Quotes About Guitar

For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.

I started playing guitar when I was 12, and I started getting into more metal, like Maiden and Metallica... Of course, as I kind of got better and better in the guitar, I was listening to more guitar players, so then I got into, I guess, more of the prog side.

I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.

When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."

I can play rhythm guitar. I know how to hold a guitar and strum it.

I enjoy listening to Olla Bell. There is also this young guitar player, John Duke Lippincott, he sometimes goes by Johnny Duke. He is the most brilliant guitar player from right here in Wilmington, DE.

Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.

For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.

One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.

This guitar is such a pal. It's a psychiatrist. It's a doggone bartender. It's a housewife. This guy is everything. Whenever I find that I've got a problem, I'll go pick my guitar up and play. It's the greatest pal in the whole world.

At age ten I switched to guitar, and I've loved the instrument ever since. And I love to practice. I just do. I just love guitar. It still brings a smile to my face!

My kids don't really like when I sing for some reason...but they like when I play guitar. So I started writing songs just playing guitar for them.

I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.

I suppose I am a frustrated musician so I annoy my family by playing guitar in the house. I used to be into acoustic stuff but my son Joseph is learning drums, so now I have an electric guitar and we play Metallica. We have an amp and a PA in the garage with his drum kit.

I'm really very embarrassed about my guitar playing, in one way, because it's very poor. I can never move but I can make a guitar speak.

I was really into music. I started playing guitar also when I was nine. I wanted to be in the Beatles, even though John Lennon died the year I got a guitar and the Beatles broke up before I was born.

What happens is, especially when I was writing for my band, Creedence, and it's the way I write now, I go into "guitar lick" mode. When I do, it sort of leads into a real song. I'd say to myself, your songwriting is coming up with a guitar lick, and the rest is easy!

Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.

I said this to my daughter, if you don't practice the guitar, when you get older you wouldn't be able to play it. It's that simple. If you want to play the guitar, you put a half hour in everyday, but you have to do it.

At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.

I know artists whose medium is life itself, and who express the inexpressible without brush, pencil, chisel or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased life.... They are the artists of being alive.

I love the guitar for its harmony; it is my constant companion in all my travels.

In a time when everything can be next day and ordered and put on credit and paid for, music to me is promise, all promise, very little realization. It's the promise of walking into a room with a guitar and not being sure you will leave with an idea that will take, not being sure it won't slip away from you.

My dad wanted me to play when I was a kid, so I learned to play the guitar. I pursued a career in music because I love it so much and I enjoy what it does to those who hear it.

As a kid I used to pretend I was John Denver, of all people, and play the guitar and sing Take Me Home, Country Roads.

I've always loved the electric guitar: to hold it and work it and hear what it does is unreal.

A guitar is just theoretically built wrong. Each string is an interval of fourths, and then the B string is off. Theoretically, that's not right, all the strings should be off.

I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.

My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.

Even on guitars I've had misfortunes. I never used to clip the strings on my guitar and then one day I accidentally poked my right eye with the E-string. My eye just wouldn't stop tearing up and I could barely keep it open. The doctor said I didn't do any major damage, but I had to wear a patch for a little while. I still have a tiny red mark on my eyeball from it; I'm still not sure it's the same.

Once I picked up an electric guitar, I lost interest in piano, and I just wanted to rock. I studied piano for so long, I got burned out on it.

Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.

There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.

I wanted to learn how to do everything a person could do on a guitar. Of course, that was impossible.

I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out.

That's pretty much why I went into show business because I wanted to have a guitar and sing unaccompanied, that was like my fantasy of the perfect life.

My life has been a roller coaster ride, but somehow I've always been able to land on my feet and still play the guitar.

You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.

Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.

I've seen a lot of people getting into Jazzmasters because of me, and, well, people don't know what they're in for. I mean if you're looking for endless sustain, you're going to have to get it out of your hands (laughs). Because a saxophonist gets it out of his breath. You've got to work for it on the guitar - it means you have to pull it out of yourself, otherwise, what are you doing? You end up playing a lot of noise or scale exercises.

I've always been on a personal mission to save the guitar.

I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.

I loved playing the guitar and I knew I was pretty good at it, so that's what I wanted to do with my life.

Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.

I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.

If you really love guitar, you're going to spend every waking hour stroking the thing.

Im a huge fan of Joe Walsh and a big James Gang fan. A lot of what I know about playing the guitar I learned from listening to him.