Quotes About Early

I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!

Early access is very valuable, there are a lot of consumers who would love to see something early.

Now, today, some children are enrolled in excellent programs. Some children are enrolled in mediocre programs. And some are wasting away their most formative years in bad programs....That's why I'm issuing a challenge to our states: Develop a cutting-edge plan to raise the quality of your early learning programs; show us how you'll work to ensure that children are better prepared for success by the time they enter kindergarten. If you do, we will support you with an Early Learning Challenge Grant that I call on Congress to enact.

We need to pledge ourselves anew to the cause of Christ. We must capture the spirit of the early church. Wherever the early Christians went, they made a triumphant witness for Christ. Whether on the village streets or in the city jails, they daringly proclaimed the good news of the gospel.

It shouldn't be difficult, then, to make the transposition at this point into the early Christian vision of Jesus and the Spirit and the way in which the material world is both celebrated and renewed through their work. The Jewish basis for the early Christian patterns of belief and behavior is clear. It is important that God's people are embodied, because God made this world and has no intention of abandoning it. The material of creation is a vessel made to be filled with God's new life and glory, even though the transformation may involve suffering, persecution, and martyrdom.

Our understanding of early Christian beginnings is usually monolithic. It is much determined by the Acts of the Apostles, which pictures a straightforward development from the primitive community in Jerusalem founded on Pentecost to the world-wide mission of Paul climaxing with his arrival in Rome, the political centre of the Greco-Roman world. The Pauline epistles are understood not so much as historical sources reflecting a much more multifaceted early Christian situation fraught with tensions but as theological treatises expounding and defending the doctrine of justification by faith.

I was eccentric, even as a kid. I was an early reader, an early talker. I was very curious in a way that maybe the other kids weren't. I was a little more outgoing.

Early to bed and early to rise, makes a man healthy, wealthy and wise." He planned his routine around waking up at 5 a.m. and asking himself "What good shall I do this day?

One of the fascinating things about early writing on slates, on papyrus, even on early handwritten books, is for instance, there were no space between the words. People just wrote in continuous script.

To some degree, the critic arises out of that negativity bias in that our brains are oriented towards threat and toward survival. The critic really started as a survivor mechanism in early infancy and childhood when we were trying to navigate our early family system and culture; when we're learning how to fit in so we could optimize that flow of love and affection. It was an internal voice telling us to shut certain patterns and reactions down, that negativity bias that's always looking for what's wrong, looking for the threat.

I've certainly done some turkeys along the way and made some dumb choices in my career, mostly early on. I'm one of the lucky ones who got to make a lot of mistakes very early when no one was paying attention.

I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.

I went public with the alcoholism, very early on... the early '70s. Mercedes McCambridge, the actress, I think was the first recognizable person that went before Congress and talked about it, and I thought that was a good idea, to take some of the stigma away from it and say "Normal, average people can fall prey to it." So it's been public for me. I did a movie about an alcoholic. And today, you're nobody unless you've been to rehab. It seems like everybody has some kind of an addiction.

I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.

My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.

I come home from work early one day, and I see a guy jogging down the street in his underwear. I ask him, "Why are you jogging in your underwear?" He says, "You came home from work early".

The good-news stories in medicine are early detection, early intervention.

I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.

The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character.

There is no telling what a human character is. Until the test comes. To most of us the test comes early in life. A man is confronted quite soon with the necessity to stand on his own feet, to face dangers and difficulties and to take his own line of dealing with them. It may be the straight way, it may be the crooked way --- whichever it is, a man usually learns early just what he is made of.

Bad luck for the young poet would be a rich father, an early marriage, an early success or the ability to do anything well.

One day as I came home early, I saw a man jogging naked. I said to the guy, 'Hey, buddy, why are you doing that?' He said, 'Because you came home early.'

The tour life definitely puts strains on your body, not just because of the dancing but because of the fact that you are traveling into the wee hours of the day, getting up early, going to sound check - just the grueling process of it all.

Champions aren't made in the ring, they are merely recognized there. What you cheat on in the early light of morning will show up in the ring under the bright lights.

You see I learnt at an early age what it was to be angry - angry and helpless. And I can never forget it. I knew more about - love... betrayal... and death, when I was ten years old than you will probably ever know in your life.

More or less the first thing that comes into my head is that some people are always looking for what they want to do in life and never finding it. I'm not one of those people. It has been very obvious to me from an early age who I am, and this has been tied up with creativity, and, specifically, with writing.

I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.

I am a 36-year-old person with breast cancer, and not many people know that that happens to women my age or women in their 20s. This is my opportunity now to go out and fight as hard as I can for early detection.

Every single one of you, before you get off the pile, affect the head. Early, affect the head. Continue, touch and hit the head.

I do not know what got me interested in technology. What was very clear to me very early on was that I was not interested in religion and that naturally increased my curiosity about science and technology, and I fundamentally believe the two are conflicting.

To me, the circle and the square where the sky and the earth, as symbolized by the ancient Oriental religions; they formed a kind of rudimentary alphabet by means of which everything could be expressed with the most limited means. They evoked prehistoric runes and the early I-Ching, or Book of Changes.

From early childhood, I was interested in understanding how the world worked, and assumed I would be some kind of physical scientist or chemist. But the truth was, I didn't know there was another kind of world, the inner world, that was just as interesting, if not more relevant, than what was going on in the outside world.

I admired fashion but I wasn't an "iconic fashionista" myself. I think as I got more comfortable in my skin, then I got a little bit more into fashion, but it's always been something I've been interested in because you can express yourself through what you wear and your accessories and everything else. So getting into my early 20s was really started to come into myself.

I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.

When community action was put into federal law in the early sixties as part of the effort to combat poverty and social injustice, I supported it intellectually.

I don't want to exaggerate; having as many African American men as we've had in the criminal-justice system, and the amount of time it takes for the damage done by that to wash through our society and our communities, the disadvantages born out of kids being undiagnosed with mental-health problems early, or not getting the kind of exposure to reading and math when they're 4 or 5 or 6 years old, that carries a cost.

A lot of nudity in my early movies was out of necessity. When I came out to Hollywood, I didn't know anybody, I didn't have any connections. I did what a lot of people have to do in the real world, and just work up from the bottom.

Early on, when software was developed by computer scientists, just people working with computers, people passed around software because that was how you got computers to do things.

I don't grow up. In me is the small child of my early days.

From a very early age, my wife and I told our son that there are times and places for everything. I told him, look, when you're in class, you have to be quiet and listen to your teacher, but when you go out to the playground, you can scream and be silly.

Stupidity gets up early; that is why events are accustomed to happening in the morning.

Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.

Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.

The past is a palimpsest. Early memories are always obscured by accumulations of later knowledge.

Do the elevators work?" I ask Uriah, as quietly as I can. "Sure they do." says Zeke, rolling his eyes, "You think I'm stupid enough not to come here early and turn on the emergency generator?" "Yeah," says Uriah. "I kinda do.

I often say the last role I played that really touched me and where I was able to access what I really am was Bonnie, which is kind of sad when you think how early in my career that was.

Early evening traffic was beginning to clog the avenue with cars. The sun slanted down behind him. Harry glanced at the drivers of the cars. They seemed unhappy. The world was unhappy. People were in the dark. People were terrified and disappointed. People were caught in traps. People were defensive and frantic. They felt as if their lives were being wasted. And they were right.

During those times like in my early years as a writer I could actually write a song in ten minutes because all of a sudden a song is writing itself, I'm just putting down words. It just seem each line that you put down flows with the other ones. It's like writing a love letter you don't think about it, it's something from the heart.