Quotes About Form

I have now come to a stage of realization in which I see that God is walking in every human form and manifesting Himself alike through the sage and the sinner, the virtuous and the vicious. Therefore when I meet different people I say to myself, “God in the form of the saint, God in the form of the sinner, God in the form of the righteous, God in the form of the unrighteous.

Pluralism lets things really exist in the each-form or distributively. Monism thinks that the all-form or collective-unit form is the only form that is rational.

The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.

Wouldn't it be wonderful if you could spare them from all suffering? No, it wouldn't. They would not evolve as human beings and would remain shallow, identified with the external form of things. Suffering drives you deeper. The paradox is that suffering is caused by identification with form and erodes identification with form. A lot of it is caused by the ego, although eventually suffering destroys the ego-but not until you suffer consciously.

In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.

Calvinism is an all-embracing system of principles... It is rooted in a form of religion which was peculiarly its own, and form that specific religious consciousness there was developed first a particular theology, then a special church-order, and then a given form for political and social life.

So it persists, for many of us, hunger channeled into some internal circuitry of longing, routed this way and that, emerging in a thousand different forms. The diet form, the romance form, the addiction form, the overriding hunger for this purchase or that job, this relationship or that one. Hunger may be insatiable by nature, it may be fathomless, but our will to fill it, our often blind tenacity in the face of it, can be extraordinary.

Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.

I have touched here on a problem that is masked if one speaks of racism. And that is the fact that the major differences between the established and outsiders group, which create tension and irritation, is not the form of the face or the skin color but the form of behavior: something learned. The form of behavior and feeling, of sentiment, is different in the immigrant groups from that of the established groups, and that may give rise to an enormous irritation.

What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.

In most ecological systems you have a composite, biotic components as well as abiotic components acting together to form a whole, whereas in a human built environment most of the components are abiotic or they are inorganic. One of the first things we need to do is to complement the inorganic components with more organic components, and to make them interact to form a whole.

In France cooking is a serious art form and a national sport. I think the French enjoy the complication of the art form and the cooking for cooking's sake. You can talk with a concierge or police officer about food in France as a general rule. It is not the general rule here. Classical cuisine, which I hope we are going back to, means certain ways of doing things and certain ways of not doing things. If you know classical French cooking you can do anything. If you don't know the basics, you turn out slop.

We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.

It's a kind of liberation to break free in language, if you can break free, but it's also a confinement, because form confines you - whatever the form.

I really like the idea of music when it has form and then sort of loses its form, or becomes noise, and then comes back again... That's how I think of it: structure turning into noise and coming back around again.

Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.

Writing is a creative art form and the acting and directing is more of an interpretive art form.

Art always serves beauty, and beauty is the joy of possessing form, and form is the key to organic life since no living thing can exist without it.

In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too

The beauty of the internal nature cannot be so far concealed by its accidental vesture, but that the spirit of its form shall communicate itself to the very disguise and indicate the shape it hides from the manner in which it is worn. A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume.

Every form is a base for color, every color is the attribute of a form.

Poetry died as a commercial form and then it died as a serious art form. No one serious touches it. It used to be that somebody like F. Scott Fitzgerald could make a high middle-class income from working as a short story writer for the Saturday Evening Post and other outlets. That doesn't happen anymore. It used to be that a legitimate playwright could make a living on Broadway from writing decent plays.

If there is a form of government, then, whose principle and foundation is virtue, will not every sober man acknowledge it better calculated to promote the general happiness than any other form?

What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.

I'm always looking for context in which people tell stories. In "Fight Club" it's these support groups for dying people, and then in "Choke" it's 12-step recovery groups. In one novel it's artists' colonies, in another novel it's a diary form that submariners' wives typically keep so that when their husband comes back from serving on a submarine they have an accounting of their spouse's time. So I'm always looking for, number one, a non-fiction context - because you can tell a more outrageous story if you use a non-fiction form.

There is many a monster who wears the form of a man; it is better of the two to have the heart of a man and the form of a monster.

I believe that any form of writing exercise is good for you. I also believe that any form of tuition which helps develop your awareness of the different properties, styles, and effects of writing is good for you. It helps you become a better reader, more sensitive to nuance, and a better writer, more sensitive to audience. Texting language is no different from other innovative forms of written expression that have emerged in the past. It is a type of language whose communicative strengths and weaknesses need to be appreciated.

Most people, if you live in a big city, you see some form of schizophrenia every day, and it’s always in the form of someone homeless. “Look at that guy - he’s crazy. He looks dangerous.” Well, he’s on the streets because of mental illness. He probably had a job and a home...

The extreme form of power is All against One, the extreme form of violence is One against All.

Whatever you habitually think yourself to be, that you are. You must form, now, a greater and better habit; you must form a conception of yourself as a being of limitless power, and habitually think that you are that being. It is the habitual, not the periodical thought that decides your destiny.

Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force.

I really believe musical form will go on. There's got to be a way of making musical form in cinema live again.

The great cognitive shift is an expansion of consciousness from the perspectival form contained in the lives of particular creatures to an objective, world-encompassing form that exists both individually and intersubjectively. It was originally a biological evolutionary process, and in our species it has become a collective cultural process as well. Each of our lives is a part of the lengthy process of the universe gradually waking up and becoming aware of itself.

Nature has put itself the problem how to catch in flight light streaming to the earth and to store the most elusive of all powers in rigid form. To achieve this aim, it has covered the crust of earth with organisms which in their life processes absorb the light of the sun and use this power to produce a continuously accumulating chemical difference. ... The plants take in one form of power, light; and produce another power, chemical difference.

His true Being comes to light and even penetrates his clothing. We should not limit ourselves to Jesus. We have to recognize ourselves, our own true form... Life would be so simple if we could always see what we are; if we could recognize what our neighbors are. If we could see the beams of light that pass through their clothing; if we could not only see their external form, but also experience their true being.

Sarcasm is the lowest form of humor but the highest form of flattery.

I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.

If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.

I would not want to form a partnership with an architect who has only a little knowledge of building or a broker who has a limited knowledge of the stock market. Still, we form what we hope to be permanent relationships in love with people who have hardly any knowledge of what love is.

By the plain form of my delirium I will blast the obstruction of every form around me into something barely called shadow. I sail. I swim to you. I know the water.

One is almost tempted to say that the language itself is a mythology deprived of its vitality, a bloodless mythology so to speak, which has only preserved in a formal and abstract form what mythology contains in living and concrete form.

When one has reached maturity in this art, one will have the formless form. It is like the dissolving or thawing [of] ice into water that can shape itself to any structure. When one has no form, one can be all forms; when one has no style, one can fit in with any style.

Life always is now, but the form the now takes changes continuously. Most people equate the form the now takes with the now itself, and so they believe there are many different moments.

If one wants another only for some self-satisfaction, usually in the form of sensual pleasure, that wrong desire takes the form of lust rather than love.

Another form of prayer, called cataphatic, honors and reverences images and feelings and goes through them to God. This form of prayer also has an ancient and well-attested history in the world of religions. Any sort of prayer that highlights the mediation of creation can be called cataphatic. So, praying before icons or images of saints; the mediation of sacraments and sacramentals; prayer out in creation - all these are cataphatic forms of prayer

One learns to accept the fact that no permanent return is possible to an old form of relationship; and, more deeply still, that there is no holding of a relationship to a single form. This is not tragedy but part of the ever-recurrent miracle of life and growth.

If your writing is good, if it resonates, if it connects the dots for anybody out there, the lovers will come, the haters will come, support will come — sometimes in the form of money, sometimes in the form of something less expected — and it balances.

The cognitive therapy that takes place in the film Antichrist is a form of therapy that I have used for some time, and it has to do with confronting your fears. I would say that especially the part of the film that has to do with therapy is humoristic because people who know about this form of therapy would know that the character is more than a fool.