Quotes About Fantasy

All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.

Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.

I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.

I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.

An awful lot of fantasy, and even some great fantasy, falls into the mistake of assuming that a good man will be a good king, that all that is necessary is to be a decent human being and when you're king everything will go swimmingly.

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.

A precondition for being a science fiction writer other than an interest in the future is that, an interest - at least an understanding of science, not necessarily a science degree but you must have a feeling for the science and its possibilities and its impossibilities, otherwise you're writing fantasy. Now, fantasy is also fine, but there is a distinction, although no one's ever been able to say just where the dividing lines come.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?

It does seem that a fantasy, working out in its own terms, stretching you beyond the normal concerns of your own life, gains you a peculiar charge of energy which inexplicably enriches you. At least, this is my ideal of a fantasy, and I am always trying to write it.

I started off like everyone else does, slogging but having a compulsion to put words on paper. I didn't write or read horror or fantasy, other than children's fantasy, until I was in my teens

When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.

What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.

Dealing with the impossible, fantasy can show us what may be really possible. If there is grief, there is the possibility of consolation; if hurt, the possibility of healing; and above all, the curative power of hope. If fantasy speaks to us as we are, it also speaks to us as we might be

When you get into a hotel room, you lock the door, and you know there is a secrecy, there is a luxury, there is fantasy. There is comfort. There is reassurance.

I have a hyper-active imagination, my mind tends to jump around a little, and I have some trouble between fantasy and reality.

I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."

The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.

I'm a science fiction and fantasy geek.

Unless we are willing to escape into sentimentality or fantasy, often the best we can do with catastrophes, even our own, is to find out exactly what happened and restore some of the missing parts.

Everybody has their own America, and then they have pieces of a fantasy America that they think is out there but they can't see.

Now every mortal has pain and sweat is constant, but if there is anything dearer than being alive, it's dark to me. We humans seem disastrously in love with this thing (whatever it is) that glitters on the earth-- we call it life. We know no other. The underworld's a blank and all the rest just fantasy.

If the general opinion is pessimistic, fantasy is going to hold its own.

... people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.

People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized-not just for Bruce Wayne, but for the audience. Inwardly, Bruce Wayne is still an adolescent watching his parents being murdered. That will never leave him. And people really relate to that.

If we are to make reality endurable, we must all nourish a fantasy or two.

When we let go of our battles and open our heart to things as they are, then we come to rest in the present moment. This is the beginning and the end of spiritual practice. Only in this moment can we discover that which is timeless. Only here can we find the love that we seek. Love in the past is simply memory, and love in the future is fantasy. Only in the reality of the present can we love, can we awaken, can we find peace and understanding and connection with ourselves and the world.

I love magic and playing with magic systems. But to me, good fantasy like all fiction comes down to good character and plotting.

Fantasy mirrors desire. Imagination reshapes it.

Stop doing things that waste time. Don't replace time with your family or things that you need to do. I needed to put together two fantasy teams this weekend because that's something I enjoy, but I did stop playing Nintendo Wii for hours on end.

A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."

Science Fiction has rivets, fantasy has trees.

The Magicians brilliantly explores the hidden underbelly of fantasy and easy magic, taking what’s simple on the surface and turning it over to show us the complicated writhing mess beneath. It’s like seeing the worlds of Narnia and Harry Potter through a 3-D magnifying glass.

There is no winning or losing, but rather the value is in the experience of imagining yourself as a character in whatever genre you’re involved in, whether it’s a fantasy game, the Wild West, secret agents or whatever else. You get to sort of vicariously experience those things.

Horror, for me, has to involve some sort of fantasy. Horror is something that is in your dreams or your nightmares.

There's a lot of fantasy about what Scotland is, and the shortbread tins and that sort of thing.

Perhaps because technology so dominates our existence, more and more it seems that the young reader is captivated by fantasy.

I started to write a series of fantasy novels when I was eleven. I have never taken anything artistic as seriously; since then, writing has felt like an attempt to get back there, to my bedroom, my maps, those races and languages and runes.

The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition. (Written in 1949, 22 years before the World Trade Center was completed.)

I want to be involved with young people in some way. Teenagers. Because that's the most vulnerable time. I have a fantasy of becoming a teacher one day.

I have a fantasy where Ted Turner is elected President but refuses because he doesn't want to give up power.

With any sci-fi fantasy storytelling, you must have rules be very clear, otherwise you lose people, like 'OK, they can fly; now they can't fly.'

Jack Force was more than she had ever dared wish for, and he was better than a dream or a fantasy because he was real. He was far from perfect, moody and distant at times, and burdened with sharp temper and an impulsiveness that was part of his dark nature. But she felt more love for him than she thought possible. He wasn't perfect, but he was perfect for her. (Schuyler Van Alen)

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.

We are 'writers,' we are not supposed to be interested in filthy lucre, we are supposed to be starry eyed artistes. ... In Reality Land, we all want to maybe put dinner on the table once in a while, but in Fantasy Land, we are not supposed to be even interested in money because we are so caught up in the emotion of it all. That's an illusion, but people like it and it makes us feel holy or something so we all play along.

A single fantasy can transform a million realities.

I shoot fantasy. If you want reality, ride the bus