Quotes About Cultural

When you say what is the difference between me and my stage name the idea is that as a musician you always think of yourself as inhabiting a certain cultural space in the kind of a cultural landscape, so when I say cultural space what I mean to imply there is that you exist within certain parameters of how people think of culture.

The Jewish culture - people that are Jewish have a certain cultural habit that they've formed and one of those habits is an appreciation of theater and music - these are cultural things one does associate with values that are promulgated by Jewish families. I think that's a good thing.

I am interested in the political economy of institutional power relationships in transition. The question is one of "reconstructive" communities as a cultural, as well as a political, fact: how geographic communities are structured to move in the direction of the next vision, along with the question of how a larger system - given the power and cultural relationships - can move toward managing the connections between the developing communities. There are many, many hard questions here - including, obviously, ones related to ecological sustainability and climate change.

Christian adults need to think about talking to our own children as a form of cross-cultural missions. Cultural change happens so quickly that teens are exposed to ideas and worldviews very different from those of previous generations.

Of course food has an important cultural use in families, but there are things that have more important cultural uses in families, and broadening the conversation out simply from what's reasonable also allows in other things.

The cultural influences in our country are like the floo floo bird. I am referring to the peculiar and especial bird who always flew backward. To keep the wind out of its eyes? No. Just because it didn't give a darn where it was going, but just had to see where it had been.

Satire must always accompany any free society. It is an absolute necessity. Even in the most repressive medieval kingdoms, they understood the need for the court jester, the one soul allowed to tell the truth through laughter. It is, in many ways, the most powerful form of free speech because it is aimed at those in power, or those whose ideas would spread hate. It is the canary in the coalmine, a cultural thermometer, and it always has to push, push, push the boundaries of society to see how much it’s grown.

My family... always had the value of the family table and these cultural influences of growing up.

Everyone has taste, yet it is more of a taboo subject than sex or money. The reason for this is simple: claims about your attitudes to or achievements in the carnal and financial arenas can be disputed only by your lover and your financial advisers, whereas by making statements about your taste you expose body and soul to terrible scrutiny. Taste is a merciless betrayer of social and cultural attitudes. Thus, while anybody will tell you as much (and perhaps more than) you want to know about their triumphs in bed and at the bank, it is taste that gets people's nerves tingling.

Bookishness, highest literacy, every technique of cultural propaganda and training not only can accompany bestiality and oppression and despotism but at certain points foster it.

Most of our life is miscommunication, and when you add a language barrier to it, it just becomes total mayhem and confusion... It just adds to it with all of the cultural differences. It could be an American family meeting another American family and you could still have a total clash. With family, it's like visiting another planet.

A talent for speaking differently, rather than for arguing well is the chief instrument of cultural change.

I make films as a business, not as a cultural endeavor.

This is the birth of the modern human soul. The artists are like us, not like the Neanderthals, who had no culture - and who incidentally were still roaming the landscape at the time the paintings were made. It is striking that there is a distant cultural echo that seems to reach all the way down to us, over dozens of millennia.

When you lose the gayborhoods, you lose the political power that comes when you're concentrated in precincts, and you also lose the cultural vitality.

The notion of multiple literacies recognized that there are many ways of being-and of becoming-literate, and that how literacy develops and how it is used depend on the particular social and cultural setting.

The crucial differences which distinguish human societies and human beings are not biological. They are cultural.

After two decades of reconstruction work, I want to work on projects that lay at the intersection of cultural diplomacy and national identity - ones that empower local communities to define progress, not have it sanctioned by others.

Standing outside the cultural hysteria the trend is fairly clear. It is a trend toward temporal compression and the emergence of ambiguity.

Rather than protecting music as a sublimely meaningless activity that has managed to escape social signification, I insist on treating it as a medium that participates in social formation by influencing the ways we perceive our feelings, our bodies, our desires, our very subjectivities - even if it does so surreptitiously, without most of us knowning how. It is too important a cultural force to be shrouded by mystified notions of Romantic transcendence.

The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.

The gospel always comes to people in cultural robes. There is no such thing as a ‘pure’ gospel, isolated from culture

My activism has to do with my conscience; I cannot let certain things slide without doing something. My public speaking is part of an art form that is cultural.

I do consider the human capacity for violence is the central issue of the social contract. In boxing we have a peculiarly civilized form, in that boxers don't screech and holler. They don't use weapons. All of this seems to me quite amazing, because it is so disciplined, so controlled. It's ritualized, but absolutely genuine. And the cultural structure built around that ritual is absolutely fascinating to me. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.

Celebrity life and media culture are probably the most overbearing pop-cultural conditions that we as young people have to deal with, because it forces us to judge ourselves.

Science is the most durable and nondivisive way of thinking about the human circumstance. It transcends cultural, national, and political boundaries. You don't have American science versus Canadian science versus Japanese science.

No country has a perfect report card. While some countries have strong points in specific areas, they may have serious lacunae in other areas. For instance, some countries have made enormous progress on civil and political rights, but lag in the implementation of economic, social and cultural rights.

This work of the Lord is indeed great and marvelous, but it moves forward essentially unnoticed by many of mankind's political, cultural, and academic leaders. It progresses one heart and one family at a time, silently and unobtrusively, its sacred message blessing people everywhere.

English is the 'language of liberty' for nations emerging from years of cultural oppression.

This reference to the Scots side of her ancestry is the first of two visual explorations into Tori Amos's diverse cultural past. As is the case for many of us, Tori's ancestry is a mix of races and religions, philosophies and professions, fortunes and foibles. What to some may seem like a family tree grown wild and untamed is actually a mighty oak that has weathered life's many storms and can still put out a rare and beautiful blossom like Tori.

I think historically modern economics, capitalist economics, tends to erode moral categories... And this is where I think the right gets capitalism wrong. They kind of assume that there is a moral equivalence or moral valence to capitalism, but I tend to think that economics erodes all the kind of cultural taboos and inhibitions and values it comes into contact with.

When considering the Islamic world, Turkey is the best example of a country where democracy irreversibly gained a foothold despite religious and cultural traditions still respected today. With some reservation, this can be said about Pakistan, too, where we can observe dynamic political processes going on [and] governments change as a result of elections. In my opinion, it is up to the ruling elite to initiate cardinal changes.

With Tatars, the situation is a little bit more complex. They are geographically very isolated so they need the rest of Russia. When they pump oil, they need pipelines to deliver it so they need those connections. We in Siberia don't need those connections. The only thing which actually sticks us together is the cultural similarities and the relatives that are on both sides of the Ural mountains.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.

I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.

We are increasingly recognising and accepting, respecting and celebrating, our cultural diversity.

I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure.

As a Liberal of course I am very strongly committed to the notion of artistic freedom and very hostile to the idea of there being a single view of cultural policy dictated from on high.

Surely people can now see that it is no accident that he, Obama, sat at the feet of the Rev. Jeremiah Wright for 20 years, that he is mother was a leftist activist and cultural Marxist, that his main early mentor was radical Frank Marshall Davis, that he was a member of the far-left New Party in Chicago, that his main vocation in life has been street organizing and agitation and that he didn't think the revolutionarily, transformative Warren court was liberal enough.

I know one day I'll be irrelevant. No matter how hard you try there is a cultural moment, but eventually that window's gone, your time on Earth is finished, and you might as well leave. I could absolutely die tomorrow - I would not care. I feel like I've lived, I feel like I've had a great life.

Apple has struck a cultural nerve, especially with Generation X and Gen Y, while Windows and PC are viewed in essence as 'My parents' computer'.

In cultural history, the civil rights movement came before the women's movement.

The rushed existence into which industrialized, commercialized man has precipitated himself is actually a good example of an inexpedient development caused entirely by competition between members of the same species. Human beings of today are attacked by so-called manager diseases, high blood pressure, renal atrophy, gastric ulcers, and torturing neuroses: they succumb to barbarism because they have no more time for cultural interests.

I was searching for something a little more than a dashing metaphor, a good deal less than a cultural map: and for those purposes the two cultures is about right.

Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation.

We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.

By carrying the torch, you will be bridging cultural and social barriers, and all the boundaries that separate nation from nation.