Quotes About Fantasy

All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.

An awful lot of fantasy, and even some great fantasy, falls into the mistake of assuming that a good man will be a good king, that all that is necessary is to be a decent human being and when you're king everything will go swimmingly.

I've read fantasy my whole life. Quite literally; my mom read me The Hobbit before I could read stuff to myself. So I love fantasy; that's what I read for fun, it's what I read professionally to keep abreast of what's in the genre - it's where my heart is.

Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?

I don't play fantasy baseball anymore now because it's too much work, and I feel like I have to hold myself up to such a high standard. I'm pretty serious about my fantasy football, though.

Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.

There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write

Among the great struggles of man-good/evil, reason/unreason, etc.-there is also this mighty conflict between the fantasy of Home and the fantasy of Away, the dream of roots and the mirage of the journey.

A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.

I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.

I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.

Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.

As chairman of the Senate subcommittee responsible for NASA appropriations, I say not a penny for this nutty fantasy.

taking her hand he led her out into a broad stretch of hard sandy soil that the moon flooded with great splendor. They floated out like drifting moths under the rich hazy light, and as the fantastic symphony wept and exulted and wavered and despaired, Ardita's last sense of reality dropped away, and she abandonded her imagination to the dreamy summer scents of tropial flowers and the infinite starry spaces overhead, feeling that if she opened her eyes it would be to find herself dancing with a ghost in a land created by her own fantasy.

Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.

Personally, I think the 'Christian family' should be called a Christian fantasy.

MARVEL IS A CORNUCOPIA OF FANTASY, A WILD IDEA , A SWASHBUCKLING ATTITUDE , AN ESCAPE FROM THE HUMDRUM AND PROSAIC. IT'S A SERENDIPITOUS FEAST FOR THE MIND, THE EYE , AND THE IMAGINATION, A LITERATE CELEBRATION OF UNBRIDLED CREATIVITY, COUPLED WITH A TOUCH OF REBELLION AND AN INSOLENT DESIRE TO SPIT IN THE EYE OF THE DRAGON.

You never know how things are going to fit. So, you don't count your eggs until they hatch. You can't pre-project that. I mean, this was literally like a childhood fantasy of mine, to be able to work in action. You know, growing up on Disney films like Pocahontas and wanting to enter into that, or Aladdin and how he's fighting - being your own hero, being your own heroine is like every one's dream.

And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.

In Poland, my audience is all women between 18 and 30. At U.S. conventions, you have the fantasy and science fiction crowd. At Harvard you have an entirely different audience. It's so schizophrenic.

Fantasy allows for less rigorous worldbuilding and more vigorous exploration of moral questions. Sci-fi is opp.

Advertising reaches out to touch the fantasy part of people's lives. And you know, most people's fantasies are pretty sad.

I have a fantasy that might be fun. Why don't we try it?

Here you leave today and enter the world of yesterday, tomorrow, and fantasy.

All fantasy should have a solid base in reality.

Before Sept. 11, the idea that Americans would voluntarily agree to live their lives under the gaze of a network of biometric surveillance cameras, peering at them in government buildings, shopping malls, subways and stadiums, would have seemed unthinkable, a dystopian fantasy of a society that had surrendered privacy and anonymity.

There are relatively few science fiction or fantasy books with the main character being an old person.

I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."

I live between fantasy and reality at all times. In that way, I’m a librarian.

The photographer and the director are where reality and fantasy meet.

Truthfullness to life-both fantasy life and factual life-is the basis of all great art.

I loved the world of Oz. I guess as a young man, I was just drawn to fantasy worlds. I liked being transported to alternative realms where a lot of my early imagination was sparked.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.

... people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.

Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble.

I love magic and playing with magic systems. But to me, good fantasy like all fiction comes down to good character and plotting.

I loved 'Pan's Labyrinth.' It transported me into another world. I like fantasy worlds; I love 'Lord of the Rings' as well, for that reason, because you really get to get out of reality and go somewhere else.

I am in communication with almost everybody I've done a story about. I have a fantasy that if I ever strike it rich, I'll have a big party and fly all of these people there, and they'll be roaming around the party - Billy Mitchell, Master Legend, Santa Tim, Rio DiAngelo, Mr. Romance circa 2007, and so on.

Maybe every other American movie shouldn't be based on a comic book. Other countries will think Americans live in an infantile fantasy land where reality is whatever we say it is and every problem can be solved with violence.

How dare the embodiment of her worst nightmare come packaged as her hottest fantasy?

Love, love, love - all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures.

Science Fiction has rivets, fantasy has trees.

It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.

Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation, but so that he shall throw off the chain and pluck the living flower. The criticism of religion disillusions man, so that he will think, act, and fashion his reality like a man who has discarded his illusions and regained his senses, so that he will move around himself as his own true Sun. Religion is only the illusory Sun which revolves around man as long as he does not revolve around himself.

I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.

The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.

The gift of fantasy has meant more to me than my talent for absorbing positive knowledge.