Quotes About Knew

Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.

I always knew that I wanted to work and I knew I wanted to be a singer and an actor. I knew that every choice I made would help me get to that point. So the better the choices I made, the more of a chance I would have to get to where I wanted to be.

I know who you are in your heart,' Andres said. 'That's all that matters.' And that was it. That was the moment. Now I knew how I would feel if I ever lost him. That was how you knew love. My mother had told me that. All you had to do was imagine your life without the other person, and if the thought alone made you shiver, then you knew.

To be taken seriously about doing something creative and probably travel a lot. That was my motivation. I knew I was good, I knew I could write. I also knew you could get laid really easily.

I thought cocaine was a fantastic drug. A wonder drug, like everybody else. It gave you [an] energy burst. You could stay awake for days on end, and it was just marvelous and I didn't think it was evil at all. I put it almost in the same category as marijuana, only hell of a lot better. It was a tremendous energy boost. It gave the feeling, a high, but nobody knew, well maybe a small percentage of people knew. But eventually everybody knew how evil it really was.

When I was a kid they didn't call it dyslexia. They called it you know, you were slow, or you were retarded, or whatever. What you can never change is the effect that the words 'dumb' and 'stupid' have on young people. I knew I wasn't stupid, and I knew I wasn't dumb. My mother told me that. If you read to me, I could tell you everything that you read. They didn't know what it was. They knew I wasn't lazy, but what was it?

Jem’s eyes had widened, and then he’d laughed, a soft laugh. “Did you think I did not know you had a secret?” he’d said. “Did you think I walked into my friendship with you with my eyes shut? I did not know the nature of the burden you carried. But I knew there was a burden.” He’d stood up. “I knew you thought yourself poison to all those around you,” he’d added. “I knew you thought there to be some corruptive force about you that would break me. I meant to show you that I would not break, that love was not so fragile. Did I do that?

My main strength as a young writer was that I had no fear of making mistakes. I knew I would and I knew I could and would learn from them.

I am one of the Clave. It's in my blood and bones. So tell me, if you're so sure this wasn't my fault, why is it that the first thought in my mind when I saw Abbadon wasn't for my fellow warriors but for you?" His other hand came up; he was holding her face, prisoned between his palms. "I know-I knew-Alec wasn't acting like himself. I knew something was wrong. But all I could think about was you.

I stole your childhood and now I’ve led you by the hand to your death. But the worst thing is, I knew. I knew this would happen. This is what always happens. Forget your faith in me. I took you with me because I was vain. Because I wanted to be adored. Look at you. Glorious Pond, the girl who waited for me. I’m not a hero. I really am just a mad man in a box. And it’s time we saw each other as we really are. Amy Williams, it’s time to stop waiting.

No, I don’t wish I knew Heaven was like the picture in my Great Divorce, because, if we knew that, we should know it was no better. The good things even of this world are far too good ever to be reached by imagination. Even the common orange, you know: no one could have imagined it before he tasted it. How much less Heaven.

I knew as well as I knew anything that the oppressor must be liberated just as surely as the oppressed.

I knew exactly what I was doing: I was doing nothing. because I knew there was nothing to do.

Really Edward Teach, Blackbeard, was actually tall, so he was literally larger than life and so he knew that and actually the more you read about him, you realize that he actually respected and knew about the theatricality and he'd rather take a ship by threatening and having the power of his personality and the threat of the oncoming danger to sway the ship to just acquiesce and just give up their cargo and so none of his crew got hurt and they would just take their bounty and he wouldn't have to kill anybody, but of course he earned that reputation, so he was no saint.

I studied theater in college, and I absolutely knew that I loved acting, and I knew that I loved theater.

I knew that if I failed I wouldn't regret that, but I knew the one thing I might regret is not trying.

She knew the intensity of adolescence, and knew no cure for it except growing up. And then one has age and experience, and mourns the loss of intensity. Maybe it's why musicians and mathmaticians are said to peak young-poetry needs the fire of an unbounded universe.

And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.

Of course I knew the work of Roland Kirk and Harry Carney and the specific uses they would make of circular breathing, so I knew it was physically possible.

I knew Hillary Clinton from undergraduate days and was enormously impressed with her. She was a terrific energy and enthusiasm, and a great organizer. And I knew that she was going to have a political future.

My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.

I knew immediately that she was going to be in my life forever. I didn't know in what capacity, but I knew that I had found someone who was going to be close to me for a long time. We became great friends fast.

The studios knew how to build a star, and they knew what to do with you. They also taught you everything.

Mama and I would go to a funeral and she'd stand up to read the dead person's eulogy. She made the ignorant and ugly sound like scholars and movie stars, turned the mean and evil into saints and angels. She knew what people had meant to be in their hearts, not what the world had forced them to become. She knew the ways in which working too hard for paltry wages could turn you mean and cold, could kill the thing that made you laugh.

I knew that this was the movie in which a lot of the cinema version of Burton-esque first started. So, I knew that there were things that were hugely important to him for it, but it didn't really feel that different than working on any other of these projects.

I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.

When I was 18 years old I knew pretty much what I wanted to do in life. When I was 18 I knew I wanted to be a pro bodybuilder.

For the longest time after that, neither of us said anything. I was unaccustomed to his silence, but I didn't mind it. I knew near everything about him, and he knew near everything about me, and all that made our quiet a kind of song. The kind you hum without even knowing what it is or why you're humming it. The kind that you've always known.

I knew Richard E. Grant, and I went to him and said "Would you like to [play Kafka in the film]?" and he said yeah, and then suddenly I had all these people who were happy to come along. We got a little bit of money from Scottish Screen to pay for it. I got so many favors because I knew people in the business. I was in a remarkably good position. I got so many favors from people. I got the Monty Python technical people.

If I had a life with Woods to look forward to I knew I could fight whatever darkness that tried to take me. Before Woods, I didnt know what I was living for. In my search to find myself, Id found so much more. I knew now why I wanted to live. I understood love. I had found it.

I knew I was going to go into the field and make fun of people to their faces. I knew what I was getting into.

Luke gazed at Annabeth. "You knew. I almost killed you, but you knew . . ." "Shhh." Her voice trembled. "You were a hero at the end, Luke.

When I was 15, all I knew was that I had to be somebody and that I could be somebody. So I exploited the only thing I knew, which was singing and songwriting.

In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.

When I decided to take on acting as a career and a profession, I didn't know much about it. I knew that I was passionate about it. There was nothing else I could think of that I wanted to do and that's when I knew it was the right choice. It was also one of the scariest moments of my life.

And when her lips met mine, I knew that I could live to be a hundred and visit every country in the world, but nothing would ever compare to that single moment when I first kissed the girl of my dreams and knew that my love would last forever.

One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.

We imagined we knew everything the other thought, even when we did not necessarily want to know it, but in fact, I have come to see, we knew not the smallest fraction of what there was to know.

Every person at a record company didn't want to be bothered with me because I was too smart. They knew if I recorded, they were going to have to pay me. They knew I wasn't going to be the artist that would just go in and record. I wanted to know about my royalties.

Franklin Roosevelt, Harry Truman, others, knew how to lead. They knew how to ask the American people for the right things.

She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.

Coming into Pacifica I knew that I wanted whatever I was going to learn there, I knew I wanted to integrate that into my art no matter what.

For me, I never knew what addiction was. I just knew my heroes, like [New York Dolls guitarist] Johnny Thunders, did heroin. I didn't have a father, it looked good to me. If I had read Johnny Thunders' book The Heroin Diaries, I don't think I would have done heroin.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

I saw the end of the general magazine business at the end of the '70s, and I knew I had to move into another profession when the advertising dollar moved from magazines to television. The magazine business as we knew it was over. We were no longer the educators of the world.

Actually when I was wounded and recovering in Japan. I went to church there and I remember on the air base where their hospital was, I remember coming out of that church and feeling like I had been - at that point I just felt very, very close to God and that I'd done the right thing with my life. And I knew I wasn't going back to Vietnam. I just knew I wasn't going back.

I knew you'd come,Claire.I knew you would.Dear God,you took your time.