Quotes About Cultural

Cultural diversity and cultural change are desirable and inevitable. We are cultural animals, someone without a culture is not human. But the cultures we possess vary enormously. Indeed, the variability, over time and space is the great evolutionary advantage of humanity. Instead of changing biologically over millennia, human beings can change culturally over decades

The Jews cannot be classed as a 'race' per se, they are an ethnic group. '...the Jews form an ethnic group; that like all ethnic groups they have their own racial elements distributed in their own proportions; like all or most ethnic groups they have their 'look,' a part of their cultural heritage that both preserves and expresses their cultural solidarity...they have developed a special racial sub-type and a special pattern of facial and bodily expression.

If someone says that they have to 'tolerate' cultural differences and cultural groupings different from themselves then that may make it difficult, at the same time, to condemn unjust practices within those cultures.

[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.

Where neoliberalism thrives is in having done something that we haven't seen before. There is a merging of culture, politics, and power under neoliberalism that's unprecedented. They control the cultural apparatuses. And what I mean by "cultural apparatuses" is all those institutions that are about the production of knowledge, values, dispositions, and subjectivities. They control them.

The break from the supposedly culturally-narrow religious bases of knowledge in favor of supposedly trans-cultural scientific bases of knowledge served as the self-justification of a particularly pernicious form of cultural imperialism.

I think a lot of Indians want Indian artists to be cultural cheerleaders rather than cultural investigators.

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.

It's hard to make a cultural phenomenon every time.

Just as a tree without roots is dead, a people without history or cultural roots also becomes a dead people.

True Sufism is resistance: spiritual, intellectual, social, cultural, political and economic resistance. It cannot be, for sure, supporting dictators.

Jesus literally sliced through years of rabbinical law and cultural norms with the extreme love of God that sees the treasure in every human heart.

To understand my feelings — and my conception of the role of Secretary General — the nature of my religious and cultural background must first be understood. I should therefore like to outline not only my beliefs but also my conception of human institutions and of the human situation itself.

The union of a man and a woman is the most enduring human institution, honored and encouraged in all cultures and by every religious faith." ... "Marriage cannot be severed from its cultural, religious and natural roots without weakening the good influence of society.

With full responsibility for my words as a professional biologist, I do not hesitate to say that all existing and genuine knowledge about the way in which the physical characteristics of human communities are related to their cultural capabilities can be written on the back of a postage stamp.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

Most Christian 'believers' tend to echo the cultural prejudices and worldviews of the dominant group in their country, with only a minority revealing any real transformation of attitudes or consciousness. It has been true of slavery and racism, classism and consumerism and issues of immigration and health care for the poor.

Cultural legacies are powerful forces. They have deep roots and long lives. They persist, generation after generation, virtually intact, even as the economic and social and demographic conditions that spawned them have vanished, and they play such a role in directing attitudes and behavior that we cannot make sense of our world without them.

History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.

If you're creating something that has some sort of cultural currency - if the idea is getting out there - then that will probably yield money in some form, whether it's through selling art or selling books or being asked to give a lecture.

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye.

Standing outside the cultural hysteria the trend is fairly clear. It is a trend toward temporal compression and the emergence of ambiguity.

We know what hair smells like when a hot comb hits it. That's a cultural thing. We know what that smells like on Sunday mornings, usually church-related or something. In my house, it was getting ready for church and your sister was getting her hair fried.

Now, after the material resources of the colonies have been looted, their spiritual and cultural resources are being transformed into commodities for the world market.

At the present moment in our culture this yearning for meaning and consciousness, this yearning to give and serve something higher than ourselves, is breaking through the hard crust of our widespread cultural materialism and pseudo-scientific underestimation of what a human being is meant to be together with an equally tragic overestimation of what we human beings are capable of in our present everyday state of being. The intensity of the present confusion about the nature and existence of God is a symptom of this yearning within the whole of our modern culture.

We live fragmented, compartmentalized lives in which contradictions are carefully sealed off from each other. We have been taught to think linearly rather than comprehensively, and we do this not through conscious design or because we are not intelligent or capable, but because of the way in which deep cultural undercurrents structure life in subtle but highly consistent ways that are not consciously formulated.

No country has a perfect report card. While some countries have strong points in specific areas, they may have serious lacunae in other areas. For instance, some countries have made enormous progress on civil and political rights, but lag in the implementation of economic, social and cultural rights.

Giving people what they want reduces us to consumers instead of treating us like citizens, consumers who are on the prowl for the predictable and comfortable. What we want winds up being suspiciously like what we've already got, more of the same-the cultural equivalent of a warm bath.

It indicates a person who has not only good manners but who possesses a sense of balance, a sure mastery of himself, a moral discipline that permits him to subordinate voluntarily his own selfish interest to the wider interests of the society in which he lives. The gentleman, therefore is a cultural person in the noblest sense of the word, if by culture we mean not simply wealth of intellectual knowledge but also the ability to fulfil one's duty and understand one's fellow man by respecting / every principle, every opinion, every faith that is sincerely professed.

Perhaps some of the appeal of the dangerous-but-yummy paranormal anti-hero lies in his scorn for societal expectations. Yes, women have come a long way, but there are still some cultural stigmas more associated with women than men.

Elvis is the greatest cultural force in the twentieth century. He introduced the beat to everything, music, language, clothes, it's a whole new social revolution - the 60's comes from it.

The correct rate of speed in innovating changes in long-standing social customs has not yet been determined by even the most expert of the experts. Personally I am beginning to think there is more danger in lagging than in speeding up cultural change to keep pace with mechanical change.

I think cultural appropriation has been an issue since the beginning of time and I think it's so important for us to tell our own stories and tell them the way we know how they're supposed to be told but also giving each other the exposure and access in order to do that.

These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.

Those who write the editorials and those who write the columns, they simply are unaccountable. They're free to impose their cultural politics in the name of freedom of the press.

I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure.

As a Liberal of course I am very strongly committed to the notion of artistic freedom and very hostile to the idea of there being a single view of cultural policy dictated from on high.

One difference with the political writings, whether about feminism or class, is that the intent is to change how people think of a certain political reality; whereas with cultural criticism, the goal is to illuminate something that is already there.

A cultural snob is someone who claims to be familiar with the incomprehensible.

I have very mixed feelings about Jesse Jackson. He's very good about labor, and human and civil rights issues, but not so good on cultural issues.

Paradoxically, those who call for family values also tout the wonders of an unregulated market without observing the subtle cultural links between the family they seek to regulate and the market they hold free.

Both of these places, Cairo's downtown and Tahrir Square, are in the heart of downtown Cairo. They are places where young people gather to exchange political and cultural ideas. And so that's possibly a factor into why they went after these institutions, although there's been no public comment from the government on why these raids happened.

Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.

In spite of all the cultural restrictions, in spite of marital or political difficulties, a strong woman continues to create and makes the world go round, such as Abigail Adams and Alexandra Bergson, Harriet Scott, and Emily Dickinson all did. History is full of women creators in the arts, many of whom created under oppressive circumstances.

Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

Women are far more likely to follow orders to evacuate, especially women with children. At the same time, women were much more likely to die during the South Asian tsunami. In some villages it was 3 to 1. And that was party because of the average strength it takes to hold onto something. Also it was cultural; women were less likely to know how to swim, as were children. So much of this is based on how we develop our own survival skills before something goes wrong: Even if nothing goes wrong, it might be good to know how to swim.

I was still rooting for Notre Dame.It's like there's the cultural Catholic experience.

Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.