Quotes About Cultural

Whales are cultural animals, and we're cultural animals, so although we shouldn't expect whales to do what we do, it doesn't seem unreasonable to hypothesize that we might share some of these things.

The break from the supposedly culturally-narrow religious bases of knowledge in favor of supposedly trans-cultural scientific bases of knowledge served as the self-justification of a particularly pernicious form of cultural imperialism.

Countries will cooperate with each other, and are more likely to cooperate with each other when they share a common culture, as is most dramatically illustrated in the European Union. But other groupings of countries are emerging in East Asia and in South America. Basically, as I said, these politics will be oriented around, in large part, cultural similarities and cultural antagonism.

When I was exposed to the history and the cultural background of why women whose husbands die, why they have to become ascetic or live a life that is completely deprived of emotional or social or cultural sustenance, I was really shocked.

The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.

Ideologies are cultural memes. They are the most confining of the cultural memes. That's where culture gets real ugly. It is when you rub up against its ideologies.

Sponsors, corporate endowments, and the heritage of the big fortunes would take care of financing cultural projects when American society was homogeneous. Now it's too complex, it's a mix. Different cultures in collision. I think it starts to be necessary to have a government institution to deal with cultural affairs.

We have cultural depth. We get all kinds of stuff to chew on, to live on.

The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.

I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.

I find that my cultural conditioning leads me to focus attention on places where I am unlikely to get what I want. I developed NVC as a way to train my attention-to shine the light of consciousness-on places that have the potential to yield what I am seeking.

To understand my feelings — and my conception of the role of Secretary General — the nature of my religious and cultural background must first be understood. I should therefore like to outline not only my beliefs but also my conception of human institutions and of the human situation itself.

My world view has always been that there's just an enormous amount of cultural and religious diversity out there, all of which is really worth taking in.

Our task is to build cultural fortresses to protect our emerging nativeness. They must be strong enough to hold at bay the powers of consumerism, the powers of greed and envy and pride. One of the most effective ways for this to come about would be for our universities to assume the awesome responsibility to both validate and educate those who want to be homecomers -- not necessarily to go home but to go someplace and dig in and begin the long search and experiment to become native.

Somehow the past is a safe place to explore our collective cultural neuroses.

Everyone has taste, yet it is more of a taboo subject than sex or money. The reason for this is simple: claims about your attitudes to or achievements in the carnal and financial arenas can be disputed only by your lover and your financial advisers, whereas by making statements about your taste you expose body and soul to terrible scrutiny. Taste is a merciless betrayer of social and cultural attitudes. Thus, while anybody will tell you as much (and perhaps more than) you want to know about their triumphs in bed and at the bank, it is taste that gets people's nerves tingling.

At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.

Bookishness, highest literacy, every technique of cultural propaganda and training not only can accompany bestiality and oppression and despotism but at certain points foster it.

Your primary presumption that The Bridge was proffered as an epic has no substantial foundation. You know quite well that I doubt that our present stage of cultural development is so ordered yet as to provide the means or method for such an organic manifestation as that.

Chairman Mao creatively applied Marxism-Leninism to every aspect of the Chinese revolution, and he had creative views on philosophy, political science, military science, literature and art, and so on. Unfortunately, in the evening of his life, particularly during the "Cultural Revolution", he made mistakes - and they were not minor ones - which brought many misfortunes upon our Party, our state and our people.

Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature's answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.

Right now were in the middle of a cultural war between the Muslims and the Western world. The politicians get in the way, but if you put two people together in a room, they can talk it out and work it out, just like Anna and the King.

You can't have a Superman that is battling cultural morality. You need a Superman that has built in sort of values.

Cultural differences - they are definitely vast in some ways. But I think that Europeans in general have a more global view of the world because they are in such proximity to other countries that it enables them to travel and see other parts of the world.

Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.

Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.

As a first-generation "Asian American woman," for one thing, I knew there was no such thing as an "Asian American woman." Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me.

Now, after the material resources of the colonies have been looted, their spiritual and cultural resources are being transformed into commodities for the world market.

It is not OK for anyone to be obese. There needs to be a cultural shift.

Film has become a marketed commodity, and the opportunities and audiences for art cinema have grown smaller. There is a general downturn in cultural literacy, perhaps because of television.

We are told No, you're unimportant, you're peripheral - get a degree, get a job, get a this, get that, and then you're a player. You don't even want to play that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.

The danger of censorship in cultural media increases in proportion to the degree to which one approaches the winning of a mass audience.

Giving people what they want reduces us to consumers instead of treating us like citizens, consumers who are on the prowl for the predictable and comfortable. What we want winds up being suspiciously like what we've already got, more of the same-the cultural equivalent of a warm bath.

Perhaps some of the appeal of the dangerous-but-yummy paranormal anti-hero lies in his scorn for societal expectations. Yes, women have come a long way, but there are still some cultural stigmas more associated with women than men.

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

..I think there is less cynicism about human rights than there was. The work we are doing is part of the overall pattern of human development, whatever the political system, whatever the country, whatever the cultural background, whatever the religion.

A homeless man once told me that dancing to rap music is the cultural equivalent of masturbating, and I'd sort of fell the same way about playing John Madden Football immediately after filing my income tax: It's fun, but - somehow - vaguely pathetic.

I just don't need cable news. There's nothing that happens on cable news that I don't already know. I'm talking about just the acquisition of information, learning things. What is on cable TV is not that. Cable news isn't news. What is happening on cable news right now is a political assassination of not just Donald Trump, but of ideas and cultural mores that I believe in.

The reason ... our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down.

Materialism is not fundamentally an economic problem, but a cultural one... a spiritual issue. It runs to the depths of our souls, and, for this reason, needs to be understood less in terms of budgets or fiscal cycles and more in terms of where we locate the sacred, of where we search for meaning and transcendence, and of how we think about justice, equality, and the future of our world.

I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.

Our sexual self is a complex combination of our social, cultural, and biological inheritance.

Women have always been healers. Cultural myths from around the world describe a time when only women knew the secrets of life and death, and therefore they alone could practice the magical art of healing... The emergence of women whose consciousness blends with the ancient themes of healing is the single most promising event in health care.

The "encounter" with the people on the peripheries is intended to draw them into the circle of common care and concern - that call to encounter is, to use a favorite world of John Paul II's, a call to solidarity. And that means, it seems to me, aggressive Catholic efforts to empower the poor - and a profound Catholic challenge to all those cultural forces that are eroding stable families, which are the elementary schools where we learn to take responsibility for our lives, which is the highest exercise of freedom.

Cultural relevance can be a cruel mistress.

A tension has always existed between the capitalist imperative to maximize efficiency at any cost and the moral imperatives of culture, which historically have served as a counterweight to the moral blindness of the market. This is another example of the cultural contradictions of capitalism - the tendency over time for the economic impulse to erode the moral underpinnings of society. Mercy toward the animals in our care is one such casualty.

As a surfer, I am interested in the ocean. And I am concerned and interested in all of these natural and cultural rumblings underfoot as well.