Quotes About Literature

Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another.

Literature, the study of literature in English in the 19th century, did not belong to literary studies, which had to do with Greek, Latin, and Hebrew, but instead with elocution and public speaking. So when people read literature, it was to memorize and to recite it.

The greatness of literature cannot be determined solely by literary standards though we must remember that whether it is literature or not can be determined only by literary standards.

The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.

We need literature because we wouldn’t fully know ourselves without it. We need good literature to be fully human.

Literature ceases to be literature when it commits itself to moral uplift; it becomes moral philosophy or some such dull thing.

I refuse to see literature as amusement, as a game. I think that you ought not to approach literature without a moral responsibility for every word you write.

In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.

I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and 'The New York Tyrant' and 'n+1' will be responsible for keeping it alive.

Literature - creative literature - unconcerned with sex, is inconceivable.

Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.

There is nothing so charming as the knowledge of literature; of that branch of literature, I mean, which enables us to discover the infinity of things, the immensity of Nature, the heavens, the earth, and the seas; this is that branch which has taught us religion, moderation, magnanimity, and that has rescued the soul from obscurity; to make her see all things above and below, first and last, and between both; it is this that furnishes us wherewith to live well and happily, and guides us to pass our lives without displeasure and without offence.

If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry.

In French literature, you can choose a la carte; in Spanish literature, there is only the set meal.

Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.

For this reason, to study English literature without some general knowledge of the relation of the Bible to that literature would be to leave one's literary education very incomplete.

Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way.

What literature brings to our times is always the fact that literature refuses to bring any simple or easy answers.

To bring anything really to life in literature we can't be lifelike: we have to be literature-like

The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.

We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing — by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature.

I don't accept the idea that literature can be just entertainment and that there is no consequences of literature in the real world.

It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise.

The writer asks himself, 'Can I think of a plot that will parallel this? Can I take this work of literature as an example of something I might produce?' Let us, then, consider literature as a productive science.

But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human.

Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.

I like books. I've always got a literature book going. I'd be in there reading, in my off time.

I rarely ever put my head above the rampart and see where this big lumbering behemoth called 'global literature' is going.

Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"

Jesus claimed He had the power to raise himself from the dead and His followers would be raised from the dead. That's a unique claim in the literature of religion.

We are not simply intellectual creatures. We wish to make love, to enjoy a gourmet dinner, to jog in the park, to cheer lustily at a ball game, to engage in spirited conversation with our friends, to play bridge or tennis, travel to exotic places, struggle with others to build a better world, and to enjoy the arts. The arts are so vital because they help to make life worth living. Music, poetry, literature, paintings, dance, and the theater are among our richest joys...The fine arts contribute immeasurably to the good life and that is why we cherish them.

I hate vulgar realism in literature. The man who would call a spade a spade should be compelled to use one.

These self-appointed deacons in the Church of Latter-Day American Literature seem to regard generosity (of words) with suspicion, texture with dislike, and any broad literary stroke with outright hate. The result is a strange and arid literary climate where a meaningless little fingernail paring like Nicholson Baker's Vox becomes an object of fascinated debate and dissection, and a truly ambitious American novel like Matthew's Heart of the Country is all but ignored.

Anybody can write a three-volume novel. It merely requires a complete ignorance of both life and literature.

There is nothing like literature: I lose a cow, I write about her death, and my writing pays me enough to buy another cow.

"The man who alters his way of thinking to suit others is a fool." Our quote of the day is, from of all people, the Marquis de Sade, the most infamous writer in all of French literature. And by the way, if you recognized that quote, you're sick.

He would write it for the reason he felt that all great literature, fiction and nonfiction, was written: truth comes out, in the end it always comes out. He would write it because he felt he had to.

It seems to me as I reviewed the literature that, with few exceptions, the more confident were the prescriptions about how to behave with ethics and integrity, the further removed was the author from the life and work of the everyday manager.

In literature imitations do not imitate.

It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?

Hulga the whole while hollering like a half-slaughtered hog. (Attention, students of literature! Alliteration - have you noticed? - is my least vice.)

Literature sucks you into another psyche. So the creation of empathy necessarily influences how you'll behave to other people.

What we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the obsolete fictitious for the contemporary real.

We turn to literature to remedy the loss, to impose some kind of meaningful order on the nonsequential.

I have felt the pain that arises from a recognition of beauty, pain we hold when we remember what we are connected to and the delicacy of our relations. It is this tenderness born out of a connection to place that fuels my writing. Writing becomes an act of compassion toward life, the life we so often refuse to see because if we look too closely or feel too deeply, there may be no end to our suffering. But words empower us, move us beyond our suffering, and set us free. This is the sorcery of literature. We are healed by our stories.

I still believe nonfiction is the most important literature to come out of the second half of the 20th century.

Vengeance is a strange human motivation --- it can drive a man to do things which he neither would nor could achieve without it ... and because of that it lies behind some of the greatest sagas of human literature!