Quotes About Look

Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

I tell people in their careers, 'Look for growth. Look for the teams that are growing quickly. Look for the companies that are doing well. Look for a place where you feel that you can have a lot of impact.'

To create a wonderful day sometimes takes just a slight change in the way you look at it. Be willing to let go of an old, negative way that you look at something, and look at it in a new, positive way.

I'd like to look like Madonna when I'm her age. I also look at athletes and love their bodies. I've always wanted to be muscly, not skinny. A lot of women yo-yo around, but I'm always aware if I'm getting a bit out of shape. I never look at the scales but I can just tell. It goes on my tum and bum.

Look for solutions, instead of being difficult; be more thoughtful, instead of allowing anger to burn you out. Look at things from a different perspective, embrace change, look out for opportunities and you will feel much more in control.

Dirt makes a man look masculine. Let your hair blow in the wind, and all that. It's OK. All you have to do is look neat when you have to look neat.

It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.

Look at what's happening, how Iran is taunting us. Look at what's going on, look at the world.

Cosmetic surgery is terrifying. It never looks good. Those women look weird. They look in the mirror and think they look great, but they don't see what we see. I think it's hideous. They scare small children.

Oh, don’t lie, Harry,” she said impatiently. “Ron and Ginny say you’ve been hiding from everyone since you got back from St. Mungo’s.” “They do, do they?” said Harry, glaring at Ron and Ginny. Ron looked down at his feet but Ginny seemed quite unabashed. “Well, you have!” she said. “And you won’t look at any of us!” “It’s you lot who won’t look at me!” said Harry angrily. “Maybe you’re taking it in turns to look and keep missing each other,” suggested Hermione, the corners of her mouth twitching.

Look up, now look down. Up is endless, down has an ending. Always look up.

When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.

Look at me! Look at me! Look at me NOW! It is fun to have fun But you have to know how.

I choose movies, I never choose roles. I look at the script. I look at the director. I look at the other actors - and then the role.

People say, "Look, your book [Tales and Wisdom from Duck Dynasty's Favorite Uncle] is about tall tales." And I said, "No, you don't understand, OK? The book is tall tales, OK, by me. But look, those tall tales are my life, OK? And look, I added some spices in there. That's the five percent. You know the one about the wolves chasing me? The only thing about that - they wasn't wolves, they was coyotes".

We are all in this world together, and the only test of our character that matters is how we look after the least fortunate among us. How we look after each other, not how we look after ourselves. That's all that really matters, I think.

I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.

When I was starting out, conceptual photography had become something that had to be amateur - like, that had to be black-and-white, or photocopied, or really not an object in order to be taken seriously. It had to work against technical mastery, and so on. So I think that my work is full of obstacles in the sense that it does look highly familiar and accessible. It does look like it's already "solved at first sight." It does look like it's part of a larger industry.

A close friend of mine, Annie Leibovitz, who I've known for forty years, photographs celebrities every single day of the week but they all seem to look the same even though she's one of the most creative photographers alive. They all just look the same. Brad Pitt is a great actor but all the pictures of Brad Pitt look the same.

Amateurs look for challenges; professionals look for easy trades. Losers get high from the action; the pros look for the best odds.

Everything I do is because of writing. If I go for a walk, it's because I'm thinking of writing. I go look at flowers, I go look at the garden, I go look at a museum, but it's all coming back to writing.

Well, in fact if you look at the Trump voters, you take a look at their attitudes it's not all that different. In some respects they're similar. They're an older version of the Sanders people. So a lot of it is racist and you have that sort of thing, but if you look at their views on say health, education, and so on, it's kind of the same as Sanders.

Honestly, I look at the project and I look at the people attached and I look at the director. If it's a role that I feel will help me, as an actor, then I'll definitely take it.

You don't know me at all. You don't know the first thing about me. You don't know where I'm writing this from. You don't know what I look like. You have no power over me. What do you think I look like? Skinny? Freckles? Wire-rimmed glasses over brown eyes? No, I don't think so. Better look again. Deeper. It's like a kaleidoscope, isn't it? One minute I'm short, the next minute tall, one minute I'm geeky, one minute studly, my shape constantly changes, and the only thing that stays constant is my brown eyes. Watching you.

I'm never going to starve myself for a part. I don't want little girls to be like, 'Oh, I want to look like Katniss, so I'm going to skip dinner.' That's something I was really conscious of during training, when you're trying to get your body to look exactly right. I was trying to get my body to look fit and strong-not thin and underfed.

I like to look at American and European street style. Basically, I look at things I like and want to buy, just like everyone else. But having said that, I think that it can be a bad idea to pay too close attention to someone else's total look.

If you want to understand what's going to happen, you can't look in the rearview mirror into the United States' history, because that's done now. You have to look out at the rest of the world and look at the history of the rest of the world, and what you'll see is demonstrations and counter-demonstrations are going to become the norm. We'll have a big march, then they'll have a big march, we'll have a big rally and they'll have a big rally. That will be one of the features. Again, a pro-regime and pro-opposition media system, that will become a feature.

My biggest competition is always myself. I mean no disrespect, but I do not look at any of the guys as being my competition for the simple reason that I can't control how they're going to look. I can only control how I look.

You know when you see a gorgeous boy on the street and you say to your friend, "Look at him!" and then your friend makes a face like, ugly? We all have such totally varied tastes that someone is going to look at you and think, yum-yum dee-lish, no matter what you think you look like. You just have to learn to see what they see.

I was a businessman. I was a real estate man and a businessman. That was the first time I think that question was ever even asked of me. That was long before the war took place. Joe Scarborough just released something yesterday more on point, much nearer. He put out a tweet saying that you know, "Trump is right, look what he just said." So you have to take a look at that. But regardless. The war in Iraq was a disaster. It was probably the worst thing. If you look at the Middle East now, all started because of that horrible decision to go into Iraq.

I want to look good, obviously. I don't want to look at the screen and go, Oh, my skin looks terrible, or, I look exhausted. That's why I take care of myself when I work.

I think I'm losing it—I don't know what's happening, what happened, but I look at you, I look at you, and I love you so much. Not because of anything you've said, or done, or anything at all. I look at you, and I just love you, and it terrifies me. It terrifies me what I would do for you.

You got to do well at your craft ultimately, especially if you know that people are observing you and watching you and you don't want to get out there and produce subpar work. Because that's how people look at it. They don't just look at you as an athlete, they look at it as o you're an athlete and you're a Christian, what's happening now?

I don't want you to look at my skin and think "white" or look at my heritage and think "Mexican." I want you to look at me and see me as a human being, and hopefully, we can get past all of this other stuff. It's asking a lot, of course, but there's only one way you fight extremists on both sides, whether it be racist or not, and that's by looking past me, getting bigger than that, letting them not affect you, drawing from it and sticking together with the like-minded people you have around you.

I love making my Instagram look cohesive - look like a Tumblr page almost. When they all make sense colorwise, or when you add those white borders to them, it makes them look cleaner. Clean and precise.

Sometimes you look out the window and you look at all the windows, and think inside very single one of them is somebody with some huge, weird, terrible problem, some great jokes.

I look for the essence of a story and a human angle that I think audiences can relate to. I also look at how the dialogues flow in the film as a whole and between the characters, and most importantly I always consider what I can bring to the character from a creative point of view.

They wanted them to look like the Gods. God doesn't look like this.

Thirty was a big deal for me. It was the age where I reevaluated everything - how I approached life and how I thought about myself. When I look at my 20s, or when I look at any period in my life, I think about how much time I've wasted trying to find the right man.

What I notice is that every adult or child I give a new set of Crayolas to goes a little funny. The kids smile, get a glazed look on their faces, pour the crayons out, and just look at them for a while....The adults always get the most wonderful kind of sheepish smile on their faces--a mixture of delight and nostalgia and silliness. And they immediately start telling you about all their experiences with Crayolas.

You look up when you wish to be exalted. And I look down because I am exalted.

If you look at the Oscars and look at the Best Foreign Language series, you see that the films are coming from everywhere - from Quebec, Israel, Poland, and Belgium. It's not the usual French, German, etc. This category is opening up to socially engaged and political films. I think we're going to see a cross over to the main categories also. It's part of this global environment now and I'm grateful that the Academy is having this window on world cinema.

After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.

The problem for me is that I look like so many people in my family, so I can't really see anything. Except I could say that I look rather like my father without his mustache.

I study my competition for at least an hour a day. I get on the internet, look at what they doing, then I look at ways to defeat them.

That was enterprising," Will sounded nearly impressed. Nate smiled. Tess shot him a furious look. "Don't look pleased with yourself. When Will says 'enterprising' he means 'morally deficient.'" "No, I mean enterprising," said Will. "When I mean morally deficient, I say, 'Now, that's something I would have done'.

Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours, shapes. And so a picture emerges that may look quite good for a while, so airy and colourful and new. But that will only last for a day at most, at which point it starts to look cheap and fake. And then the real work begins - changing, eradicating, starting again, and so on, until it's done.