Quotes About Hero

You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.

When the first Superman movie came out, I gave dozens of interviews to promote it. The most frequent question was: What is a hero? My answer was that a hero is someone who commits a courageous action without considering the consequences. Now my definition is completely different. I think a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.

Cus was my father but he was more than a father. You can have a father and what does it mean?—it doesn't really mean anything. Cus was my backbone . . . . He did everything for my best interest . . . . We'd spend all our time together, talk about things that, later on, would come back to me. Like about character, and courage. Like the hero and the coward: that the hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.

Nobody, they say, is a hero to his valet. Of course; for a man must be a hero to understand a hero. The valet, I dare say, has great respect for some person of his own stamp.

The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.

No man is a hero to his valet. This is not because the hero is no hero, but because the valet is a valet.

If he'd been a hero, he would have taken the opportunity to say, "That's what I call sorted!" Since he wasn't a hero, he threw up.

One key to the distinction between mystery and suspense writing involves the relative positions of hero and reader. In the ideal mystery novel, the readers is two steps behind the detective.... The ideal suspense reader, on the other hand, is two steps ahead of the hero.

A hero cannot be a hero unless in a heroic world.

I guess that’s the thing about a hero’s journey. You might not start out a hero, and you might not even come back that way. But you change, which is the same as everything changing. The journey changes you, whether or not you know it, and whether or not you want it to.

When I was little I knew my father had been an orphan and had lived in an orphanage. I was curious, but my father wouldn't satisfy my curiosity. He told only one story about the orphanage, and that was of sneaking out and buying candy, which he sold to other orphans. He said he had a pretty good business going - till he was busted! I guess he told that anecdote because he was the hero of it and I suspect he was rarely the hero as a child, more often the victim. There's a photo of the actual orphanage on my website, and you can see it's a forbidding looking place.

Love is a hero’s journey, and the hero’s journey is a noble but difficult path.

In this life you have to be your own hero. By that I mean you have to win whatever it is that matters to you by your own strength and in your own way. Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure.

No hero to me is the man who, by easy shedding of his blood, purchases fame: my hero is he who, without death, can win praise.

I want to be a hero, a small and good kind of hero, even though I know heroes have very short lives.

I think there was the studio mentality for a long time that women and girls can relate to a male hero, but boys and men can't relate to a female hero.

A cult hero? I don't think of myself as any kind of hero. I don't want to say it's a fairy tale, but two years ago if you would've told me I'd be in this position, I wouldn't believe it hardly.

The mere fact that [Tommy Atkins] saw himself as a hero, and not as the rough he was, enlisted, more probably, through hunger, and disciplined by fear, tended to make him behave like a hero, as he did on the Ridge of Delhi and in the fog at Inkermann.

Even being a Jedi is something where you look for more. At first you acted as if Jedi was synonymous with hero. It isn't. Being a hero isn't what all these folks are here to do. They're here to do their jobs." -Jaina Solo

It's really irritating when you open a book, and 10 pages into it you know that the hero you met on page one or two is gonna come through unscathed, because he's the hero. This is completely unreal, and I don't like it.

And let's all be honest here; more of us believe in the American hero Sheriff Joe Arpaio's thorough investigation into your phony birth certificate and phony history than the phony media's smoke and mirrors.

[Alexander Haig and Ariel Sharon ] casualties in this war were more than in all the previous Arab - Israeli confrontations. If you remember, it is the only war [in 1982] which hasn't a hero among the Israeli generals.

A great brand starts with a hero product.

Coming into World War II, we were seen as a conquering hero for beleaguered people, we are now seen as invader, an occupier. And what that is saying is we have more might than right, so we kind of have a kind of moral deficit disorder. And that's why a leader must lift us back to the higher ground, because at the end of the day what makes you strong is that you are believable, that as significant as might is, ultimately right is even stronger than might.

You should chose your heroes a-la carte. Picking and choosing from one and then another, thereby assembling a kind of composite hero. That way when you discover something reprehensible about any one of them it matters nothing to you because that's not the part of them that piqued your interest.

When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.

He who masters the grey everyday is a hero.

Will is the measure of power. To a great genius there must be a great will. If the thought is not a lamp to the will, does not proceed to an act, the wise are imbecile. He alone is strong and happy who has a will. The rest are herds. He uses; they are used. He is of the Maker; they are of the Made. Will is always miraculous, being the presence of God to men. When it appears in a man he is a hero, and all metaphysics are at fault.

Some would assert that Providence was at work shaking out its pockets in Humanity's lap. Other would argue for that mindless choreographer, Chance. Either way it was a simple thing: a lost diary fell into the hands of a soul-sick war hero on a train from Bombay to Jaipur just when he'd grown tired of the scenery and needed something to keep his thoughts from the minefield of his wretched thoughts. In such mild ways is the groundwork laid for first kisses and ruined lives.

Nelson Mandela was one of the most influential people in my life. He was my hero, my friend, and also a companion to me in our fight for the people and for world peace. Let us all continue his legacy with purpose and passion.

Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.

Curt Flood, of course, was in a class by himself, a true hero.

"Oscillate Wildly" is in many ways a story of first love and how it challenges our hero's guarded sense of what's possible.

The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences.

so your father told you once that you were his princess you won't see the castle you cannot find your prince and now you've grown a lot and your dress don't fit right your daddy's not a hero he stole your chariot so here you are in pieces trying to prove to us it's real the softness of your smile and the lies you want to feel the scales beneath your skin are showing off today there's evil in your heart and it wants out to play there's evil in your heart and it wants out to play there's evil in your heart and I have made a home here for me you'll burn it down with your fantasy

My mother has always been my role model, and I believe my survival in the entertainment business is in large part due to my desire to be a strong woman like my mother. She is my hero.

Most films are written and made with a hero around 35, or even 25.

Do you love me Hero?" His pale green eyes were full of torment. "Do you love me like I love you?

The passage of the mythological hero may be over ground, incidentally; fundamentally it is inward--into depths where obscure resistances are overcome, and long lost, forgotten powers are revivified, to be made available for the transfiguration of the world.

Born to be some body." You were born to be some body, maybe a vet, maybe a hero, maybe a care giver. What ever it is you were born to be some thing special and if you believe you can achieve

I sometimes feel like I'm caught in a vise. Some people feel like I'm some kind of hero. Others hate me.

I cant write about something I dont admire. It goes back to the old concept of the celebration: you celebrate the hero, an idea.

Hey ladies, I'm willing to do my part to end domestic violence by posting a selfie online. Some might call me a hero

Everybody needs a hero. Jesus is mine.

If you do it right 51 percent of the time you will end up a hero.

Hero­ism breaks its heart, and ide­al­ism its back, on the intran­si­gence of the cred­u­lous and the mediocre, manip­u­lated by the cyn­i­cal and the corrupt.

In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.

Saint George killed the last dragon, and he was called a hero for it. I've never seen a dragon, and I wish he would have left at least one. Saint Patrick made a name for himself by running the snakes out of Ireland, leaving the place vulnerable to rodent infestation. This business of making saints out of men who exterminate their fellow creatures has got to stop. All I'm saying is, it's starting to get a little lonely up here at the top of the food chain.