Quotes About Idea

Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.

I've known people who had fantastic ideas, but who couldn't get the idea off the ground because they approached everything weakly. They thought that their ideas would somehow take off by themselves, or that just coming up with an idea was enough. Let me tell you something - it's not enough. It will never be enough. You have to put the idea into action. If you don't have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.

I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.

If you have an idea and I have an idea - then we EACH have JUST ONE idea...but if you share your idea with me and I do the same...we EACH have TWO ideas!

Never say no to an idea - you never know how that idea will ignite another idea.

God is an idea that people believe in and I spend time arguing with people that subscribe to that idea(man made idea).

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.

Every improvement that is put upon the real estate is the result of an idea in somebody's head. The skyscraper is another idea; the railroad is another; the telephone and all those things are merely symbols which represent ideas. An andiron, a wash-tub, is the result of an idea that did not exist before.

If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.

Working on a new idea is kind of like getting married. Then a new idea comes along and you think, 'Man, I'd really like to go out with her.' But you can't. At least not until the old idea is finished.

In every idea of genius or in every new human idea, or, more simply still, in every serious human idea born in anyone's brain, there is something that cannot possibly be conveyed to others.

If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.

An idea that is developed and put into action is more important than an idea that exists only as an idea.

I love being around people that contribute. It doesn't matter where the good idea comes from. A good idea is a good idea.

Two radical ideas have been introduced into human thought. One of them is that energy and matter are pretty much the same sort of stuff. That's Einstein. The other is that revenge is a bad idea. Revenge is an enormously popular idea but, of course, Jesus came along with the radical idea of forgiveness. If you're insulted, you have to square accounts. So this invention by Jesus is as radical as Einstein's.

I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.

I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."

I think the most important thing is discovering an idea that moves you, and then letting people who are moved by that idea find each other, and work together. A lot of times people focus on the technical side-"oh, I've got to take a class on non-profit development." Too few people allow themselves to think outside the box with regard to their issue areas.

I have a new theory of history, which is certain things happen because they seem like a good idea at the time. And suburbia seemed like a good idea at the time, but it was a special time and place in history, with special dynamics. And now, we're going to have to live with the consequences of that. And the consequences will be tragic.

I was very sad to leave Harry Potter but equally there will be an element of excitement about the idea that a script might come in and I don't have to go: "I'm sorry, I'm kind of busy for the next four years." The idea of that is quite exciting.

What happened was I was invited to meet Tom [Hardy] to discuss a project that he had in his mind about an adventurer who returns to England from Africa with secrets and with a history, and the original idea was set some 80 years later than it is now. But in the conversation I really took to the idea and I'd wanted for a while to set something in 1830 and 1840 in London, so it struck a chord.

Once the idea of a supernaturalistic creation is fully overcome, the idea returns that the universe must be self-organizing and therefore composed of self-moving parts. Also, insofar as dualistic assumptions are fully overcome and human experience is accepted as fully natural, it begins to seem probable that something analogous to our experience and self-movement is a feature of every level of nature.

I am opposing it with an idea of the history of philosophy as a history of philosophers, that is, a history of mortal, fragile and limited creatures like you and I. I am against the idea of clean, clearly distinct epochs in the history of philosophy or indeed in anything else. I think that history is always messy, contingent, plural and material. I am against the constant revenge of idealism in how we think about history.

When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission.

I think that the whole idea of ‘no regrets’ was always a silly idea to me, because of course I regret all the places I went wrong, but that’s what creating anything, and being human, is all about. Of course if I could go back and knew what I know now, I absolutely would do it differently, I’d do it the right way, but part of being human is that we can’t go back, we can only hope that if we come across that moment again, we’ll do it the right way.

Motivation is when you get hold of an idea and don't let go of it until you make it a reality. Inspiration is the reverse - when an idea gets hold of you and you feel compelled to let that impulse or energy carry you along. You get to a point where you realize that you're no longer in charge, that there's a driving force inside you that can't be stopped.

be yourself- not your idea of what you think somebody else's idea of yourself should be.

Having a great idea is simply not enough. The eventual goal is vastly more important than any idea. It is how ideas are implemented that counts in the long run

When you come up with a good idea, you dont have to do a whole lot. The idea does it for you.

I certainly felt I had an idea of World War II, and it's probably the idea that many people share: there was this insane aggressor, and there was really only one way to proceed in resisting him. What I didn't realize is that there were many voices belonging to reasonable, interesting, complicated people who had a different way of interpreting the possible responses to the Hitlerian menace.

No idea is so antiquated that it was not once modern. No idea is so modern that it will not someday be antiquated.

We are still in various kinds of patriarchal systems. The very definition of patriarchy is that men control women as the means of reproduction, so the idea that a woman's main role is to have children often means society wants more workers, more soldiers. The idea that how many children we have should be controlled by the family, the church, the nation - by anyone but women themselves - is still very deep and very strong.

There is a method in his madness, and the rudimentary idea in my mind is growing. It will be a whole idea soon, and then, oh, unconscious cerebration.

I didn't just get an idea. I got a great idea.

The informing idea of what you want to say and do, that's what will take you from film school to professional - the idea. That's what is original to you.

Don't look back. Just go ahead. Give ideas away. Under every idea there's a new idea waiting to be born.

If I do something for a public space, it's not something that I have in my head and go, "Oh that's a good location. I should put it here." That for me never exists. When I see the site, then I have an idea that is new and I would never do unless it's there. It's the space or the people there, which will give me the idea.

An unbending and absolute acceptance of any idea is a sure sign of a small mind, no matter the greatness of intellect possesed by the one accepting that idea.

The value of an idea has nothing whatsoever to do with the sincerity of the man who expresses it. Indeed, the probabilities are that the more insincere the man is, the more purely intellectual will the idea be, as in that case it will not be coloured by either his wants, his desires, or his prejudices.

i had no idea what i wanted to do with my life and no idea how college was going to help me figure it out.

Never underestimate the value of an idea. Every positive idea has within its potential for success if it is managed properly.

As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.

When you're trying to come up with an idea for a movie it's actually the hardest part - the germ of the idea. Inevitably you think of something that would be great and then discover that it was on an episode of The Simpsons.

An idea that is not dangerous is unworthy of being called an idea at all.

And what's strange, what would be marvelous, is not that God should really exist; the marvel is that such an idea, the idea of the necessity of God, could enter the head of such a savage, vicious beast as man.

To comprehend an idea, a person must simultaneously accept it as true. Conscious analysis - which, depending on the idea, may occur almost immediately or with considerable effort - allows the mind to reject what it intially accepted as fact.

You have to have an idea of what you are going to do, but it should be a vague idea.