Quotes About Literary

I’m not club-able, you see. I don’t like literary parties and literary gatherings and literary identities. I’d hate to join anything, however loosely.

Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.

That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.

Put your hand on your heart to keep it from flying off to the lovely magical literary island Mary Ann Shaffer and Annie Barrows have created in The Guernsey Literary and Potato Peel Pie Society. This novel is a delightful mix of fine writing, powerful emotions, glorious settings and amazing characters who deal with life in a way that will have readers falling in love on every single page.

The ratio of authentic literature to trash in pornography may be somewhat lower than the ratio of novels of genuine literary meritto the entire volume of sub-literary fiction produced for mass taste. But it is probably not lower than, for instance, that of another somewhat shady sub-genre with a few first-rate books to its credit, science fiction.

I cannot stand Tolstoy, and reading him was the most boring literary duty I ever had to perform, his philosophy and his sense of life are not merely mistaken, but evil, and yet, from a purely literary viewpoint, on his own terms, I have to evaluate him as a good writer.

The amplification of our diverse literary voices is a political act of resistance. Our lives are important, too. Our lives should be represented in our literature. And that literature is vital, compelling, and accessible. That literature deserves to be disseminated and noticed and available. And with respect to the dissemination and promotion of diverse voices - librarians, educators, and editors of literary journals play such an important role. They deserve not only a hearty shout out, but also our thanks and support.

The two main ideas that run through all of my writing, whether it be literary criticism or political polemic are these: I am strong in favor of liberty and I hate fraud.

Living in Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in now.

Always was Morocco. And recently the country's leadership seems to have embraced it in all its ill-reputed glory. The days of predatory poets in search of literary inspiration and young flesh are probably over for good. Hippies can just as easily get their bong riffs in Portland or Peoria. But the good stuff, the real good stuff, the sounds and smells and the look of Tangier -- what you see and hear when you lean out the window and take it all in -- that's here to stay.

I have not written a perfect sentence, in the literary sense. It's a lot easier to throw a perfect pass than to write a perfect sentence, if that sentence is meant to perform more than a mechanical function.

I do not know what might be the most fitting description.... I am a sinner. This is the most accurate definition. It is not a figure of speech, a literary genre. I am a sinner. And this is what I said when they asked me if I would accept my election as pontiff: I am a sinner, but I trust in the infinite mercy and patience of our Lord Jesus Christ, and I accept in a spirit of penance.

The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.

The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary.

In the modern world, all literary art is necessarily political -- especially that which pretends not to be.

A literary critic is someone who can't write, but who loves to show he would have been a wonderful writer if only he could!

Evidently, there are many great American writers. But sometimes it can feel as though American fiction is dominated by relatively linear narrative form, with a heavy emphasis on psychological realism. If you limit yourself to a certain kind of American literary fiction, it's easy to forget about the different kinds of books that are being written. You can forget to be ambitious, both as a reader and a writer.

In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world's Priest; -- guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

For me, the term "literary fiction" means there's always attention paid to language, and linguistic experimentation, sophistication.

The Press nowadays is not a literary press; classic diction and brilliancy of style do not distinguish it by any means.

A mere literary man is a dull man; a man who is solely a man of business is a selfish man; but when literature and commerce are united, they make a respectable man.

As much as I revere great writing, and am still humbled by it, literary activities are no longer esoteric to me. When I read a great novel - something that I could never have written myself - I'm still looking at it a little bit like a technician.

It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.

I have studiously tried to avoid ever using the word 'madness' to describe my condition. Now and again, the word slips out, but I hate it. 'Madness' is too glamorous a term to convey what happens to most people who are losing their minds. That word is too exciting, too literary, too interesting in its connotations, to convey the boredom, the slowness, the dreariness, the dampness of depression.

Novels are sweets. All people with healthy literary appetites love them-almost all women; a vast number of clever, hardheaded men.

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs.

There are people who say, 'Oh this guy is quite thick.' I think the reason is that, increasingly, I don't mind being simple in terms of literary expression. Others say, 'No, no, no. He went to Cambridge. He got a good degree. He must be Einstein.'

Retirement without literary amusements is death itself, and a living tomb.

Once one has realized, following the great English literary visionaries William Shakespeare and Thomas Nashe, that sexual puritanism, political disciplinarianism, and abuse of the poor are the result of the refusal of true Christianity ... one is led to articulate a more incarnate, more participatory, more aesthetic, more erotic, more socialized, even a more 'Platonic' Christianity.

Literary characters, like my grandmother's apparitions, are fragile beings, easily frightened; they must be treated with care so they will feel comfortable in my pages

If you look at history you'll find that no state has been so plagued by its rulers as when power has fallen into the hands of some dabbler in philosophy or literary addict.

Silicon Valley isn't usually where aspiring authors go to kick-start a literary reputation. [...] How'd he do it? By courting bloggers and influential techies like Joi Ito, Stewart Brand, and Craig Newmark demonstrating that if you can get the geek grapevine on your side, you don't need Random House.

In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.

I've been slagged off completely by the art world and I don't know whether fancy being slagged off by the literary world as well. It's just too much.

Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.

I am the literary equivalent of a Big Mac and fries.

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel.

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.'

The library is not a shrine for the worship of books. It is not a temple where literary incense must be burned or where one's one devotion to the bound book is expressed in ritual. A library, to modify the famous metaphor of Socrates, should be the delivery room for the birth of ideas - a place where history comes to life.

There are all kinds of under-represented groups in the literary establishment.

I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.

"Cracking the Ice" scores the literary equivalent of a hat-trick: funny, harrowing and finally, heartfelt. This book is a winner.

When appearance and reality coincide, philosophy and literary criticism find themselves with nothing to say.

Madly, futilely, I wrote novel after novel, eight in all, that failed to find a publisher. I persisted because for me the novel was the supreme literary form: not just one among many, not a relic of the past, but the way we communicate to one another the subtlest truths about this business of living.

I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.

A silenced Haiti has once again found its literary voice.

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.