Quotes About Dance

I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

It is sweet to dance to violins When love and life are fair: To dance to flutes, to dance to lutes Is delicate and rare: But it is not sweet with nimble feet To dance upon the air!

Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!

To dance, above all, is to enter into the motions of life. It is an action, a movement, a process. The dance of life is not so much a metaphor as a fact; to dance is to know oneself alone and to celebrate it.

There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.

One day the wind blew through the town, and oh, how merry it was! It whistled down the chimneys, and scampered round the corners, and sang in the tree tops. "Come and dance, come and dance, come and dance with me," that is what it seemed to say.

Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.

Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.

I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.

I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.

Dance music will always be around. People around the world love to dance.

DNCE is “dance without the a.” It’s not a perfect word, and you don’t always have to be a perfect dancer to dance. Life is just sometimes not perfect.

If you decide to become a dancer on Broadway, never say who your favorite dance partner is, because members of the media will presume you never want to dance with anybody else.

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside...." It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals.

I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"

Dance is communication, and so the great challenge is to speak clearly, beautifully, and with inevitability. Dance is the only art of which we ourselves are the stuff of which it is made. Dancing is like dreaming with your feet!

Don't let some hell bent heart leave you bitter. When you come close to sellin' out reconsider. Give the heavens above more than just a passing glance. And when you get the choice to sit it out or dance, I hope you dance.

For me, dance is a nutrient, you know, it's something that I need, it's something like, you know, the air we breath, the food we eat. These are things that we need for survival. For me, dance is a nutrient. It's my nourishment.

But art is not simply works of art; it is the spirit that knows Beauty, that has music in its soul and the color of sunsets in its headkerchiefs; that can dance on a flaming world and make the world dance, too.

I don't want to participate in traditional Indian religious ceremonies - dance in a sun dance or pray in a sweat lodge or go on a vision quest with the help of a medicine man. The power of these ceremonies has an appeal, but I'm content with what little religion I already have.

How can you do the moonwalk and ask a woman to dance? Hey baby lets dance... cya later!

I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.

Be willing to dance the victory dance as if your greatest dreams are realized, and watch how easily things fall into place.

You can't lie when you dance. It's so direct. You do what is in you. It is impossible to dance out of the side of your mouth.

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.

The beauty is forever there before us, forever piping to us, and we are forever failing to dance. We could not help but dance if we could see things as they really are. Then we should kiss both hands to Fate and fling our bodies, hearts, minds, and souls into life with a glorious abandonment, an extravagant, delighted loyalty, knowing that our wildest enthusiasm cannot more than brush the hem of the real beauty and joy and wonder that are always there.

In the United States and other countries, there has been a decline in public and private support of the arts, including dance. Awareness that dance is not just entertainment but also a form of education and healing may reverse the trend.

Madonna Kolbenschlag suggest that if an awakened woman forgoes innocence and denial, if she refuses to make compromises with herself and defect to patriarchy, then her only option becomes deviance. I chose deviance. I chose to be a loving dissident. To dance the dance of dissidence. This stance can be assumed from the inside or the outside. Whichever place we choose, the important thing is having the sustained will to be, act, and speak from the ground of our feminine souls.

My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.

When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance.

dance is simply the refinement of human movement - walking, running, and jumping. We are all experts. There should be no art form more accessible than dance, yet no art is more mystifying in the public imagination.

In the Ramtops village where they dance the real Morris dance, for example, they believe that no-one is finally dead until the ripples they cause in the world die away - until the clock he wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life, they say, is only the core of their actual existence.

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

I don't tap dance, and I don't think you can learn to tap dance in three weeks at my ripe old age.

I'm always working out; I did ice hockey in high school, but I'm not a dance person. I mean, this was horrible, but I had a dance double in my high-school musical.

Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.

I'm a bad walker but I can dance tango. You know why? Put your hand up. Push on my fingertips and just hold it. In tango, your feet are free but the top of your body pushes, so if I feel like I'm gonna fall, my partner can catch me. So I walk with a stick but I can totally dance the tango. It's a romantic kind of thing.

Real men don't dance to other people's tune, instead, they play for others to dance.

Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart.

I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.

The art of living is based on rhythm - on give & take, ebb & flow, light & dark, life & death. By acceptance of all aspects of life, good & bad, right & wrong, yours & mine, the static, defensive life, which is what most people are cursed with, is converted into a dance, 'the dance of life,' metamorphosis.

I feel that the essence of dance is the expression of man--the landscape of his soul. I hope that every dance I do reveals something of myself or some wonderful thing a human can be.

I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.

Timing is so important! If you are going to be successful in dance, you must be able to respond to rhythm and timing. It's the same in the Spirit. People who don't understand God's timing can become spiritually spastic, trying to make the right things happen at the wrong time. They don't get His rhythm - and everyone can tell they are out of step. They birth things prematurely, threatening the very lives of their God-given dreams.

On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.

Dance is an ephemeral, a fleeting art. To describe this momentum, every movement on stage, in words is virtually impossible.

I do a dance-based cardio workout infused with circuit training, and emphasizing strength and alignment.