Quotes About Imagination

You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely.

So what I liked about Zen was that it never goes off into the realm of imagination land, or if it does occasionally, the good teachers will openly address it specifically as only imagination. Both of my teachers were very good at that.

I understood that life is lived most fully in the imagination - that, ironically, imagination is the key to reality.

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.

I believe that the imagination is the passport we create to take us into the real world. I believe the imagination is another phrase for what is most uniquely us.

The southern German has the imagination and emotionality to subscribe to a fanatic ideology, but he is ordinarily inhibited from excesses by his natural humaneness. The Prussian does not have the imagination to conceive in terms of abstract racial and political theories, but when he is told to do something, he does it.

You're afraid of imagination and even more afraid of dreams. Afraid of the resposibility that begins in dreams. But you have to sleep and dreams are a part of sleep. When you're awake you can suppress imagination but you can't supress dreams.

The law of attraction says there are no limits and anything is possible. Your imagination has no limits, and anything is possible for you to imagine! Isn't it interesting that the law of attraction and your imagination say the same thing? Think about it. What's it telling you?

The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.

Some of us are interested in directors, but really the vast majority of us are interested in actors. You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.

I believe our task is to develop a moral and aesthetic imagination deep enough and wide enough to encompass the contradictions of our time and history, the tremendous loss and tragedy as well as greatness and nobility, an imagination capable of recognizing that where there is light there is shadow, that out of hubris and fall can come moral regeneration, out of suffering and death, resurrection and rebirth.

Just as one's imagination is stirred by a girl's smile, so is one's imagination stirred by the possibilities of chess.

The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art.

The product of the scientific imagination is a new vision of relations - like that of artistic imagination.

You see, this would be a death by the imagination. And though the imagination feeds on phantoms, it needs a premise in reality to begin with. Then it can go on from there under its own power.

Imagination Is More Powerful Than Knowledge Because Knowledhe Is Limited But Imagination Is Without Boundaries

He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.

The Beatles came and everybody forgot about everything else. That was a friendly, together, hip interpersonal music, introducing electric sustain, and it captured the imagination of everybody. So improvising, even though it was in a very rich period in terms of impact on the public, the '6Os were very hard times on players financially.

Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.

Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.

I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.

Walking I am unbound, and find that precious unity of life and imagination, that silent outgoing self, which is so easy to loose, but which a high moments seems to start up again from the deepest rhythms of my own body. How often have I had this longing for an infinite walk - of going unimpeded, until the movement of my body as I walk fell into the flight of streets under my feet - until I in my body and the world in its skin of earth were blended into a single act of knowing.

The imagination is a dimension of nonlocal information

A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.

Anyone who can only think of one way to spell a word obviously lacks imagination.

I feel very lucky to make a living from my imagination; I'm very grateful for that. I like that what I do is create. I'm feeling very lucky to have had the career I had. It's gone much longer and bigger than I ever thought it would be.

I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.

What's in front of you is a whole world of experiences beyond your imagination. Put yourself, and your growth and development, first.

Structure is translation software for your imagination.

Since most problems are created by our imagination and are thus imaginary, all we need are imaginary solutions.

It is not the business of science to inherit the earth, but to inherit the moral imagination; because without that, man and beliefs and science will perish together.

I can't write a lie; the world of imagination is no good. I objectively capture my own experiences and those of my friends. I want to put true feelings into words. If I make a song when I'm sad, it's a dark one, but I think that's good. No matter when I want to be true to myself.

Pyramids, cathedrals, and rockets exist not because of geometry, theories of structures, or thermodynamics, but because they were first a picture- literally a vision-in the minds of those who built them. Society is where it is today because people had the perception; the images and the imagination; the creativity that the Arts provide, to make the world the place we live in today.

Of all the major religions, or lack thereof, the atheist's is one of the best pretenders: his foundation for all existences, as well as moral behaviors for the permanent good of mankind, begins at science but ends at himself, the Napoleon complex of both intelligence and imagination. On the other hand the anti-theist wouldn't survive without a deity beyond himself to hunt. He doesn't pretend, he simply nullifies his own position.

I don't really know what Americans are like. I've no idea. I know a few things about them. In my imagination, they have warm peachy hearts, whereas the English have horrible spiteful withered hearts - success in England inspires envy - in America, it inspires hope.

Genius is neither learned nor acquired. It is knowing without experience. It is risking without fear of failure. It is perception without touch. It is understanding without research. It is certainty without proof. It is ability without practice. It is invention without limitations. It is imagination without boundaries. It is creativity without constraints. It is...extraordinary intelligence!

Sex, creativity, music, art, family, love, beauty, and creative imagination are all part of the spiritual path in the tantric traditions. So I think that for today that has a lot to say to us about not dividing ourselves from ourselves.

The travel writer seeks the world we have lost - the lost valleys of the imagination.

The problem is not one of prediction. It is one of imagination.

In rising financial markets, the world is forever new. The bull or optimist has no eyes for past or present, but only for the future, where streams of revenue play in his imagination.

At school any spontaneous act was likely to get me into trouble. I learned never to act on impulse, and that whatever came into my mind first should be rejected in favour of better ideas. I learned that my imagination Wasn’t ‘good’ enough. I learned that the first idea was unsatisfactory because it was (1) psychotic; (2) obscene; (3) unoriginal. The truth is that the best ideas are often psychotic, obscene and unoriginal.

Those who are seeking the true religion will never find it outside the Catholic Church alone, because, in every other religion, if they trace it up to the author, they will find some impostor whose imagination furnished a mass of sophisms and errors

Imagination is the beginning of creation.

These short stories establish Sontag's originality . . . her unique vision, her success with experiments in the form . . . Sontag makes a wonderful stew of the past, the life caught in memory and imagination, serves it all up lavishly laced with silences, and provides us with a gourmand's series of short courses.

The imagination may be compared to Adam's dream-he awoke and found it truth.

In order to become soundly virtuous, it is advisable to make good practical resolutions concerning particular acts of the virtues and to be faithful in carrying the out afterwards. Without doing that, one is often virtuous only in one's imagination.

A thirteen-year-old is a kaleidoscope of different personalities, if not in most ways a mere figment of her own imagination. At that age, what and who you are depends largely on what book you happen to be reading at the moment.

The secret of good teaching is to regard the child's intelligence as a fertile field in which seeds may be sown, to grow under the heat of flaming imagination.