Quotes About Hollywood

Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.

I grew up in a Hollywood family with money, so money is not the reason I make music. I'm as Hollywood as it gets. Not internally but externally - that's my bloodline.

If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.

Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.

Like me, Marilyn Monroe had suffered at the hands of some not very nice men. She was used, unappreciated and struggled to find herself. She worked her way up in Hollywood with stars in her eyes and a kind heart, but found that Hollywood wasn't always as kind in return. She may have been publicly adored, idolized and lusted after, but she felt alone and trapped.

The great thing about it is, in Hollywood, certain people are very good at keeping their lives and who they are very private. I've never met anybody as down to earth and cool in Hollywood than Matt Damon.

People are always saying that Hollywood messes up kids. I'm like, 'No, families mess up kids!' I grew up in Hollywood, and I'm perfectly fine. If my children want to go into the entertainment business, I won't stop them, as long as they're passionate about it.

I hear Jerry Falwell every Sunday here talking about the devil and Hollywood. . . . I'm gonna write him a letter. Hollywood wasn't built on filth and dirt - it was built on talent.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

I think Hollywood is incredibly segregated. I've never seen any place like it. The gatekeepers who are the most progressive activists inspired to make the world better... they're better people, right? They're segregated. It's self segregated in some cases, but there's nobody Black in charge of anything in Hollywood.

I don't think that Hollywood will have much to do with changing politics. Hollywood usually reflects things.

North Hollywood isn't actually Hollywood, it's in the San Fernando Valley... it's not the most glamorous part of L.A.

Hollywood's racist. Hollywood is sorority racist. It's like - we like you, Rhonda, but you're not a Kappa.

Comedies in Hollywood is usually the path of least resistance when it comes to being black in Hollywood and putting movies together. They would rather make us laugh than cry, in some respect.

The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.

I thought I should forget Hollywood and go back to Hong Kong. I'm so lucky that finally Hollywood accepts my comedy fighting.

I think the Oscar So White campaign really sparked ... Because you didn't want to be the Oscars, so everybody in Hollywood was like, well, before the heat comes down. The Golden Globes diversified. Just everybody ended up diversifying as far as handing out awards to more diverse folks in Hollywood because at the end of the day, it doesn't matter what your race is. If you're waking up every day and you're doing the work, you deserve an opportunity to be awarded like everybody else.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.

Hollywood has to appeal to the broadest audience, and when it comes to most social and economic issues, America is progressive. Because of that, the messages that are in Hollywood movies tend to be, for instance, pro-environment.

When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.

They say that in Hollywood one can't be honest, but I think honesty counts in Hollywood just as much as it does anywhere else. I think it's just too much trouble to be dishonest and keep up with yourself.

Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.

If women ran Hollywood, The Hollywood Reporter would have a "Men in Entertainment" issue every year, and those jerks would have to write something.

Well, I don't think Hollywood's a dirty word at all, I love a lot of Hollywood films.

There may be evidence the Russians are trying to tamper with elections. The Russians are trying to infiltrate everything we do, and they've succeeded. They've infiltrated Hollywood, they've infiltrated our universities, probably try to infiltrate elections by who knows what. But the idea that there is evidence that Putin was actively trying to elect Trump, there isn't a morsel of evidence for that, yet it shows up. The truth of the matter is that Putin doesn't care who runs the United States. It doesn't matter to him.

You have to treat Hollywood like it's your boyfriend - he's there all the time.

Everyone in Hollywood is seeking fame and fortune; it's in the water here. Everyone from young women to old men - they all want it.

The '90s were a time when not just the movie business, but every aspect of American life, became a lot more corporate. There's a line in Jonathan Franzen's essay "Perchance to Dream" about how "the rich lateral dramas of local manners have been replaced by a single vertical drama, that of commercial generality." I wanted to examine that great homogenizing force that came in during the '90s, since Hollywood seemed a place where it was particularly active.

I have a silicone bust, and half of Hollywood - artificial person.

The real Mary Poppins got lost when Hollywood turned her into a cream puff.

A cigarette in the hands of a Hollywood star onscreen is a gun aimed at a 12- or 14-year-old.

I don't think I ever understood Hollywood.

For a woman to direct a movie in Hollywood, she has to go through so many layers of rejection by the powers that be - I suppose including myself - that it is harder to get to that point. So you can't just create something. And I think there is a whole unconscious mountain.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

Hollywood called me, asking me, "How much to do a movie with Farrah Fawcett?" "$50,000" They called back, "How about $20,000?" I said, "I'll pay it!"

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

It bothers me when the Hollywood elite are all so against people having guns and want rigorous gun restrictions.

I'd like to refocus everyone's attention away from the Kardashians and onto Doctors Without Borders or aid workers. Let's redefine scandal. Scandal is not who so-and-so is dating; scandal is the fact that 1.2 million people are still living in tents in Haiti, and cholera is rampant because Nepalese U.N. soldiers dumped s- from their Porta-Potties into the river. That's a f-ing scandal. If the average 15-year-old was hearing about that instead of so-and-so's plastic surgery or cheating in Hollywood, I'd feel better about our future.

It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.

I just don't like the whole Hollywood thing.

In Hollywood you kind of fail upwards

I'm someone who has a singular goal in making films; I want to tell a story. There are certain stories that I want to tell. Hollywood's never really been the ultimate goal for me.

In Hollywood, more often than not, they're making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone.

I would definitely like to continue my career in Hollywood, work hard and do my best.

Hollywood is full of very liberal people, but it still has an infrastructure that needs to be broken.

With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.

You want to track Hollywood careers, look in the real estate section. You see a guy buy a house that costs $6 million, and you can literally start counting the days until he starts doing crappy movies.