Quotes About Image

Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.

We are not to reflect on the wickedness of men but to look to the image of God in them, an image which, covering and obliterating their faults, an image which, by its beauty and dignity, should allure us to love and embrace them.

The rise and fall of images of the future precedes or accompanies the rise and fall of cultures. As long as a society's image is positive and flourishing, the flower of culture is in full bloom. Once the image begins to decay and lose its vitality, however, the culture does not long survive.

I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong?

What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

I consider myself a modern-day dad, where I still got rock'n'roll in me, but yet I take being a parent and relationships very seriously in life. I'm tired of the image of the father as a fat, beer-chugging, stupid guy. That image has to change. I'm changing it, baby, one city at a time.

[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."

God's image is the married couple, a man and women, together. Not just the man. Not just the woman. No, both of them. That's God's image.

There have been systems of religion where the mother is the prime parent, the source, and she's really a more immediate parent than the father, because one is born from the mother...so that the image of the woman is the image of the world.

The image is one thing and the human being is another...it's very hard to live up to an image.

The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.

I think of myself as a fairly decent human being and it gives me great pain to be considered for all the mean S.O.B.s that come along. I've played bird decapitators, puppy stranglers, woman beaters, wife poisoners, child molesters - every goddamn thing you can think of. It was quite scene there for a while. But I think the image is changing...I hope to God the old image is fading from people's minds.

All of depiction is fiction, it's only a question of degree. When we think of images, such as the signing of the declaration of independence, we think of that wonderful John Trumbull painting Declaration of Independence that is at the Yale Art Gallery and on the back of our money. When we think of that historical moment we think of that image. That image never happened like that. All of those people were never in that room together to sign that paper. It's a beautiful fiction to help us have an understanding of what went on.

The exterior image of a human being and the diverse circumstances that surround him are the exact result of his interior image and of his psychological processes.

We never see a tree except through the image that we have of it, the concept of that tree; but the concept, the knowledge, the experience, is entirely different from the actual tree. Look at a tree and you will find how extraordinarily difficult it is to see it completely, so that no image, no screen, comes between the seeing and the actual fact. By completely I mean with the totality of your mind and heart, not a fragment of it.

I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.

Melancholia for Freud is the relationship that the subject takes up with respect to itself from the position of what he calls conscience or what he later calls the super-ego. And that can be lacerated - if you think of the anorexic who sees themselves from the perspective of the image they have, of the image they have of themselves in the mirror which is false - that would be the super-ego. Super-ego is what generates depression and it is what has to be dealt with in psychoanalysis.

It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

Though the computer can correct anything, a bad image is a bad image.

When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.

In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.

What's great about symbols, what a writer can do with them is provide a really vivid, interesting image, and the reader will do the rest of the work. That's always been very interesting to me. Like if I just introduce the storks, I don't have to say what they mean because the reader will do that. And if I bring in the dark history of the region, other trends come up, for example how in ancient Egypt they are associated with the souls of the dead. You can surprise yourself by introducing an image and then see how developing the story fills it with meaning that is suddenly new.

All art is image making and all image making is the creation of substitutes.

When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer.

As our thought is opened and we behold the image of eternity within ourselves, we are changed by this image into a newness of life.

Our image of happiness is indissolubly bound up with the image of the past.

I often think of the image only I can see now, and of which I’ve never spoken. It’s always there, in the same silence, amazing. It’s the only image of myself I like, the only one in which I recognize myself, in which I delight

God's wrath is not an implacable, blind rage. However emotional it may be, it is an entirely reasonable and willed response to offenses against his holiness. But his love . . . wells up amidst his perfections and is not generated by the loveliness of the loved. Thus there is nothing intrinsically impossible about wrath and love being directed toward the same individual or people at the same time. God in his perfections must be wrathful against his rebel image-bearers, for they have offended him; God in his perfections must be loving toward his rebel image-bearers, for he is that kind of God

Many young girls are constantly consumed by controlling and managing their body image to the extent that they are much more involved in the production of the self than in living.

I re-invented my image so many times that I'm in denial that I was originally an overweight Korean woman.

Rule number one of the wizarding business. Never let them see you sweat. People expect us to know things. It can be a big advantage. Don’t screw it up by looking like you’re as confused as everyone else. Bad for the image.

Certainly, the international image of the United States today is a lot less positive than 10 years ago. And that really shouldn't be, because you have been the victims of this awful terrorist attack, and I think America deserves the sympathy of the world.

Being a narcissist isn't easy when the question is not of loving your own image, but of recreating the self through deliberate acts of alienation.

The Almighty in His infinite wisdom did not see fit to create Frenchmen in the image of Englishmen.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.

The dividing line [between friends and acquaintances] is communication, I think. A friend is someone to whom you can say any jackass thing that enters your mind. With acquaintances, you are forever aware of their slightly unreal image of you, and to keep them content, you edit yourself to fit. Many marriages are between acquaintances. You can be with a person for three hours of your life and have a friend. Another will remain an acquaintance for thirty years.

Venom was a band that strongly influenced the image and the idea behind Slayer.

That dreadful alligator attack in Orlando would never have happened if Disney had put up real warning signs, like other Florida resorts do. But wild alligators don't fit the Disney image, so they were no proper warnings, and a child died for no reason.

It's not my job to keep myself in the news. My job is to keep performing. If I spend time promoting myself or being concerned about my image, I wouldn't have the energy to do the work that I'm doing. I love what I do and I'm good at it too.

I testify that no one of us is less treasured or cherished of God than another. I testify that He loves each of us—insecurities, anxieties, self-image, and all. He doesn’t measure our talents or our looks; He doesn’t measure our professions or our possessions. He cheers on every runner, calling out that the race is against sin, not against each other.

A book becomes a mirror, with the author's face shining over it. Talent only gives an imperfect image,--the broken glimmer of a countenance. But the features of genius remain unruffled. Time guards the shadow. Beauty, the spiritual, Venus,--whose children are the Tassos, the Spensers, the Bacons,--breathes, the magic of her love, and fixes the face forever.

As Plato insisted two thousand years ago, it is not by means of the image that moral, ethical, or political knowledge is produced.

Friendship Never explain -- your friends do not need it, and your enemies will not believe it anyway. A real friend never gets in your way, unless you happen to be on the way down. A friend is someone you can do nothing with and enjoy it. However much we guard ourselves against it, we tend to shape ourselves in the image others have of us. It is not so much the example of others we imitate, as the reflection of ourselves in their eyes and the echo of ourselves in their words.

I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

Every design is a rigorous attempt to capture a concrete moment of a transitory image in all its nuances. The extent to which this transitory quality is captured, is reflected in the designs: the more precise they are, the more vulnerable.