Quotes About Especially

By virtue of some of the ways the game is played, in terms of message discipline, in terms of access for reporters, and especially in the way that sources and subjects, especially famous subjects, treat the media, almost by default there's more news that's falling into books.

The TV schedule is fantastic. It allows you to have a life. Theater actors are so disciplined - especially if you're doing musicals, you have to be in shape physically, mentally, and have to be on your game all the time. That's exhausting. On TV, especially a sitcom, you have a lot of free time to play.

Cutting to the chase, I don't see Sting in WWE any time soon and especially not in the ring vs. the Undertaker in the Georgia Dome. I do think that Sting would be well served to explore potential marketing opportunities with WWE especially considering that all his 'greatest hits' which were in WCW are now owned by WWE.

Teachers and librarians are some of my favorite people, especially since I was a teacher myself. I love talking to them because they have wonderful ideas about how to share books, and especially about how to share my books with kids.

We need to talk.” “I’m just – Look,” I said, as he took a step toward me. “I’m just going to give Cee Cee a call and maybe we’ll go to the beach or something, because I really … I just need a day off.”Another step toward me. Now he was right in front of me. “Especially,” I said significantly, looking up at him, “from talking. That’s what I especially need a day off from. Talking.” “Fine,” he said. He reached up and cupped my face in both his hands. “We don’t have to talk.”And that’s when he kissed me. On the lips.

I don’t feel brave, especially not right now. (Delphine) That’s what bravery is, especially for a woman not used to having emotions. When you feel deep, paralyzing fear and you don’t let it stop you, that is true courage. There’s never been bravery without fear. Just as there’s no love without hate. (M'Adoc)

I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.

Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that's what matters. That's a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding.

Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers.

What's sort of remarkable is that, especially in the Israel and the Russia cases, you have got a U.S. citizen, Donald Trump, siding with a foreign leader against the U.S. president. There is a reason why president-elects have tried to remain mute during their transitional periods, relatively, because you just don't want to be for somebody - some other country against your own government, and especially when you're about to take the helm of that government.

It is often difficult to watch yourself onscreen, especially 60-feet high. As an actor, it is an uncomfortable experience.

No one is an unjust villain in his own mind. Even - perhaps even especially those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices they would call "hard but necessary" for the good of their nation. We're all the hero of our own story.

Once you embody the language, the character comes really naturally, especially when you put the costume on.

We hit it off immediately, especially Helene, who was a 'swallow-life-in-big-gulps' kind of person.

I was also a fan of the first one Saw movie. I knew there was a danger in doing the sequel, especially like this. They have such a core audience for the Saw movies. The fans of the movie actually demanded a sequel. They were on the internet going crazy. I don't even go on the internet. I don't even know how all this stuff happens. But they wanted it and one the one hand that's good, because you know there's an audience.

I'm not especially interested in the job of the historian or journalist of trying to figure out what was true and what was not.

I think you've got to have your feet planted firmly on the ground, especially in this business, and you must not believe things that are said or written about you, because everything gets out of proportion one way or the other.

Use the prise de fer!" Shelby called. "Lilith sucks at the prise de fer. Correction: Lilith sucks at everything, but especially the prise de fer.

Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.

I made a big mistake. There's no doubt about it. But there have been positive testing cases in the past where the offender wasn't attacked to quite the same extent, especially not by other riders.

At the time I was first writing the stories/essays that appear in Oedipus Wrecked, I was still under the impression that people would be delighted to see their name in print. I overlooked the fact that I was writing about intimate matters, and people are a bit touchy about airing their private lives in such a public fashion. Especially when it's done without their consent.

The funniest novel you've never read. . . . Afternoon Men is a revelation to sophisticated readers of every stripe, but especially to a certain kind of artist manqu on the brink of discovering that life is a more difficult business than he ever had reason to expect. . . . The subject matter is 'relatable,' as my students like to say. Better still, though, is what you can learn about the craft of writing from this marvelous book. . . . Indeed, if you're looking for a funny, nonportentous Hemingway, then the early Powell is your man.

I'm not at my best when I moralize or philosophize. Logic is elusive, especially to one who so rarely uses it.

I think the job of a good journalist, especially in Washington, is to create discomfort, and I think for a certain class of people, and for whom life is quite comfortable, I've created discomfort. So I take that as a badge of honor.

As an actor, and especially as a young woman, there's so much pressure to look good all the time and it really detracts from what our job really is about, which is portraying a different person.

Women who earn a certificate or degree from a community college, especially in STEM-related field, will be ready to move into a good-paying job in the growing global economy. Community colleges also offer mentorship and support that goes far beyond the classroom.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

Advertising is the voice of capital. We need to do whatever we can to limit capitalist propaganda, regulate it, minimize it, and perhaps even eliminate it. The fight against hyper-commercialism becomes especially pronounced in the era of digital communications.

My worries always lead to dungeons; I can't imagine a worse thing than to be imprisoned for the rest of one's life, especially with so few years to enjoy what little there is.

I never wanted to give up. I thought I might have to. Especially at the beginning when chimpanzees had never seen a white person before.They gave one look at me and ran away! They were scared, but eventually I got their trust.

My serve was there, everything was just clicking. Those are the days you dream about, especially in a final.

Sometime female characters, especially in the genre of something that people consider rom-com, make mistakes in a cute way or they're a mess in a way that's palatable. I like that.

Especially in the last 10 years, the writing on animated shows has jumped by leaps and bounds.

Oh, hello, me lovely, we haven’t met. Asmodeus, demon extraordinaire, at your service. Any service you may require, especially those that involve nudity and adjoining body parts joining other people’s body parts. (Asmodeus)

My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.

Contact with like-minded painters - a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one's surroundings. And so the exchange with other artists - and especially the collaboration with Lueg and Polke - matters a lot to me: it is part of the input that I need.

Among the cognoscenti, though, it is not just about elaborate new flavors. I always consider the main test of ice cream to be the simple ice creams, especially vanilla. One should have fun when one eats, but it should also be seriously good.

In today's distorted world of 'human rights,' truth takes a back seat to ideology, and false claims - especially those that 'support' radical ideologies - persist even after they have been exposed.

This is what I want for entrepreneurs, especially for women: to believe in themselves, to dream bigger, reach higher, and to achieve success beyond their wildest expectations.

Especially while television I think is going through some growing pains or is in need of - I think current comedy is a bit, uh, not happening, you know?

I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.

I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.

I like what a third man brings. A kind of oblique vision, seeing something in the material that you didn't know was there. As a comedian, I'm always listening to the audience. And in movies, sometimes the only audience you have is the producer and the director. I like having someone else's opinion, especially if you're on the same wavelength.

In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed. When a booby trap explodes, you close your eyes and duck and float outside yourself. .. The pictures get jumbled, you tend to miss a lot. And then afterward, when you go to tell about it, there is always that surreal seemingness, which makes the story seem untrue, but which in fact represents the hard and exact truth as it seemed.

I just don't know when we all decided that if it doesn't fit in a Happy Meal box, it's not for kids. I remember flying monkeys in the Wizard of Oz, and I grew up watching Monty Python. I think that kids can handle a lot more than we give them credit for, especially when it comes to the absurd.

A playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response - not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.

In all of our society, but especially in Hollywood, there is an obsession with perfection that can lead to self-loathing and neurosis and all that kind of stuff.

You lived and died alone, especially in fighters. Fighters. Somehow, despite everything, that word had not become sterile. You slipped into the hollow cockpit and strapped and plugged yourself into the machine. The canopy ground shut and sealed you off. Your oxygen, your very breath, you carried into the chilled vacuum, in a steel bottle.