Quotes About Literary

I would argue, for perspective's sake, that the arc of a really literary work is precisely that it both intensely reflects, and simultaneously transcends the conditions of its making. I would say that is the difference between literature and other kinds of writing. That is what the literary is - it ultimately doesn't matter what his circumstances were. And the thing that you were just saying about being sympathetic to Brontë and the fact that she could only write what she wrote when she wrote it... that's true. But look at that novel, which means so much to so many people.

The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.

I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me.

The short story is not as restrictive as the sonnet, but, of all the literary forms, it is possibly the most single-minded. ...at the end there has to be the literary equivalent of the magician's puff of smoke, an outcome that is both startling and anticipated.

In order to read one must sit down, usually indoors. I am restless and would rather sail a boat than crack a book. I've never had a very lively literary curiosity, and it has sometimes seemed to me that I am not really a literary fellow at all. Except that I write for a living.

But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.

We postpone our literary work until we have more ripeness and skill to write, and we one day discover that our literary talent wasa youthful effervescence which we have now lost.

I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.

To your generation, I must represent the literary equivalent of tufted furniture and gas chandeliers.

[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it!

In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.

I prefer to have all of this apparatus - historical, literary, critical - and then, beyond initial innocence and naiveté, to try to achieve a new innocence, a new naiveté.

If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.

No man has an appreciation so various that his judgment is good upon all varieties of literary work.

One of the biggest changes that ever occurred in my life was going from the isolation of working part-time as a house painter in Henderson County, to Cornell, where everybody was a literary person.

I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.

For the grand and inescapable tradition of western literary classics confronts us with fundamental choices over our understanding of words, reading and art, as well as citizenship, civilization, faith, and the whole notion of the true, the good, and the faithful.

Sometimes Joyce is hilarious. I read Finnegans Wake after graduate school and I had the great good fortune of reading it without any help. I don't know if I read it right, but it was hilarious! I laughed constantly! I didn't know what was going on for whole blocks but it didn't matter because I wasn't going to be graded on it. I think the reason why everyone still has so much fun with Shakespeare is because he didn't have any literary critic. He was just doing it; and there were no reviews except for people throwing stuff on stage. He could just do it.

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticising.

I think my cheerfulness keeps my writing from sinking into the depths of melancholy, while the darker side keeps in check any literary silliness I might be inclined toward.

Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called other, which is simply another universe, another planet, another species.

How can one talk in a classical language about a child who's torn apart in an explosion in the market near his school? People in Iraq don't talk about their joys, their problems, and the destruction of the country in literary diction.

People love gossip because it's slightly removed from actuality. It's a very literary thing... You can hear a great story, and it turns out that it's largely not true. Fiction writing is like gossip. It's not malicious gossip, but it's gossip.

Philip Glass, like [Virginia] Woolf, is more interested in that which continues than he is in that which begins, climaxes, and ends... Glass and Woolf have both broken out of the traditional realm of the story, whether literary or musical, in favor of something more meditative, less neatly delineated, and more true to life. For me, Glass [finds] in three repeated notes something of [a] rapture of sameness.

Doesn't all experience crumble in the end to mere literary material?

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs.

In literary composition a well-chosen quotation lights up the page like a fine engraving.

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.

Of course I didn't pioneer the use of food in fiction: it has been a standard literary device since Chaucer and Rabelais, who used food wonderfully as a metaphor for sensuality.

There are people who say, 'Oh this guy is quite thick.' I think the reason is that, increasingly, I don't mind being simple in terms of literary expression. Others say, 'No, no, no. He went to Cambridge. He got a good degree. He must be Einstein.'

Once one has realized, following the great English literary visionaries William Shakespeare and Thomas Nashe, that sexual puritanism, political disciplinarianism, and abuse of the poor are the result of the refusal of true Christianity ... one is led to articulate a more incarnate, more participatory, more aesthetic, more erotic, more socialized, even a more 'Platonic' Christianity.

The only way to help your unique literary voice grow and eventually sing like a glorious creature of wonder is to write what you excites you into a creative passion and brings you pure unadulterated joy.

A preface is a species of literary luxury, where an author, like a lover, is privileged to be egotistical.

[I began to unload] the pyramid of honors, civic and literary, which had been heaped on me by the headlong process of rewarding a popular success. One day, I sat down and wrote a wholesale lot of letters of resignation. When I finished, I didn't belong to a single authors club or patriotic society. I was myself again, whatever that was.

I don't write literary fiction - I write books that are entertaining, but are also, I hope, well-constructed and thoughtful and funny and have things to say about men and women and families and children and life in America today.

I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.

I think part of the success which Structuralist or post-Structuralist thought in critical theory has had in literary studies in American universities is due to a theoretical vacuum.

You have to remember that in addition to running a literary agency, I am also an ebook publisher.

So-called "natural language" is wonderful for the purposes it was created for, such as to be rude in, to tell jokes in, to cheat or to make love in (and Theorists of Literary Criticism can even be content-free in it), but it is hopelessly inadequate when we have to deal unambiguously with situations of great intricacy, situations which unavoidably arise in such activities as legislation, arbitration, mathematics or programming.

People aren't quite sure what it means when a book is a Booker Prize winner. They're not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.

I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.

They say the test of [literary power] is whether a man can write an inscription. I say, "Can he name a kitten?" And by this test I am condemned, for I cannot.

One movement that I find interesting - this is not a movement in poetry necessarily, but there's a movement on a lot of campuses now called eco - criticism. It's a body of theory based on how nature is treated in literary works. That sort of interests me.

Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller.

I felt so conflicted about having fled the rez as a kid that I created a whole literary career that left me there.

I feel that at any stage of my literary career it could have been said that the last book contained all the others.

My literary success meant nothing to me

The Gospels were not thought of as works of literature. People were not concerned with the literary reputation of Matthew or Mark, but with the substance of their records of our Lord's life. They did not have to respect their actual words, as they would if they were transcribing the works of Thucydides or Plato.