Quotes About Literary

Of course Nebraska is a storehouse of literary material. Everywhere is a storehouse of literary material. If a true artist were born in a pigpen and raised in a sty, he would still find plenty of inspiration for his work. The only need is the eye to see.

Everybody should read fiction… I don’t think serious fiction is written for a few people. I think we live in a stupid culture that won’t educate its people to read these things. It would be a much more interesting place if it would. And it’s not just that mechanics and plumbers don’t read literary fiction, it’s that doctors and lawyers don’t read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn’t trust art.

Women excel more in literary judgment than in literary production,--they are better critics than authors.

A word is used "correctly" when the average hearer will be affected by it in the way intended. This is a psychological, not a literary, definition of "correctness". The literary definition would substitute, for the average hearer, a person of high education living a long time ago; the purpose of this definition is to make it difficult to speak or write correctly.

I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.

I have always loved reading, so was interested in the literary world, and took many literary portraits.

My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.

My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.

For me the path to the literary goes through the non - literary. For this reason it surprises me that I am a writer, or that people speak of me as a writer. I'm flattered, but I don't quite believe it.

The amplification of our diverse literary voices is a political act of resistance. Our lives are important, too. Our lives should be represented in our literature. And that literature is vital, compelling, and accessible. That literature deserves to be disseminated and noticed and available. And with respect to the dissemination and promotion of diverse voices - librarians, educators, and editors of literary journals play such an important role. They deserve not only a hearty shout out, but also our thanks and support.

Living in Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in now.

I don't know if memoirs can produce literary work of the first order. But I do know that novels are doing it only rarely.

Historical fiction is not only a respectable literary form; it is a standing reminder of the fact that history is about human beings.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

Used to be in the old days, only the pulp writers wrote like machines. Now everybody is expected to be literary John Henrys. So in that context someone like me is an anomaly.

If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.

SATIRE, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness.

In the modern world, all literary art is necessarily political -- especially that which pretends not to be.

Literary men are . . . a perpetual priesthood.

Marie Calloway has a very specific literary personality that the reader is intrigued by: she's masochistic, loves to experiment, is quickly bored and intermittently self-hating, very hip, rebellious. Figuring her out is a gripping adventure.

The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.

What's impossible not to notice, though - it's all around us - is the diminution of American prose: How pedestrian it has become. Pick up any short story and listen to its voice, the tedious easy vernacular that mistakes transcription for realism. This would display an understandable pragmatism if it were a pandering to common-denominator readers; but it is, in fact, a kind of hifalultin literary ideology, the less-is-more Hemingway legacy put through an up-to-the-minute industrial blender.

In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world's Priest; -- guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time.

If all the evidence is weighed carefully and fairly, it is indeed justifiable, according to the canons of historical research, to conclude that the sepulcher of Joseph of Arimathea, in which Jesus was buried, was actually empty on the morning of the first Easter. And no shred of evidence has yet been discovered in literary sources, epigraphy, or archaeology that would disprove this statement.

I have the conviction that excessive literary production is a social offence.

Sometimes Joyce is hilarious. I read Finnegans Wake after graduate school and I had the great good fortune of reading it without any help. I don't know if I read it right, but it was hilarious! I laughed constantly! I didn't know what was going on for whole blocks but it didn't matter because I wasn't going to be graded on it. I think the reason why everyone still has so much fun with Shakespeare is because he didn't have any literary critic. He was just doing it; and there were no reviews except for people throwing stuff on stage. He could just do it.

I can't help but think that it's an unfortunate custom to name children after people who come to sticky ends. Even if they are fictional characters, it doesn't bode well for the poor things. There are too many Judes and Tesses and Clarissas and Cordelias around. If we must name our children after literary figures then we should search out happy ones, although it's true they are much harder to find.

I like to tell students, 'I didn't burst on to the literary scene.' I'm never good at things at the beginning. I was terrible at the start. I need to work and work.

I liked early Amis a lot, but I stopped reading him some time ago. I admire Hitchens on literary topics - I think he is very astute. McEwan, I read a bit. But I suppose it's more the ideological phenomenon that they represent together that interests me.

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticising.

What you create when you're teaching fiction writing is a kind of literary salon, not a social club or a mutual admiration society, not a debating society, not a repair shop, not a fight club or a soap box. It's a place to have a conversation about a story.

I like the idea of people who've had some success in one form secretly wanting to be something else; I have some of that myself. I look for it in other people who've established themselves in some particular art form, and then you find out that they really would like to design running shoes, or edit literary magazines or something.

Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called other, which is simply another universe, another planet, another species.

There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.

Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author.

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.

The further our civilization advances upon its present lines so much the cheaper sort of thing does "fame" become, especially of the literary sort. This species of "fame" a waggish acquaintance says can be manufactured to order, and sometimes is so manufactured.

Literature transforms and intensifies ordinary language, deviates systematically from everyday speech. If you approach me at a bus stop and murmur Thou still unravished bride of quietness, then I am instantly aware that I am in the presence of the literary.

The argument of Alcidamas: Everyone honours the wise. Thus the Parians have honoured Archilochus, in spite of his bitter tongue; the Chians Homer, though he was not their countryman; the Mytilenaeans Sappho, though she was a woman; the Lacedaemonians actually made Chilon a member of their senate, though they are the least literary of men; the inhabitants of Lampsacus gave public burial to Anaxagoras, though he was an alien, and honour him even to this day.

They say the test of literary power is whether a man can write an inscription. I say, "Can he name a kitten?"

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.

Invention is almost the only literary labour which blindness cannot obstruct.

Common hypocrites pass themselves off as doves; political and literary hypocrites pose as eagles. But don't be fooled by their eagle-like appearance. These are not eagles, but rats or dogs.

At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We have jobs, children, partners, debts. This is the part of us to which literary fiction speaks.

Tragedy is a literary concept.

With every literary genre or form come some conventional expectations that the biblical authors either follow or deviate from.

In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.

Call on literary convention, and it will gladly tell your story for you.