Quotes About Emotional

For me, listening to Beethoven and Tchaikovsky in particular, there's an emotional aspect - very different kinds of emotional aspects from those two composers, nonetheless, very strong emotional aspects from both of those composers.

Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

Nature is often overlooked as a healing balm for the emotional hardships in a child's life. You'll likely never see a slick commercial for nature therapy, as you do for the latest antidepressant pharmaceuticals. But parents, educators, and health workers need to know what a useful antidote to emotional and physical stress nature can be. Especially now.

But love is an emotional thing, and whatever is emotional is opposed to that true cold reason which I place above all things.

Denial is the lid on our emotional pressure cooker: the longer we leave it on, the more pressure we build up. Sooner or later, that pressure is bound to pop the lid, and we have an emotional crisis.

I do think I have an ability to record sensual and emotional facts and factoids, to construct a convincing surface of what life feels like, both physical life and emotional life.

The very same brain centers that interpret and feel physical pain also become activated during experiences of emotional rejection. In brain scans, they light up in response to social ostracism, just as they would when triggered by physically harmful stimuli. When people speak of feeling hurt or of having emotional pain, they are not being abstract or poetic, but scientifically quite precise.

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories.

Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.

[What I want to communicate] doesn't have a language with which I can communicate it. The things that I want to communicate are simply self-evident, emotional things. And the gifts of those things are that they bring both intellectual and emotional gifts - understanding. But I don't really have a major message that I want to bring to the world through my music. The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.

You can't play an emotional condition; you have an emotional condition, and because you have that condition, you try to overcome it with active doings (intentions).

An effective lighting design is like a beautiful painting. Your medium is bringing someone to an emotional state he or she would not achieve at that moment without your art. This does not and can not happen by accident.

I don't know anyone, from any class, who's had a perfectly easy life. I've met people born into wealthy families who feel like they didn't have much emotional support, and people who come from working-class families who had loads of love but no money.

I know that the emotional narrative will work in the end, and I just have to play each moment honestly even if the getting from A to B doesn't totally make sense initially.

I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.

Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.

School success is not predicted by a child's fund of facts or a precocious ability to read as much as by emotional and social measures; being self-assured and interested: knowing what kind of behavior is expected and how to rein in the impulse to misbehave; being able to wait, to follow directions, and to turn to teachers for help; and expressing needs while getting along with other children.

I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.

Writing, for me, is a combination of objective and subjective approach. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.

Poetry examines an emotional truth. It's an experience filtered through the personality of the poet. We look to poetry for visions, not scientific truths. The poet's job is to combine new elements. Explore their melting, seeping into one another.

I was always casting about for role models as a kid and the Star Trek was always available via reruns and also full of possibilities. I wanted to be like Spock because he was unflappable. I wanted to be like Kirk because he had magnetism and the ladies loved him. Bones was a grouch but he was sympathetic. The show worked like a boy band in that way... it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things.

I get homesick a lot. That can make me so emotional that I sometimes feel like crying- but never in front of anyone. No way!

We have a tendency to make assumptions about everything! The problem with making assumptions is that we believe they are truth. We could swear they are real. We make assumptions about what others are doing or thinking-we take it personally-then we blame them and react by sending emotional poison in our word. That is why whenever we make assumptions, we're asking for problems. We make assumptions, we misunderstand, we take it personally, and we end up creating a whole big drama for nothing.

I tend to go against the grain because when I start to see that everybody's trying to shock, I try not to. I just do stuff that's subtler, more emotional, and I think that shocks people.

I think Grace [Dunham] and I are always working from a personal place, and the fact that these were issues that we'd been talking about in our own families really clicked, but also Jason's [Benjamin] passion about it and his clear sense that this was going to be something emotional and remarkable to watch. It was very hard not get excited about it and want to help in any way we could.

There's Only so much emotional super glue in a person's soul, that everything just stays broken.

When my body is strong, I feel stronger inside. I feel more capable of handling emotional situations. Usually I'm more of a inside-out person, but this was a great case of me from the outside in.

To explore different parts of yourself and different emotional lives... not to hide from who you are but to actually explore who you are.

Abstraction means getting away from a visual interpretation but nearer to an emotional one.

The one thing that gives you faith is the fact that people can be apart physically but they can still have an emotional connection.

When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.

Language and words for psychopaths are only word deep; there is no emotional colouring behind it. A psychopath can use a word like, ‘I love you’ but it means nothing more to him than if he said, ‘I’ll have a cup of coffee.

It was just like Howlin' Wolf. Once you arrive at the point that you understand it, the emotional factor is darker than some of the saddest blues stuff.

I want people to leave the theater wrestling with the idea that our pain - physical, emotional, and spiritual pain - is more than just a condition that needs to be silenced, numbed, or "fixed."

I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.

All of our life is but a mass of small habits - practical, emotional, intellectual and spiritual - that bear us irresistibly toward our destiny.

The greatest need of our time is to clean out the enormous mass of mental and emotional rubbish that clutters our minds

Real optimism is not the pep talk you give yourself. It is earned through the labor involved in emotional housekeeping.

As a Buddhist, I was trained to be tolerant of everything except intolerance. I was brought up not only to develop the spirit of tolerance but also to cherish moral and spiritual qualities such as modesty, humility, compassion, and, most important, to attain a certain degree of emotional equilibrium.

I'm an emotional creature. I make music to express that.

There are dimensions to me that are not just the thinking person, but the person who is much richer, the person who has other emotional experiences, psychological experiences, these experiences also enrich me.

I put everything in that last lap, it was very emotional when I crossed the line. It was all I had, I gave it all.

These people are amazing. It's so emotional I was thinking about wearing waterproof mascara.

laughter, that distinctively human emotion, laughter which springs from trust in the other, from willingness to put oneself momentarily in the other's place, even at one's own expense, is the special emotional basis of democratic procedures, just as pride is the emotion of an aristocracy, shame of a crowd that rules, and fear of a police state.

Music has this emotional thing to it, and it touches people in crazy ways. The power of having that power is something that, once you have it, you don't want it to ever end.

Society needs people who...know how to be compassionate and honest...Societ y needs all kinds of skills that are not just cognitive; they're emotional, they're affectional. You can't run the society on data and computers alone.

To be a human being means to possess a feeling of inferiority which constantly presses towards its own conquest. The greater the feeling of inferiority that has been experienced, the more powerful is the urge for conquest and the more violent the emotional agitation.

I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.