Quotes About Feels

I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.

I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.

The risk is not in doing something that feels risky. The risk is in not doing something that feels risky.

Movies feel like work, and reading fiction feels like work, whereas reading nonfiction feels like pleasure.

Bob Geldof feels the big picture all the time, even in the smallest argument when someone's saying, 'Well, no, you've got to have three staples in the program, not just two,' Bob feels people dying somewhere.

That idea of not being exactly who you write as is so crucial. Even looking at those words as I type them, it feels dirty, it feels like I'm admitting something. Unfortunately, I think that's how the conversation around nonfiction is so much of the time - either defensive or accusatory. Aha! You've been caught! But the original essence of something is always lost when it's reproduced.

The difference between guilt and shame is very clear--in theory. We feel guilty for what we do. We feel shame for what we are. A person feels guilt because he did something wrong. A person feels shame because he is something wrong. We may feel guilty because we lied to our mother. We may feel shame because we are not the person our mother wanted us to be.

Wear whatever makes you less sad and feels right when it's on. Don't wear too many things that serve no function. Wear what you can wear on a bicycle. Wear what you can run in or survive in if necessary. If something feels right, wear it all the time. Don't look too cool. Keep some things in!

I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.

I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.

Being a dad, I certainly know what it feels like to give lots of love and understanding, and I also know what it feels like to be antagonized or to have my buttons pushed, at midnight when one of my kids just will not go to sleep. You've gotta just let them be what they are, ultimately.

She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.

As long as we respond predictably to what feels good and what feels bad, it is easy for others to exploit our preferences for their own ends.

The more we know the better we forgive. Whoever feels deeply, feels for all who live.

All women at all ages do not feel their ages anymore. The young girl feels older, and the older woman feels younger.

The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.

God descends to earth like fresh spring rain, and at every level his grace is received differently. For some it feels like love, for others like salvation. It feels like safety and warmth at one level, like coming home at another.

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.

It feels like every person is using their whole brain and heart to figure out these nearly impossible dilemmas about how we do our work, with our principles, in the current conditions. And it feels like the thing we know to be true about working collectively - that we have better ideas together than we do individually.

There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.

Sometimes it feels like God has reached down and touched me, blessed me a thousand times over, and sometimes it all feels like a mean joke, like God's advisers are Muammar Qaddafi and Phyllis Schlafly.

Take two kids in competition for their parents' love and attention. Add to that the envy that one child feels for the accomplishments of the other; the resentment that each child feels for the privileges of the other; the personal frustrations that they don't dare let out on anyone else but a brother or sister, and it's not hard to understand why in families across the land, the sibling relationship contains enough emotional dynamite to set off rounds of daily explosions.

In finding love, I think it's important to be patient. In being in a relationship, I think it's important to be honest, to communicate, to respect and trust, and to strive to give more than you take. As for heartbreak. . .there's no easy way out, but it's important to remember that even though everything feels awful now, it will get better, you will meet someone else, and in the meantime, you can continue to grow and learn and live life surrounded by people that love you.

I'm an old-timer in the business from the sense that when you do something that you feel good about there might be another person out there who feels the same way, or a hundred or a couple million.

It feels to me like everyone is going to do their best work when they feel emotionally safe.

We both laugh. And it feels good. A release. Like laughing at a funeral. Maybe inappropriate, but definitely needed.

Now when you hates you shrinks up inside and gets littler and you squeezes your heart tight and you stays so mad with peoples you feels sick all the time like you needs the doctor.

A big, sweeping, and rapturous Hollywood love story that could turn out to be the most revolutionary movie of the year! A film in which love feels almost as if it were being invented. It is also a rare crowd-pleaser with the potential to change hearts and minds.

Why don’t the Grammys matter? Because it feels rigged and cheap - like a popularity contest that the insiders club has decided.

Sometimes something will come along, and it feels easy and sometimes you'll get 85 percent there on a song and the last 15 percent will elude you for three years.

I don't know if I will ever get sick of performing a song called 'Feels Like Loneliness' from Evolution. It's inspired by one of my favorite songs, 'Fever' by Peggy Lee. It's got a jazzy feel to it and I'm always able to put on a bit of character when I sing it, which is fun.

Man's characteristic privilege is that the bond he accepts is not physical but moral; that is, social. He is governed not by a material environment brutally imposed on him, but by a conscience superior to his own, the superiority of which he feels. Because the greater, better part of his existence transcends the body, he escapes the body's yoke, but is subject to that of society.

The member of a culture ... purposely avoids the relationship of intimacy; he wants the object somehow depicted and fictionalized. ... He is embarrassed when this is taken out of its context of proper sentiments and presented bare, for he feels that this is a reintrusion of that world which his whole conscious effort has sought to banish. Forms and conventions are the ladder of ascent. And hence the speechlessness of the man of culture when he beholds the barbarian tearing aside some veil which is half adornment, half concealment.

People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to

Sometimes it feels like we're all living in a Prozac nation. The United States of Depression.

Gaiety is forgetfulness of the self, melancholy is memory of the self: in that state the soul feels all the power of its roots, nothing distracts it from its profound homeland and the look that it casts upon the outer world is gently dismayed.

I notice, however, that Peter only pretends to inject himself—when he presses the plunger down, the fluid runs down his throat, and he wipes it casually with a sleeve. I wonder what it feels like to volunteer to forget everything.

It feels good to think about you when I'm warm in bed. I feel as if you're curled up there beside me, fast asleep. And I think how great it would be if it were true.

The heart that feels music will feel people

All I can hope for is a reconstruction: the way love feels is always only approximate.

There is a time in a boy’s life when the sweetness is pounded out of him; and tenderness, and the ability to show what he feels, is gone.

It is only when we possess ourselves that we can give ourselves to others. If what we possess feels wrong, bad, or wicked, then we try not only to hide it from others, but we also try to hide it from ourselves.

He, who loves the bristle of bayonets, only sees in their glitter what beforehand he feels in his hand.

An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.

Every now and then it feels like it's just been a few days ago, a few weeks ago since we got started; but looking back through photographs and listening to the older albums and stuff, you can definitely feel some maturing and some distance in between the club days and where we are now

A reality completely independent of the spirit that conceives it, sees it, or feels it, is an impossibility. A world so external as that, even if it existed, would be forever inaccessible to us.

Love is an actual need, an urgent requirement of the heart, he read aloud from an old essay on marriage that he found in his files.Every properly constituted human being who entertains an appreciation of loneliness...and looks forward to happiness and content feels the necessity of loving. Without it, life is unfinished.

All my life, I thought of love as some kind of voluntary enslavement. Well, that's a lie: freedom only exists when love is present. The person who gives him or herself wholly, the person who feels freest, is the person who loves most wholeheartedly.