is our boredom with it ... There is this sort of dialectic that you could tease out, that even in this overdeveloped late-capitalist world, that boredom was still this kind of critical energy that you could work on and try to theorize and then act on, to find other kinds of belonging, other kinds of desire, other kinds of life.

A strong player, which has the sufficient critical mass, can withhold pressure better and create a more stable environment that benefits shareholders as well as employees.

The wound you refuse to dress is one that will never heal. You gush lifeblood and never even know why. It will make you weak at a critical moment when you need to be strong.

There are 86,400 seconds in a day. Those seconds are critical.

People need to understand: Businesses are going to make mistakes. They shouldn't be shot and hung every time. We should apologize for it. We should make up for it. My shareholders paid for it. No customer was hurt, which is critical to me. But I hurt my shareholders, and I wish I hadn't.

I was appalled at how children had become the focus and gravitational center of the nuclear family around which parents orbited instead of the traditional arrangement in which children orbited around their parents. This is a huge change because a critical job in early childhood is to get children weaned away from the total narcissism normal to infancy. With the children as the center of the family's actions and decisions, narcissism is at a minimum prolonged and may never significantly decline.

I think we have to talk about educating the people for critical consciousness about what anarchy is.

The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.

The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.

For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.

I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.

I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.

The humanities prepare students to be good citizens and help them understand a complicated, interlocking world. The humanities teach us critical thinking, how to analyze arguments, and how to imagine life from the point of view of someone unlike yourself.

Literature should be more revolutionary than revolutions themselves; writers must find the means to continue to be critical of the negative elements in the sociopolitical reality.

Most people know that forests are the lungs of our planet, literally playing a critical role in every breath we take. And that they're also home to incredible animals like the orangutan and elephant, which will go extinct if we keep cutting down their forests.

Whenever a man reaches the top of the political ladder, his enemies unite to pull him down. His friends become critical and exacting.