Quotes About Figure

We're all like detectives. We want to figure things out. Life, you know, we want to figure out life, and we want to figure out what's going on, so it's beautiful. It's beautiful that people are thinking.

I remember a prominent conservative media figure, talking to him about prominent liberal media figures that he knew, that he liked. And I questioned him. "How can you trust these people? I mean, these are..." "No, no! They're good guys. In fact, one of them likes you, says you're not a hater." And I was supposed to be thrilled to hear this!I was supposed to be mollified that some liberal media figure had just pronounced I was okay because, after he had listened to me, he had determined I wasn't a hater. I did not take that as a compliment, and I got kind of mad.

The way I figure is we win as a team and we lose as a team, but I've got to figure out some way where I can have a better April and help the team get off to a better start. I normally heat up when it gets warm, but it would be nice to come out of April and everybody is chasing you.

Knowing I wasn't going anywhere, I frantically searched for some way to help her. A dark figure caught my eye. "Christian!" I yelled. He'd been staring at Lissa's retreating figure but glanced up at the sound of his name. One of my escorts shushed me and took my arm. "Be quiet." I ignored her. "Go after her," I called to Christian. "Hurry." He just sat there, and I suppressed a groan. "Go, you idiot!" My guardians snapped at me to be quiet again, but something inside of Christian woke up. Springing up from his lounging position, he tore off in the direction Lissa had traveled.

I paint like an abstract painter everything is inside nothing is meant to be, I take tattoos off a people I take anything that's not necessarily going to be timeless. I want to get across what I feel and I just use the figure because I enjoy the figure.

I still make paintings and use the figure; it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.

There is no point trying to figure out who is guilty or not at un-balancing the planet. I think we need to figure out and solve the problems together and not isolate from each other.

The sexual is part of everything, and it's highly formalized. I hadn't done figure for a long time. And I thought to myself, "Why not the erotic figure?"

I went to the four levers. None of them were marked. There was only one way to figure out which one was the right one. I had to call upon all my Traveler experience and special powers to figure it out. It's called...Eenie, meenie, miney...mo!" -Bobby Pendragon

We also don't always know what we want. And in those cases it can actually make us worse off because it's actually easier to figure out what you want and to figure out how the options differ if you have about a handful of them than if you have a hundred of them.

The key thing is, don't worry about if anyone is reading you or not. Figure out your voice and figure out what you want to write about, what you're good at, what you like doing.

Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.

Donald Trump is sort of an Orwellian figure, an authoritarian figure who is twisting words in an Orwellian manner, "1984," to exercise power and control people's minds, or is he a 5-year-old who has an ego that needs to be fed, and the universe has to warp around his ego needs so he can feel good about himself, and everybody has to produce photos to make the monarch feel like he's made of gold.

I am not a political figure. The fact is I am a humanitarian figure and always will be.

I like my job because it involves learning. I like being around smart people who are trying to figure out new things. I like the fact that if people really try they can figure out how to invent things that actually have an impact.

It is exciting to kind of figure things out in yourself and then use other people to help you figure things out so you can really reach your potential.

Drug warriors' staunch opposition to needle exchanges to prevent the spread of HIV in addicts delayed the programs' widespread introduction in most states for years. A federal ban on funding for these programs wasn't lifted until 2009. Contrast this with what happened in the U.K. At the peak of the AIDS epidemic in the mid-1990s, the HIV infection rate in IV drug users in the U.K. was about 1%. In New York City, the American epicenter, that figure was 50%. The British had introduced widespread needle exchange in 1986. That country had no heterosexual AIDS epidemic.

When I was a kid, we sat around the house. If I got bored, I'd have to figure out something to do.

It was the moment I learned acting is not acting out. After that light went on, I spent the rest of my life trying to figure out how to make other people realize it.

I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.

Obviously, consideration of costs is key, including opportunity costs. Of course capital isn't free. It's easy to figure out your cost of borrowing, but theorists went bonkers on the cost of equity capital. They say that if you're generating a 100% return on capital, then you shouldn't invest in something that generates an 80% return on capital. It's crazy.

Do not tell people how to live their lives. Just tell them stories and they will figure out how those stories apply to them.

What good does it do to be afraid? It doesn't help anything. You better try and figure out what's happening and correct it.

I don't have to figure out how God is going to solve my problem. I don't have to understand how He's going to bring it to pass. That's His responsibility. My job is to simply believe that He will.

When I run in the morning, my body spends the first 20 minutes trying to figure out what's happening to it.

Sometimes we become so sophisticated we have to read the New York Times in order to figure out whether it's a hot or a rainy day.

On a movie set that works, you have your father figure, the director, you have your siblings, your other actors.

Figure out where you're going before you go there: he was told that a long time ago.

Find someone who has a life that you want and figure out how they got it. Read books, pick your role models wisely. Find out what they did and do it.

People build up a life, it becomes unsatisfactory, and they want to figure out how to change it like an outfit on a doll. But you can’t change life from the outside. We all know this now.

Many nations are like rebellious teenagers who try to figure out just how many times they can kick us in the teeth while still taking our money.

After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.

To this principle of vanity, which philosophers call a mean one, and which I do not, I owe a great part of the figure which I have made in life.

I always scout locations first. The apartments, the railway tracks, the café, the canal - I figure out the geography of the film.

A lot of times, when you're acting, you have to explain things to the audience, and it's boring work to do that. It's really hard to make that interesting. I like the discovery of characters. I think people are smart. Audiences are intelligent and can figure things out by just watching behaviors.

Let's review the cost-free techniques that we've learned so far for raising an achievement-oriented, obedient, drug-free, virgin adult: Calamity, Praise, Local Theater, and flat feet. Another key element is "Strong Father Figure / Fear Thereof."

There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.

Every project is an opportunity to learn, to figure out problems and challenges, to invent and reinvent.

I figure the world is basically a machine. I don't know who made it, if it was the Fates, or the gods, or the capital-G god or whatever. But it chugs along the way it's supposed to most of the time. Sure, little pieces break off and stuff goes haywire once in a while, but mostly... things happen for a reason.

At some point in your fife, your tolerance level goes down and you realize that, with someone much younger, there's nothing really to talk about. And I think we're at a point now where a lot of older women take better care of themselves, compared to the 1940s and '50s when women were programmed to figure it's all over after 30.

I was interested in Armstrong to begin with because he is the most important figure in Jazz in the 20th Century. There's simply no question about it. I mean, if you're going to compare him to somebody, it's Shakespeare in terms of centrality of the tradition, in being at the beginning of it.

If there is no destiny, there is no design. There's only life and death. My goal is to learn about life by living it, not by trying to figure out a cryptic plan that the Creator had in store for me.

My character of the Tramp, the millions of workers symbolized in that one figure.

I've never not been pleased with one of my albums. I figure because it's spoken word, there will be people who relate to it, and people who don't, so I don't worry about any of that. I've been doing it for over twenty years. I've always written because it was something I had to do, never for the glory.

Boxing kept me out of the streets, by giving me something to do. And it gave me a father figure in the coach that was there for me. I just reiterated what my mother was trying to teach me about focusing and getting my life together.

My life has a superb cast, but I cannot figure out the plot.

People are interested in certain ideas, in certain periods, and then that moves, and okay, now people are more interested in studying this, and there is no perfect balance, and how would you know what the perfect balance is? I mean, what does it mean to have too many Beethoven chairs and too few Stravinsky chairs? I mean, that's kind of a value judgment that isn't really based on humility. We don't know what the optimum number is, so let people figure this out on their own. People are more interested in Beethoven than Stravinsky? Great! Why would that bother me?

You need 10,000 hours to figure out how to be good at something and I agree with that to a certain extent. It's like everything you do to lead up to a great recording or great performance is everything you've done in the past and you can't just, it's rare that someone wakes up in a void and goes and wakes up and makes the most brilliant recording or performance.