Quotes About Image

Woman does not possess the image of God in herself but only when taken together with the male who is her head, so that the whole substance is one image. But when she is assigned the role as helpmate, a function that pertains to her alone, then she is not the image of God. But as far as the man is concerned, he is by himself alone the image of God just as fully and completely as when he and the woman are joined together into one.

We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.

For, in truth, an image is only dead matter shaped by the craftsman's hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone: God, who alone is truly God.

I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.

My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?

It's quite simple: I managed it by doing away with Wham!'s duo image. Obviously, the way I looked changed and that helped a little, but I still have a very pop image. It's a very video-friendly image. I find it a lot more real. It's a lot closer to who I am than the whole Wham! thing.

I think we all do craft a certain self-image. I guess the degree that our internal self-image matches the image we project, we perhaps feel really uncomfortable in the world when there is a difference. That can cause a lot of stress or bad feelings about ourselves.

Divine love, agape, is self-sacrificing love, which sounds difficult, as it is, and not very attractive. If the best image we have of love is of a man who's been tortured and hung upon a cross to die an excruciating death, this is something that human beings find very, very hard to understand as love. But it is the highest Christian image of love.

... Nothing resembles reality less than the photograph. Nothing resembles substance less than its shadow. To convey the meaning of something substantial you have to use not a shadow but a sign, not the limitation but the image. The image is a new and different reality, and of course it does not convey an impression of some object, but the mind of the subject; and that is something else again.

Cold words freeze people, and hot words scorch them, and bitter words make them bitter, and wrathful words make them wrathful. Kind words also produce their own image on men's souls; and a beautiful image it is. They smooth, and quiet, and comfort the hearer.

Any unique image that you desire probably already exists on the internet or in some database... the problem today is no longer how to create the right image, but how to find an already existing one.

For several years I worried a lot about protecting an image, but today, I have understood that the image cannot be preconceived.

[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."

I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.

People respond differently to the same image and put on what they want or hope or feel onto that image.

There is a difference between image and reputation. Image is nice. Reputation is developed over an entire career. Reputation is what I'm searching for.

The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.

If it be true that God and man are in one image or likeness (and the affirmation that they are so is not unplausible) then it is the duty of man to bring out into its full splendor that Divine Image which is latent, on one side, in the complexity of his own nature.

I want every image to be the beginning of an unseen image.

People hold an image of you and project that image when they feel you are changing. Disappear for a while. Break up your routines.

Man was made in the image of God, and nothing will satisfy man but God, in whose image he was made.

When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.

Give the public the 'image' of what it thinks it ought to be, or what television commercials or glossy magazine ads have convinced us we ought to be, and we will buy more of the product, become closer to the image, and further from reality.

I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldnt get that image out of my head. That started building up my love of magic.

All images generated by imaging technology are viewed in a walled-off location not visible to the public. The officer assisting the passenger never sees the image, and the officer viewing the image never interacts with the passenger. The imaging technology that we use cannot store, export, print or transmit images.

To live greatly, we must develop the capacity to face trouble with courage, disappointment with cheerfulness, and triumph with humility. You ask, 'How might we achieve these goals?' I answer, 'By getting a true perspective of who we really are!' We are sons and daughters of a living God in whose image we have been created. Think of that truth: 'Created in the image of God!' We cannot sincerely hold this conviction without experiencing a profound new sense of strength and power, even the strength to live the commandments of God, the power to resist the temptations of Satan.

The poetic image […] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes.

It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.

The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.

Originally man was made in the image of God, but now his likeness to God is a stolen one. As the image of God man draws his life entirely from his origin in God, but the man who has become like God has forgotten how he was at his origin and has made himself his own creator and judge.

An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.

For me, the key image is the boat coming through the fog at the beginning. It's something I imagined and liked and I guess there are other references in other films I make - the similar type of image. But I think it's interesting, it's breaking through the mystery, or maybe it stays in the fog... we don't really know. Where is he at the beginning of the film, who is he?

In the wake of newly-alleged prisoner abuse this week, Senator John McCain said that continued mistreatment of Iraqi prisoners is hurting the nation's image. Also hurting the nation's image: letting people drown when it rains.

Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures.

Who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were, in the eye.

The theme of corporate stories (and millions drink them in every day) seldom varies: to be happy you must consume, to be special you must conform. Absurd, obviously, yet our identities have become so fragile, so elusive, that we seem content to let advertisers provide us with their version of who we are, to let them recreate us in their image: a cookie-cutter image based on market research, shallow sociology, and insidious lies.

When I am kicking around show ideas, or really any idea, usually an image comes to me. I don't really start with a character or a logline like, "What if the electricity turned off?"

I think the press gets lazy once a certain kind of image is out there. It just adheres, rather than the press trying to break that down.

I actually go to the gym much more now than I did when I was on Buffy. I like to stay fit, because that's when I feel really healthy. But I never worked out for any kind of image. People have said to me, 'Do you starve yourself before photo shoots?' And I always say, 'No way.! That's what airbrushing is for. I had french fries last night.'

The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.

In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.

Certainly, the international image of the United States today is a lot less positive than 10 years ago. And that really shouldn't be, because you have been the victims of this awful terrorist attack, and I think America deserves the sympathy of the world.

In the Latino community, the Trump campaign, even when it seemed it was a long shot he would be elected president, his campaign itself just caused lots of consternation and nervousness and anger. Famously, piñata makers started making piñatas of Donald Trump, even before he won the Republican nomination. There was this sense that, here's a person who's rising in the polls because he's insulting us, because he's created this scapegoated image of us as the people responsible for the decline of the United States.

If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.

I see the relationship sincerity/humor differently. Instead of seeing a balance between them, I see them more inextricably linked, as if one is the hard candy shell that gives to the other, or one is the apparition, the ghost-image that invokes the other.

Many times, working is kind of like channeling, and I really don't know what's going to fall on the page. I just did this image of a fat girl and put her on a tiny mountain peak of grass that she's walking over. It just amused me.