Quotes About Guess

I guess it's going to have to hurt, I guess I'm going to have to cry, And let go of some things I've loved to get to the other side I guess it's going to break me down, Like fallin when you try to fly, Sad but sometimes moving on with the rest of your life starts with goodbye

I was talking to my friend and he said his girlfriend was mad at him. I said, "What happened?" He goes: "Well, I guess I, uh... I guess I said something, and, uh... and then she got her feelings hurt." That's a weird way to phrase it: "She got her feelings hurt. I said something, and then she..." Could you more remove yourself from responsibility? "She got her feelings hurt." It's like saying, "Yeah, I shot this guy in the face, and then I guess he got himself murdered. I don't know what happened. He leaned into it."

I guess if there was a desert island scenario and I only could take one font with me, I guess it would be Helvetica, though it has it's limitations, I think it's incredibly versatile and gets the job done and I also think it's one of the typefaces that will really survive the test of time beyond the next several decades if not into the next century.

I guess that all figures into my approach because once I start hearing the imagination land stuff (that's my new phrase now I guess) I tend to tune out or start laughing at it like, "Haha, you guys really believe there is a heaven."

"I guess I'm okay with that. But it's not going to be easy for you. They don't have a lot of fishing or mudding around here." "I figured." "And not a lot of beach volleyball, either. Especially in January." "I guess I'll have to make some sacrifices." "Maybe if you're lucky, we can find you some other ways to occupy your time."

And I guess, I guess it's a humanist film. It's not really a spiritual film and it's, you know, it's saying that we're all one tribe of humans and we're on this little rock, floating through the universe and (Amenabar) has these (transitional shots of) POVs where you see humans like ants.

I don't think you can ever make enough to be set for life. Well, I guess there are limits. In the billions, I guess.

If I were required to guess off-hand, and without collusion with higher minds, what is the bottom cause of the amazing material and intellectual advancement of the last fifty years, I should guess that it was the modern-born and previously non-existent disposition on the part of men to believe that a new idea can have value.

I guess my main worry is that people will start hating what I hate about myself. I worry that everyone will think I am really annoying and just want me to shut up. Which would make so much sense because I annoy myself... I guess I want people to know that if they are annoyed with me, I get it, it's totally cool. Please forgive me.

There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.

When I'm speaking in front of 15 and 20,000 people and I'm up there using a lot of motion, I guess in it's own way, it's a pretty healthy act. I really enjoy doing it. A lot of times these rooms are very hot, like saunas, and I guess that is a form of exercise and, you know?

It's a struggle. It's really, really hard. I'm already nervous for my next one. You have to put more and more movie stars in movies these days. And of course, I would like to have more than $3million to make it. But, again, if that's what I was offered I wouldn't turn it down. I guess studios know that. But I'm one of the lucky ones, I guess.

I guess I'll fade off into bolivian

I guess the only thing I'd say is it ['There are More Beautiful Things Than Beyoncé?'] shouldn't be read as "Beyoncé is not beautiful."

But people who do not know me are surprised to see me as a real person I guess.

This boy has negative charisma. He walks into a room and the oxygen starts to evaporate. I guess that's why girls sleep with him. They find his awfulness transfixing. He's like a lousy 1970's disaster movie that they can't bring themselves to turn off, even though it is making their life worse every minute they leave it on.

I guess I was a conspiracy theorist when I said "no weapons in Iraq." Now they call that history.

I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.

I actually had a small kangaroo - and I'm not kidding this time. I was holding a small kangaroo, baby kangaroo ... it was very nice to me this time. Do you know what it did afterward? I gave it some milk, and it just spit it all over me. I was like, Is this a thank-you for just being nice and petting the kangaroo? I got milk all over myself. I guess I deserved that from the story last year.

When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.

What we do not call education is more precious than that which we call so. We form no guess, at the time of receiving a thought, of its comparative value. And education often wastes its effort in attempts to thwart and balk this natural magnetism, which is sure to select what belongs to it.

What really surprised me was how strange my paintings are anyway. To me, it's like, "Let's paint some portraits and some objects. Don't make it weird, just make it dead straight," but it's still weird. I don't know why. I guess it's just the way I see things.

[My choice about scripts] is just a question of what I fall in love with. You have to use some kind of instinct meter about it. I think I'm getting closer to my instincts now. I don't think there needs to be a plan. I think there needs to be love. I think you need to love what you're doing and then the rest is anybody's guess.

I guess a certain amount of temperament is expected of Chess geniuses

I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.

If I had to guess and put a name on it, I'd say that at some point, the drug war was as much a function of class and social control as it was of racism.

I always preferred to hang out with the outcasts, 'cause they were cooler; they had better taste in music, for one thing, I guess because they had more time to develop one with the lack of social interaction they had!

I've always been very hopeful which I guess isn't strange coming from me. I don't want to call myself an optimist. I want to say that I've always been full of hope. I've never lost that. I have a lot of hope for this country and for the entire world. . .

I've also never written about home in this way before. I guess a lot of it is subconscious and I am intuitively making these decisions when I'm writing. I wanted to communicate in the book that on one hand, being at home - both in our homes and in DeLisle - gives us a sense of belonging and family and safety, but at the same time, being in those places makes us less safe.

My mother was always working for a job, so I guess I was always trained that I should have multiple jobs, multiple aspirations. And I remember she had multiple aspirations, always hearing about her dreams and things she did in the past and things she wanted to do.

I guess a small-town mayor is sort of like a community organizer, except that you have actual responsibilities.

We all need mantras, I guess - stories we tell ourselves to keep us going.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.

I've always believed in the goodness of people. I teach in prison. They all said, don't do it. Carry a gun, take Mace. Are you kidding? I guess, they're around so many criminal elements that they fear for.

It's not a big thing, but I guess it's true--big things are often just small things that are noticed.

Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.

My guess is that nuclear weapons will be used sometime in the next hundred years, but that their use is much more likely to be small and limited than widespread and unconstrained.

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

It's amazing, but I guess that happens when you become overly famous. Every week now, I get more famous.

It's a shame, she had me convinced that she could've been a dime. I guess I lost another one to the wintertime.

I just think Barack [Obama], he doesn't dig being asked at all. He's got a bit of an imperious nature about him. I guess nobody has told him that nobody reads newspapers anymore. That is a dying art form.

I feel I'm able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won't have to live through it, I guess.

I guess I was always envious of people who got to move to New York for college because they got to see the city that I, perhaps, was pretty jaded by with new eyes and discover for themselves that Andy Warhol was dead.

The Road To Serfdom was written during WWII, and basically it's an anti-Nazi, anti-communist thing, but also it's an anti-Conservative and anti-Labor-party thing aimed at the British. He was an Austrian, writing in Britain. And I feel like now, I guess, everybody pays lip service to libertarian - and, indeed, many conservative - ideas, and yet they keep moving forward with an increasingly bureaucratic state. It shows itself in all sorts of little ways.

I really do like listening to stuff that's happened to other people. I guess that's why I like to read.

One paper says I'm Catholic and the other says I'm Jewish. I guess that's fitting because as a Methodist I'm meant to be undetermined some of the time.

I probably sensed the serious formality of the ceremonies and felt what others were feeling then. Looking back, I'd guess that it had opened up a gaping hole in my psyche. In the process of creating art, I might be trying to fill that hole, or to reduce its depth, or to make it feel less hollow. I think that making art could have helped from that moment on.

In terms of what people think about me, the truth of the matter is, I guess I care to a certain extent, but not enough to try to go out in the public and plead for some kind of new understanding of me.