Quotes About Doing

They will do more whether we do what we're doing or whether we don't do what we're doing. And the idea that you could appease them [terrorists] by stopping doing what we're doing or some implication that by doing what we're doing we're inciting them to attack us is just utter nonsense. It's just - it's kind of like feeding an alligator, hoping it eats you last.

I have to tell you, a few people had very controversial feelings about what I was doing with Gucci at the beginning, and now, after a couple of years, they are changing their minds. I want to give journalists the time and space to know me and what I'm doing better. But it's not a priority for me. At the end of the day, I am not an artist; I am not doing a performance; I'm doing things that need to be sold. And I know my job.

Heaven does nothing: its non-doing is its serenity. Earth does nothing: its non-doing is its rest. From the union of these two non-doings All actions proceed. All things are made. How vast, how invisible This coming-to-be! All things come from nowhere! How vast, how invisible No way to explain it! All beings in their perfection Are born of non-doing. Hence it is said: Heaven and earth do nothing Yet there is nothing they do not do. Where is the man who can attain To this non-doing?

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well. The truth is, many things are worth doing only in the most slovenly, halfhearted fashion possible, and many other things are not worth doing at all.

I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.

I love the training, learning the stunts, doing them. I love feeling that power - doing things you could never actually do in life - like flying and doing backflips in the air!

There are no black film composers doing the likes of Star Wars, doing the likes of E.T., doing the likes of Jurassic Park. There are none, nor will there ever be one. That ain't about to happen!

We dream of having a clean house - but who dreams of actually doing the cleaning? We don't have to dream about doing the work, because doing the work is always within our grasp; the dream, in this sense, is to attain the goal without the work.

We're focused on doing one thing incredibly well. If you look at other companies, all of these companies are doing a lot of different things but we're still, as we grow, doing exactly one thing.

When I used to go on the Wikipedia page, and I haven't gone on the page in a while, there used to be some guy who was doing my page and he would say that he was my cousin and I was going to be doing projects with him. I don't know who this person is and I don't have a cousin by this name and this person keeps saying that they're doing projects with me. It's so weird.

I've got childhood friends who are working for non-profit foundations, or who are running for state senate and doing things that actually do fight evil in this world. And what am I doing? I bang on some drums in a rock band. I try to tell myself that by doing that, I'm fighting evil - which is completely absurd. Music is not equipped in any way to fight against anything. Other than, I guess, it could fight against silence.

It won't ruin our movement if someone gets killed in an animal rights action. It's going to happen sooner or later. The Animal Liberation Front, the Earth Liberation Front - sooner or later there's going to be someone getting hurt. And we have to accept that fact. It's going to happen. It's not going to hurt our movement. Our movement will go on. And it's important that we not let the bully pulpit of the FBI and the other oppression agencies stop us from what we're doing. They are the violent ones. They are the terrorists ... we have to keep doing what we're doing.

In the space shuttle program, where we had males and females, I can tell you that nobody was doing that [sex] because there's absolutely no privacy. The only privacy would have been in the air lock, but everybody would know what you were doing. You're not out there doing a spacewalk. There's no reason to be in there.

I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.

Doing is a quantum leap from imagining. Thinking about swimming isn't much like actually getting in the water. Actually getting in the water can take your breath away. The defense force inside of us wants us to be cautious, to stay away from anything as intense as a new kind of action. Its job is to protect us, and it categorically avoids anything resembling danger. But it's often wrong. Anything worth doing is worth doing too soon.

[Do not] overburden yourself with rules of devotion, but persist in doing well those you have, your daily actions, your work; in a word, let everything revolve around doing well what you are doing.

The thinking mind is what is busy. You have to stay in your heart. You have to be in your heart. Be in your heart. The rest is up here in your head where you are doing, doing, doing.

Whatever we have done in withdrawing from full consciousness of the One Mind, we are doing now. Whatever we are doing will always be within us to do, even when we are not doing it, and therefore is not to be resisted, but transcended. These are reminders I frequently use: "That's always within me." "This, too, can be experienced with a completely expanded awareness."

If I were not a writer, I would spend more time doing the things that I am already doing, which include doing research in physics, teaching, and running a nonprofit organization with a mission to empower women in Cambodia.

It's not about how much work you're doing. It's about what work you're doing and how you're doing the work.

The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.

I admire an actor that can do a lot with doing nothing really, for the most part. I like doing a lot by doing so little.

I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.

To follow Jesus implies that we enter into a way of life that is given character and shape and direction by the one who calls us. To follow Jesus means picking up rhythms and ways of doing things that are often unsaid but always derivative from Jesus, formed by the influence of Jesus. To follow Jesus means that we can't separate what Jesus is saying from what Jesus is doing and the way that he is doing it. To follow Jesus is as much, or maybe even more, about feet as it is about ears and eyes" (The Way of Jesus, Eugene H. Peterson, 22).

Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.

As an actor, if you step to the side and you look at [Thornton's performance] technically, and you try to imagine doing what he was doing, most people would panic. Most people would be on the set, and they would be panicking, going, "I'm not doing anything!" All the ham instincts in you would be screaming, "You've got to indicate something here." And it's beautiful, in a way. And so I appreciate, even as an audience member, the courage that it takes to be... frankly, to be subtle.

You look at what China is doing to our country in terms of making our product. They're devaluing their currency, and there's nobody in our government to fight them. And we have a very good fight. And we have a winning fight. Because they're using our country as a piggy bank to rebuild China, and many other countries are doing the same thing.

I don't think of myself as just a pop artist, but someone who knows she has a bigger meaning. I'm not doing this for myself; I'm doing this because it's my destiny.

I think that we ill-prepare athletes from the very beginning. From the moment they pick up a ball or kick or whatever it is they're doing. We ill-prepare them. Especially with the major sports. What you see is this cycle of entitlement that gets thrown their way, so the kid who is in junior high and hasn't finished his test, but still gets to play because he is an athlete, fails the test and still gets to play because they're an athlete, gets to get away with not doing chores at home because they've got practice.

Yeah, but if you're not doing what everyone else is doing then you're going to be misunderstood. People are going to wonder why you're trying to be different; it's just a natural instinct.

The difference between a good educator and a great educator is that the former figures out how to work within the constraints of traditional policies and accepted assumptions, whereas the latter figures out how to change whatever gets in the way of doing right by kids. 'But we've always...', 'But the parents will never...', 'But we can't be the only school in the area to...' - all such protestations are unpersuasive to great educators. If research and common sense argue for doing things differently, then the question isn't whether to change course but how to make it happen.

It actually took me a year to learn how to play running back - to understand what they were doing defensively and then what our guys were doing every single play.

I feel like I've been doing performing my entire life. I started taking music lessons and singing when I was about ten. I didn't have one of those creepy stage moms that made me do stuff. I started bands at a pretty young age and played with my friends back in Detroit. I've always known that I wanted to do this. It was all I was ever interested in doing. I never had, outside of music, any extracurricular activities that I took part in.

I was doing a play out in L.A. 20-some-odd years ago called 'Goose and Tomtom' by David Rabe, and somebody saw it and the next thing I know I'm doing the table read of the film version of 'Glengarry Glen Ross' with Al Pacino and Jack Lemmon - one of the great films of our generation.

Iowans know themselves and what they are doing. They are doing well.

In a word, neither death, nor exile, nor pain, nor anything of this kind is the real cause of our doing or not doing any action, but our inward opinions and principles.

I can't believe I've been doing it so long. In the last three or four years, I've slowed down. I'm doing only the roles I really want to do.

More recently I've come to terms with what I'm doing and why I'm doing it. That's why you start to see me recoiling from 'let's put out radio records, let's get rich and get on out of here.' I have gone towards more speaking to kids and putting out records that I like.

We're doing some very exciting, bold things, pioneering content on mobile and for broadband, ... My vision is to say, as we take the strategy forward, we are doing it to deliver public remit. We're thinking less and less about C4 and more about the brand family.

Success means doing the best we can with what we have. Success is the doing, not the getting - in the trying, not the triumph. Success is a personal standard - reaching for the highest that is in us - becoming all that we can be. If we do our best, we are a success. Success is the maximum utilization of the ability that you have.

The hardest thing about exercise is to start doing it. Once you are doing exercise regularly, the hardest thing is to stop it.

Learning can be a bridge between doing and thinking. But then there is a danger that the person who uses learning as a bridge between doing and thinking may get stuck in learning and never get on to thinking.

What you do for yourself, you're doing for others, and what you do for others, you're doing for yourself.

eah, you don't get a lot of meatheads doing improvised theater to begin with, and that's always been my thing. I talk about the nerd/meathead dichotomy on my podcast a lot, but there was a time when I was doing UCB full-time and playing men's league rugby in New York City, and I was like the funniest, artsiest rugby player, and the bro-iest improv comedian. I've always managed to sort of be in both sides.

Who you're becoming is far more important than what you're doing, and yet, it is what you're doing that is determining who you're becoming.

You can make fun with Saddam Hussein jokes ... but you can't make fun of, say, the concentration camps. I think my target was not so much evil, but benign stupidity people doing stupid things without realising or, instead, thinking they were doing good.

In high school I was always thinking, 'Should I be doing more? What else should I be doing?' Now I know it will all come to me. I just have to trust my path, so that's very different.

I was doing the promotion for Moon in LA at the same time that Tony Scott was there with [The Taking of] Pelham 123. But obviously he was so concentrating on his own film that he didn't even know I was doing a feature film.