Quotes About Horror

Horror grows impatient, rhetorically, with the Stoic fatalism of Ecclesiastes. That we are all going to die, that death mocks and cancels every one of our acts and attainments and every moment of our life histories, this knowledge is to storytelling what rust is to oxidation; the writer of horror holds with those who favor fire. The horror writer is not content to report on death as the universal system of human weather; he or she chases tornadoes. Horror is Stoicism with a taste for spectacle.

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.

I don't really like horror shows, horror movies, or any of that. I'm really a lightweight, in terms of that.

In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream of a sphinx in order to explain the horror we feel.

In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.

The truth is, it's very hard looking back... we look at holocaust now with such knowledge and such a sense of the horror of what it was, that it's hard to believe even now that in 1930s and 1940s, before something like this had happened, that it could be impossible to imagine the extent of this horror.

I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.

Mental hospitals are great for horror movies because they're already scary even without the horror or supernatural elements. This is a place where you can play with the ideas of one's sanity, what's real and what's not.

I love horror movies, I wish I would get more roles to do more horror movies. I got to make a living so I take what they give me, but if I could be the next Vincent Price I would be the happiest guy in the world.

No, the horror genre is not my first love. I don't run to the theater to see horror films.

Don't you see, if when we die there's nothing, all your sun and fields and what not are all, ah, horror? It's just an ocean of horror.

If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.

Like the brief doomed flare of exploding suns that registers dimly on blind men's eyes, the beginning of the horror passed almost unnoticed; in the shriek of what followed, in fact, was forgotten and perhaps not connected to the horror at all.

Horror movies are hard work. Why don't we make a horror workout?

I had an idea for a medical conspiracy thriller. Since it was non-horror, I didn't want the publishers and editors bringing a lot of baggage - my history as a genre writer in the SF and horror fields, for instance - to the novel when they read it. I wanted them to consider the book solely on its own merits. So I called myself Colin Andrews. I was tired of seeing my books at floor level. Not that Herman Wouk and Phyllis Whitney and William Wharton are bad company, but I wanted to be up at eye level for a change, where people with bad backs could get a chance to see my books.

Physical reality is one of the biggest horror movies of all, and you know how we love horror movies.

I don't want to just make horror movies; I don't want to just make any type of movie - I don't just like horror movies, I love movies.

People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.

I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.

When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.

White... is death. It's hospitals. It's my terrible nurses. White is absolute horror. It is just the worst.

The horror of the Twentieth Century was the size of each new event, and the paucity of its reverberation.

I ate him," said the homunculus, biting into his sausage. The kids couldn't hide their looks of horror. He smiled, sausage juice running down his chin. "Oh, don't worry - I cooked him first. I'm not a barbarian.

Hop in? Dude, are you out of your ever-loving mind? I can’t touch this. I might leave a fingerprint or something. (Nick) Oh the horror. Guess I’ll have to trade the piece of junk in and get a new one if that happens. (Acheron)

The world, after all, was still a place of bottomless horror. It was by no means a place of childlike simplicity where everything could be settled by a simple then-and-there decision.

The gross perversion and destruction of motherhood by the abortionist filled me with indignation, and awakened active antagonism. That the honorable term 'female physician' should be exclusively applied to those women who carried on this shocking trade seemed to me a horror. It was an utter degradation of what might and should become a noble position for women.

Tantra is the perception of the oneness and the perfection of all things. Not just the perception of light, but the perception of darkness, seeing God in both beauty and horror.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

Born to an age where horror has become commonplace, where tragedy has, by its monotonous repetition, become a parody of sorrow, we need to fence off a few parks where humans try to be fair, where skill has some hope of reward, where absurdity has a harder time than usual getting a ticket.

I remember listening to Miles Davis in the car with my dad. I had just done my Grade 5 piano exam, and I was quite cocky. I said, 'It sounds like he's played the wrong note there.' I remember the look of horror on my dad's face, and thinking, 'Wow, I have to figure out why that is not acceptable.'

I enjoyed Adam McCormick, it was this odd mix of coming-of-age, of horror, of suspense, of almost romance. These kind of disparate elements that for some reason blend really nicely into Jamie Marks is Dead quiet story. And I like that the scope of the film is very intimately focused. It's really fascinating and I didn't quite get the script at first, and I liked that, it made me want to keep thinking about it.

If you ask around, it's pretty easy to find someone who has a bank account overdraft horror story to tell.

A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.

It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

Clary, you're an artist, like your mother. That means you see the world in ways that other people don't. It's your gift, to see the beauty and the horror in ordinary things. It doesn't make you crazy — just different. There's nothing wrong with being different.

Ultimate horror often paralyses memory in a merciful way.

Horror is the removal of masks.

People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.

[Albert Camus]didn't have much hope that things would work out, but he wanted them to. Algeria had reached such a degree of violence that once such violence is created there's no more room for reflection. And there's no mediating position. If you look at Bosnia today, the Croats, Bosnians and Serbs, they've all created so much horror that one starts to wonder how these peoples can live together, after having done what they have. Already the violence has reached such a degree that everybody is living in hate, there's no possibility of reflection, no mediating position.

It's just assumed that a horror sequel is going to be bad. It's never going to be as good as the first one.

If we deny our awesome challenge; turn our backs on the living universe, and forsake our cosmic destiny, we will commit a crime of unutterable magnitude. Mankind alone has the power to carry out this fundamental change in the universe. Our failure would lead to consequences unthinkable. This is perhaps the first and only chance the universe will ever have to awaken from its long night and live. We are the caretakers of this delicate spark of Life. To let it flicker and die through ignorance, neglect, or lack of imagination is a horror too great to contemplate.

Well, yeah! Now they're considered golden oldies, which is awesome. I was watching Little Women recently, and I didn't want to get up for fear of missing something. And Heathers is like my own Rocky Horror Picture Show; I recite the lines when it's on. It may seem odd, but I think it's because they're really good movies.

The latest horror to hit the U.S. looks to have been caused by people of Middle Eastern origin, bearing Muslim names. Again, shame. This fuels more hatred for a religion and a people who have nothing to do with these events.

Some people in Indonesia say they are content, but in fact most of them are miserable. People say they are not poor, even if they take water from the gutter and live in a carton shack. They say they are not afraid, because even the horror they are experiencing every day, is not allowed here to be defined as fear. If it is, the families, the officials, and mass media, mock it.

We are all freaks. Yes! Alone in our rooms at night, we are all weirdoes and outcasts and losers. That is what being a teenager is all about! Whether you admit it or not, you are all worried that the others won’t accept you, that if they knew the real you, they would recoil in horror. Each of us carries with us a secret shame that we think is somehow unique…And if we are, each of us, freaks – then can’t we accept what’s different in each other and move on?

There is nothing in the world I hold in greater horror than to see a body moving against its head: and I shall be very careful notto ally myself with such a monster.

Alien is one of my favourite films. I'm a classic horror fan. It's a tough one for me, because I get scared quite easily.