Quotes About Feeling

What else is the power of melody but the power of feeling? Music is the language of feeling; melody is audible feeling - feeling communicating itself.

People are great. But there's people who you get together with and you talk and you go away feeling energized, you feel inspired. And then there's people who you talk with and you go away feeling horrible, feeling drained, feeling like you're incapable of doing anything. Those people are psychic vampires and I now stay away from them.

Demonstration of mastery gives a feeling of power and that feeling of power is a good feeling.

The First Splendid Truth: To be happy, I need to think about feeling good, feeling bad, and feeling right, in an atmosphere of growth.

For me, love is the feeling of being at home no matter where on earth you are. It's a comfort that silences anxieties. It's the feeling of finding a safe place in the middle of disaster. Love does not judge. Love promotes personal growth. Love is not materialistic. It's intangible yet somehow an undeniable feeling. You know it when you have it. I have lots of love in my life and I am blessed.

Just keep in mind the feeling 'I am', merge in it, till your mind and feeling become one. By repeated attempts you will stumble on the right balance of attention and affection and your mind will be firmly established in the thought-feeling 'I am'. Whatever you think, say, or do, this sense of immutable and affectionate being remains as the ever-present background of the mind.

In our day the feeling of patriotism is an unnatural, irrational, and harmful feeling, and a cause of a great part of the ills from which mankind is suffering, and that, consequently, this feeling - should not be cultivated, as is now being done, but should, on the contrary, be suppressed and eradicated by all means available to rational men.

When I say that all men have the mind which cannot bear to see the suffering of others, my meaning is illustrated this way: when two men suddenly see a child about to fall into a well, they all have a feeling of alarm and distress, not to gain friendship with the child's parents, nor to seek the praise of their neighbors and friends. From such a case, we see that a man without the feeling of commiseration is not a man. The feeling of commiseration is the beginning of humanity.

The hardest thing [for me] is to 'just' agree, and that is what sparks creativity, the feeling that something can be better, the feeling that something's missing, the feeling that something's needed.

I usually get myself into situations that cause sparks. I mean I'm a girl that likes the storms. I love feeling alive, I love walking out in the cold in my bare feet and feeling the ice on my toes.

Just having the pain of being alive without anything else, whether it's good or bad. There's a lot of serious songs on the record, you know. That song is just about feeling like a fish out of water, feeling like you don't belong on the planet sometimes.

I have a feeling,’ he said, ‘I have a feeling that we were meant to be together. That we have fought the good fight, side by side, in the past or in the future, I do not know. I am a rational man, but I have learned the value of a good companion, and from the moment I clapped eyes on you, I knew I trusted you as well as I do myself. Yes, I want you with me.

The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.

I think a lot of people get into what they're eating. Yes, it's important, but at some point, let's think about what we're feeling. It can become a control issue to control everything that you're eating and the exercise that you're doing. I think it's good to do a bit of everything, but to just notice how you're feeling when you wake up in the morning.

It's that feeling when you hear your favourite song. That feeling, whether you're in a car, at a party or alone at home or in bed and you hear this song and it just hits you so strong - that’s what we aim for.

Empathy and fellow feeling form the very basis of morality. The capacities for empathy, for feeling responsibility toward others and for reaching out to help them can be stunted or undermined early on, depending on a child's experiences in the home and neighborhood. It becomes too easy to turn our backs on fellow human beings... to have 'compassion fatigue.' Technology, we are learning, is not neutral.

I think finals are there to be won, you know the feeling of losing a final is really bad. I prefer to lose a semi-final, quarter-final because I know I will forget... But the feeling of losing a final stays here forever. Even if you win two, three, four, five it stays. You know, I’m too scared to lose, so I give everything to win.

To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.

There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.

But let me offer a word of caution. If you choose to give from your heart, be careful. The most incredible feeling might just overwhelm you. And if you continue in this behavior, that feeling may become permanent.

People are feeling and sensing a return of anti-Semitism - even in Europe, which, seventy years after the Holocaust, is a very scary thing. I think they are feeling that Israel is very isolated and doesn't always get what they see as fair treatment in the European media.

Every time I create something, just before that there's a kind of - you're feeling very low, you're feeling very down and insecure. Then you create and then it's fine. This is the way I observe me doing it.

Almost without being aware of it, we end up being incapable of feeling compassion at the outcry of the poor, weeping for other people's pain, and feeling a need to help them, as though all this were someone else's responsibility and not our own.

Compassion goes on giving, but knows no feeling of giving, knows no feeling that "I am the giver." And then existence goes on responding in thousands of ways. You give a little love and from everywhere love starts flowing. The man of compassion is not trying to snatch anything away, he is not greedy. He does not wait for the return, he goes on giving. He goes on getting too, but that is not in his mind.

For how smart we think we are, how facile with words, we don't have a word for this feeling, the feeling of being blessed by belonging. If the universe is an unfolding bud, then I am a part of its creative surge, along with the flowing of water and the growing of pines. I can find a kind of camaraderie in this universe, once I recover from the astonishment of it. Or maybe not camaraderie exactly. What is the opposite of loneliness?

Sometimes I see players that think, and you can tell they're thinking of the next phrase to play or the next thing to do, the next little cute trick, and that's sad, man, you know. That's not makin' music; that's puttin' together puzzles, you know. Music should flow from you and it should be a force; it should be feeling, all feeling, man.

Self-esteem is made up primarily of two things: feeling lovable and feeling capable.

I don't like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don't have no style. It's a deep feeling-you just can't stop listening to that sad blues sound. My sound.

Common to all these types is the anthropomorphic character of their conception of God. In general, only individuals of exceptional endowments, and exceptionally high-minded communities, rise to any considerable extent above this level. But there is a third stage of religious experience which belongs to all of them, even though it is rarely found in a pure form: I shall call it cosmic religious feeling. It is very difficult to elucidate this feeling to anyone who is entirely without it, especially as there is no anthropomorphic conception of God corresponding to it.

I never went into it [the business] thinking 'I'm a female sports reporter'. I just went into it thinking 'I'm a sports reporter'. No chip on the shoulder, no feeling like a victim when you walk in, no feeling entitled when you walk in. You've just got to do your job and work extremely hard. I think it's very basic. There's no magic to it. I think honestly it comes down to how badly do you want it. How hard are you willing to work?

Winning Wimbledon was a great feeling and it is still a great feeling. It has given me so much confidence.

The feeling of sleepiness when you are not in bed, and can't get there, is the meanest feeling in the world.

I've talked to a few writers who have had childhood illnesses. The sense of convalescence - the feeling that you're waiting to become a real person - is quite an interesting thing. You're seeing all of your friends doing amazing things and you're just there, in a void, feeling a bit stupid. I wouldn't be able to say what I'd have been like without it, but maybe I'd be incredibly high-powered and successful. It also forced me to spend most of my time in my imagination.

I was born poor and without religion, under a happy sky, feeling harmony, not hostility, in nature. I began not by feeling torn, but in plenitude.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces—they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.

As an artist, the most important feeling is loneliness. So when I say artists need to isolate themselves from society this is what I mean: You have to look for that feeling of loneliness again. Only this way can you have something that is purely your own.

When you fall in love for the first time, you're naive to every feeling that you're feeling, and you're almost obsessed with or addicted to that person. Your life is consumed by them, and everything you want to do revolves around them. I think it's great.

It was important for me to show that Beirut and Lebanon were once the pearl of the Middle East. Beirut was once called the Paris of the Middle East and to have that feeling of a destroyed place that once was beautiful and glamorous and visually impressive was important. I think it's even sadder to get the feeling that this country, and indeed the whole Middle East, could have been a major force in the world if people would get together and forget about destruction, death and wars. But unfortunately, it's not happening yet.

That is the optimal creative vantage point: To stand on the brink of what is coming, feeling eager, optimistic anticipation-with no feeling of impatience, doubt, or unworthiness hindering the receiving of it-that is the Science of Deliberate Creation at its best.

When you're writing is when the "god should I just drop this" feeling can hit. When you're editing is when the "god this is awful and I've wasted everyone's time and money and will be revealed as a fraud" feeling can hit.

Meaning coming from feeling, feeling coming from within, you absorb a massive amount of information, it goes through your whole body, a little bit of it floats up to your head where there is deliberation. You are conditioned by the way your whole body is responding to what is going on.

I remember working on a show, and feeling so insecure about whether I looked attractive enough to do a love scene. It was weird because I couldn't understand why I wasn't feeling beautiful, even though I knew I was.

Focus attention on the feeling inside you. Know that it is the pain-body. Accept that it is there. Don't think about it - don't let the feeling turn into thinking. Don't judge or analyze. Don't make an identity for yourself out of it. Stay present, and continue to be the observer of what is happening inside you. Become aware not only of the emotional pain but also of "the one who observes," the silent watcher. This is the power of the Now, the power of your own conscious presence. Then see what happens.

Colin's skin was alive with the feeling of connection to everyone in that car and everyone not in it. And he was feeling not-unique in the very best possible way.

And after awhile of this my brain and my body and every single inch of me that was alive was flooded with the feeling that I was starving, starving for Edmond. And what a coincidence, that was the feeling I loved best in the world.

The challenge in my life really is keeping the balance between feeling creatively energized and fulfilled without feeling overwhelmed and like Im in the middle of a battlefield.

We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something.