Quotes About Emotional

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

[The] majority of the girls working there had major emotional problems. And not cries-too-much emotional problems; more like stabs-her-boyfriend-with-a-steak-knife-then-falls-into-a-corner-and-starts-whispering-to-herself emotional problems.

I think hunger is a natural state of being for most people. I mean, hunger is a desire - and you don't only have physical hunger, you have emotional hunger. A lot of my hungers are, in fact, emotional. I think a lot of fat people's hungers are emotional. There are things we very much want, and it can be so difficult to satisfy those hungers. Yet we try. We try so hard.

This is a photograph, so it is as you see: there are no lies and no deceptions. One can detect here, elevated to an incomparably higher level, the same pathetic emotional appeal that lies concealed in every fake spiritualist photograph, every pornographic photograph; one comes to suspect that the strange, disturbing emotional appeal of the photographic art consists solely in that same repeated refrain: this is a true ghost... this is a photograph, so it is as you see: there are no lies, no deceptions.

In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.

What you consistently speak with emotional intensity, you will experience, you will create, and you will become. The words that you speak with emotional conviction become the life you live - this is your heaven or this is your hell.

Indeed, my conclusion from a lifetime of psychohistorical study of childhood and society is that the history of humanity is founded upon the abuse of children. Just as family therapists today find that child abuse often functions to hold families together as a way of solving their emotional problems, so, too, the routine assault of children has been society's most effective way of maintaining its collective emotional homeostasis.

How do we regulate our emotions? The answer is surprisingly simple: by thinking about them. The prefrontal cortex allows each of us to contemplate his or her own mind, a talent psychologists call metacognition. We know when we are angry; every emotional state comes with self-awareness attached, so that an individual can try to figure out why he's feeling what he's feeling. If the particular feeling makes no sense—if the amygdala is simply responding to a loss frame, for example—then it can be discounted. The prefrontal cortex can deliberately choose to ignore the emotional brain.

But love is an emotional thing, and whatever is emotional is opposed to that true cold reason which I place above all things.

Merchandisers, by embedding subliminal trigger devices in media, are able to evoke a strong emotional relationship between, say, a product perceived in an advertisement weeks before and the strongest of all emotional stimuli - love (sex) and death.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

What I do respect is that Donald Trump knows that it is an emotional appeal and it might be emotional appeals that I don`t - can`t expect.But he knows that you have to appeal to the voter, and that`s why I may be wrong. I made a big deal about there`s no way he`s going to win.

TV is the only medium that I've ever been successful with in delivering really emotional messaging and I think as people are trying to work their way through what this changing environment is going to mean, playing to the emotional side as well as the pragmatic and the rational side is going to be something that a number of brands will want to fully explore.

Everything has a personality: everything sends an emotional signal. Even where this was not the intention of the designer, the people who view the website infer personalities and experience emotions. Bad websites have horrible personalities and instill horrid emotional states in their users, usually unwittingly. We need to design things-products, websites, services-to convey whatever personality and emotions are desired.

When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.

I started dealing with my emotional pain by writing. I always had been a writer, but just not songs. Saying things on paper that I would never, ever say, and saying things to myself, admitting things to myself, about myself and my personality, just putting it on paper, is how I deal with emotional pain.

Sometimes it's binge eating as a method to handle emotional pain. I'll also write very sporadically - music, lyrics - to identify the problem. There are a few cathartic processes I've alternated randomly. There's no default. Each emotional experience elicits a different, possibly new response.

A literary work can only be received through symbols, through concepts - for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.

There are records that you just sink into. They coincide with what you’re going through and become an ally. If our records do that for people, that’s the greatest compliment I could ever receive. That’s one of the reasons making music is so important to me, because there’s a very strange emotional reach. For me—more than books or movies or other things—music is like a mainline to your heart.

I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.

Promoting health without encouraging others to seek wholeness is an exercise in futility. Not until we realize that our bodies are mirrors of our interpersonal, spiritual, professional, sexual, creative, financial, environmental, mental, and emotional health will we truly heal.

I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.

The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.

There were times where I felt I was pressing a little bit too hard with the humor, and I had to pull back, because the overriding concern of the book was to create this disease that had no cure and make you pay attention to every emotional stage of what happens.

Unresolved emotional pain is the great contagion of our time — of all time.

In a business society, the emotional economy is an economy of scarcity.

I still have people coming up to me, and it was, what, six or seven years ago when that finale aired? And they tell me who they were watching with, what their emotional reaction was, and how they were devastated for weeks about [Rita's death in Dexter].

It feels intimate and life affirming to me when someone tweets things that appear to just be insane thoughts they had and typed out then tweeted immediately, with little or no regard for how others might perceive them, simply because they were in a state of emotional desperation and felt like they didn't want to express those thoughts to anyone else.

Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.

I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.

You can go crazy and play solos in the right place, and that's great because it can intensify and bring an emotional lift. But the thing is you don't want to get in the way of the song.

One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.

When I was 4 or 5 and I could put complete thoughts together and really feel them, I remember watching the Grammy's or something like that and getting real emotional because I wanted to be up there.

There's Only so much emotional super glue in a person's soul, that everything just stays broken.

At times it does not really matter what language you are speaking, especially when you are emotional and try to reach other hearts. To transcend emotion, silence is the best language.

Most dreams die a slow death. They're conceived in a moment of passion, with the prospect of endless possibility, but often languish and are not pursued with the same heartfelt intensity as when first born. Slowly, subtly, a dream becomes elusive and ephemeral. People who've lost their own dreams become pessimists and cynics. They feel like the time and devotion spent on chasing their dreams were wasted. The emotional scars last forever.

What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.

My temptation is emotional, and resisting will further my needed weight loss and strengthen my character. Furthermore, nothing tastes as good as thin feels.

A marriage, even one that goes awry, generates claims and needs that persist like an afterglow long after the emotional fire is burned out.

Constant rhythmical movement is necessary to health and harmony. Much ill health is due to emotional congestion.

When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.

The worst drugs are as bad as anybody's told you. It's just a dumb trip, which I can't condemn people if they get into it, because one gets into it for one's own personal, social, emotional reasons. It's something to be avoided if one can help it.

I want people to leave the theater wrestling with the idea that our pain - physical, emotional, and spiritual pain - is more than just a condition that needs to be silenced, numbed, or "fixed."

First of all, "redneck" is a state of mind, not a person. So the "racist redneck" thing is a state of mind, not a geographical location. So I don't mean to imply that it's just Southerners. And if you don't recognize the racist underpinnings and the emotional reactive response you're getting from these teabaggers because we have a black president, then you are either being dishonest, or you've never seen the teabaggers.

I stay out of the sun, and if I'm in the sun, I'm wearing SPF. I protect my skin as much as I can; I learned that a long time ago. I also exercise every day and I get the endorphins going. It's important not only for my physical self but also for my mental self and my emotional self. I'm healthy, I eat well most of the time, I take care of myself and I drink a lot of water. But I also enjoy myself. Taking care of yourself doesn't have to be painful, it's about finding the right balance, I think.

There is no room in your mind for negative thoughts. The busier you keep yourself with the particulars of shot assessment and execution, the less chance your mind has to dwell on the emotional. This is sheer intensity.

To the optimist, the glass is half full. To the pessimist, the glass is half empty. To the engineer, the glass is twice as big as it needs to be. Design is how you treat your customers. If you treat them well from an environmental, emotional, and aesthetic standpoint, you're probably doing good design.

If you have high self-esteem, you might still know times of emotional suffering, but less often and with faster recovery-your resilience is greater.