Quotes About Hear

The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.

There's a lot of guys who have great technique, people practicing a lot and you hear them, but there's not that many people who when you hear them, you go, "Man, that guy must practice a lot," right? Then you hear Miles Davis play, and you go, "Man, I had a girlfriend like that." That's a whole another level of musicianship.

Between what I think, what I want to say, what I believe I say, what I say, what you want to hear, what you believe to hear, what you hear, what you want to understand, what you think you understand, what you understand...They are ten possibilities that we might have some problem communicating. But let's try anyway...

You live through the play at 8 o'clock, straight through, and nobody can call "Cut!" But also with the stage you're getting instant reactions. You hear people snoring in the audience, and bored to tears, or sometimes you hear the laughter, and you can hear them listening.

We hear about constitutional rights, free speech and the free press. Every time I hear these words I say to myself, "That man is a Red, that man is a Communist." You never hear a real American talk like that.

When our heart is broken, we can't hear it. And when we can't hear our heart, we can't hear God.

You can publish a poem you think is a very important poem, and you don't hear a word from anyone. [...] You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.

I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race

I would love to hear all types of Christian artists played all over the world. I'd love to hear good, positive mainstream music played all over the place. I'd love to be able to bring music together. But I have not deserted Christ. I have not deserted my faith.

Yes, the words of the Mother can be heard as clearly as we hear one another. But one requires a fine nerve to hear Mother's words.

The one thing I cannot stand is when I do interviews, when I interview people, and I listen to the tapes and I hear myself talking and sort of stumble and stammer, or I hear the horrible sound of my own voice, or God forbid I see myself on video, there is that complete revulsion with seeing how I occur in the world.

When people hear needs, it provokes compassion. When people hear diagnoses, it provokes defensiveness and attack.

It's good for the soul to hear yourself as others hear you, and next time maybe, just maybe, you will not talk so much, so loudly, so brilliantly, so charmingly, so utterly shamelessly foolishly.

When you're a writer, you hear your internal critic, and that's really hard to get over. And then sometimes you hear critiques from classmates and stuff. But when a book comes out, it's just hundreds of opinions and you have to learn to separate out the ones you want to listen to or figure out many you want to listen to.

I never hear anything about education. Education - I guess it's just not sexy enough. And everybody claims to love their children and our children are the most important thing, but if that's the case, how come we never hear more about education as an election issue?

Some things you hear with your ears. Others, you hear with your heart.

If I am a fan of my own music, which I am, I want to hear the best Madchild I can hear. What am I missing? I sort of had a good talk with some close friends of mine that I really respect and look up to in music as well and we all just came to the conclusion, just some more storytelling songs of things I have gone through.

The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.

The most common response I hear when I tell people I teach meditation is, "I'm so stressed out. I could use some of that!" A response I also sometimes hear, which amuses me a lot is, "My partner should really meet you!"

Do you remember the time we met? The wind blew the snow about on the outside, the train moved, stopped, and then moved some more. It took us five hours to reach Tokyo, but I wasn't bored one bit. I didn't really get to hear so much about Nana. But I knew I would have loved... To hear what Nana had to say about herself. - Nana Komatsu

I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.

The army will hear nothing of politics from me and in return I expect to hear nothing of politics from the army.

If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.

When you want to hear a philosopher, do not say, 'You say nothing to me'; only show yourself worthy or fit to hear, and then you will see how you will move the speaker.

It is a secret known but to few, yet of no small use in the conduct of life, that when you fall into a man's conversation, the first thing you should consider is, whether he has a greater inclination to hear you, or that you should hear him.

This Lullaby is only a few words, a simple run of chords, quiet here in this spare room, but you can hear it, hear it, wherever you may go, even if I let you down, this lullaby plays on.

Think you of the fact that a deaf person cannot hear. Then, what deafness may we not all possess? What senses do we lack that we cannot see and cannot hear another world all around us?

Contrary to popular belief and hope, people don't usually come running when they hear a scream. That's not how humans work. Humans look at other humans and say, 'Did you hear a scream?' because the first scream might have been you screaming inside your head, or a horse backfiring.

The supreme task of the church is the evangelization of the world. No one has the right to hear the gospel twice until everyone has had an opportunity to hear it at least once.

I hear these melodies. I hear horn lines and string lines. That's what's fun about recording with an orchestra.

I like rap music. But bragging about being rich to poor people is really offensive. I want to hear a rap song about buying a Cy Twombly painting or dating a museum curator. I want to hear about that kind of rich.

I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.

If the people around you are spiteful and callous and will not hear you, fall down before them and beg their forgiveness; for in truth you are to blame for their not wanting to hear you.

that crack of the bat against a ball has been my mantra, a sound I hear in desperate moments, at times when I crave total satisfaction, a sound I hear over and over when I want something very badly but can't express what it is.

Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.

Biblically speaking, to hear and not to do is not to hear at all.

If you have a dear one in Heaven your heart yearns to see, do not despair, for you will meet again. The voice you loved to hear, you will hear again. The identity of the one you were near to on Earth remains the same, and instant recognition will be yours as you meet, never to part again. Your beloved one is only lost awhile.

You know what the problem that animal activists sometimes have? They only concentrate on the heartbreaking things to the point where the general public thinks, 'Oh, here comes those animal folks again and I'm going to hear all the things I don't want to hear.'

God's faithful servant has no desire for people to say or to give to him, or what he likes to hear or see, for his first and greatest aim is to hear what is most pleasing to God.

They wanted to hear about the sex, of course. But not the rest; no one wanted to hear the rest.

We only see what we want to see; we only hear what we want to hear. Our belief system is just like a mirror that only shows us what we believe.

Playing two months or more in one city meant new songs all the time. If people paid their dimes to see and hear Sophie Tucker, they didn't want to hear the same songs over and over or see the same clothes.

In Dogen's writing, the practical instruction, philosophy and poetry are together in one voice. People hear about his poetry, go to his work, and expect to find poetry, or they hear about his philosophy and expect to find philosophy. They look just for practical instruction and find poetry and philosophy. They can't make out the complexity of his writing, become frustrated and let him go.

It's quite hard to have your mom as a teacher - it's like, she's not necessarily a "real teacher" for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano. That was the main thing.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]

In school, I was always being cast as the clown. And then I did The Exorcism of Emily Rose (2005), and once people hear you scream, they can't un-hear it. But I don't mean to say that I've been typecast, either.

It was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying.

I am constantly concerned about being quoted in the press and perhaps saying the wrong thing or having what I say misinterpreted and bringing reproach to the name of Christ. People do not come to hear what Billy Graham has to say; they want to hear what God has to say. Jesus tells us not to be misled by the voices of strangers. There are so many strange voices being heard in the religious world of our day. We must compare what they say with the Word of God.