Quotes About Horror

As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.

Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.

I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.

Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.

Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.

'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.

In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream of a sphinx in order to explain the horror we feel.

In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.

Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.

Rather an end in horror, than horror without end. He could not condemn principles he might need to invoke and apply later. The wolf cannot help having been created by God as he is, but we shoot him all the same if we have to. The great player in diplomacy, as in chess, asks the question,Does this improve me?, not look at the possible fringe benefits If you can't have what you like, you must like what you have.

People ask me, 'Is 3D a good medium for horror movies?' I think it's the perfect thing for horror movies because it really puts you into it.

Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions.

Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.

I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.

I love horror movies in space. I love it when the genre switches over and what was sci-fi becomes horror.

Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.

I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.

Although I've said a million times that I'm not a horror writer, I do like horror.

As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

The cool thing about making a Western is that people want to be in them. You rarely get the opportunity. With horror movies you are always trying to convince them. People in horror are always worried it's going to be this schlocky thing, and you're always trying to convince them that it's not. With Westerns, people immediately react with, "Oh, I've always wanted to do one."

His [Ben Okri's] work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called "destiny" to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.

Executing a murderer is the only way to adequately express our horror at the taking of an innocent life. Nothing else suffices. To equate the lives of killers with those of victims is the worst kind of moral equivalency. If capital punishment is state murder, then imprisonment is state kidnapping and restitution is state theft.

Good evening, Lord Corwin,' said the lean, cadaverous figure who rested against a storage rack, smoking his pipe, grinning around it. Good evening, Roger. How are things in the nether world?' A rat, a bat, a spider. Nothing much else astir. Peaceful.' You enjoy this duty?' He nodded. I am writing a philosophical romance shot through with elements of horror and morbidity. I work on those parts down here.

I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.

I must go home periodically to renew my sense of horror.

A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.

It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

When I wake up I look like a madman, like something out of a horror movie! That's why I sleep alone. But the funny thing is that I'm very impeccable and clean before I go to bed. It's just like right before I'm going out.

When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.

I think [Doctor Strange] it is - it does tap into a supernatural type of genre that is not horror.

I think it goes without saying that a lot of big horror fans are just nerds and geeks.

There is nothing in the world I hold in greater horror than to see a body moving against its head: and I shall be very careful notto ally myself with such a monster.

People want to be disturbed when they go see a horror movie.

I am very happy making lower budgeted horror movies.

L.A is a huge place, literally and metaphorically. Its beauty and horror. Its unconventional history. Its draw and allure. Its diversity and segregation.

I didn't know it would be black," she murmured with a little smile. Horror flooded his face. "Oh, Christ!

A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.

One day I want to write a full-on horror book.

All generous minds have a horror of what are commonly called 'Facts'. They are the brute beasts of the intellectual domain.

Every sensible man, every honorable man, must hold the Christian sect in horror.

I do one accent - my own. I can make it louder or quieter. That is the sum total of my vocal range. I thought I could do an American accent until I tried it in front of an American - the expression of horror is still burnt onto my retinas.

The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.

It seems impossible, in fact, to judge the eye using any word other than seductive, since nothing is more attractive in the bodies of animals and men. But extreme seductiveness is probably at the boundary of horror.

Oh, injurious love, that respites me a life, whose very comfort is still a dying horror

Fear is implanted in us as a preservative from evil but its duty, like that of other passions, is not to overbear reason, but to assist it. It should not be suffered to tyrannize in the imagination, to raise phantoms of horror, or to beset life with supernumerary distresses.

In his essay on the uncanny, Das Unheimliche, Freud said that the uncanny is the only feeling which is more powerfully experienced in art than in life. If the horror genre required any justification, I should think this alone would serve as its credentials.