Quotes About Magic

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.

If they were real, then maybe the world was big enough to have magic in it. And if there was magic — even bad magic, and Zach knew it was more likely that there was bad magic than any good kind — then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter.

There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars.

The unicorns were the most recognizable magic the fairies possessed, and they sent them to those worlds where belief in the magic was in danger of falling altogether. After all there has to be some belief in magic- however small- for any world to survive.

I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.

I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.

The artist brain is the sensory brain: sight and sound, smell and taste, touch. These are the elements of magic, and magic is the elemental stuff of art. In filling the well, think magic. Think delight. Think fun. Do not think duty. Do not do what you should do-spiritual sit-ups like reading a dull but recommended critical text. Do what intrigues you, explore what interests you; think mystery, not mastery.

One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.

I don't want realism. I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!

Hope can be a powerful force. Maybe there's no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.

I grew up in a house full of music, and a house that didn't have a television. We had a piano, but no television. And really, I very quickly realized that this was, you know, there was magic there, there was magic to be had, you could lose yourself in it, it was a refuge, it was joy, it was all of those things.

Magic is used in espionage, all the time, for clandestine things. I've got a whole library from a gentleman who was hired by the CIA to create magic technology for the use of anti-terrorism.

A woman's life is nine parts mess to one part magic, you'll learn that soon enough...and the parts that look like magic turn out to be the messiest of all.

In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.

The greatness and efficacy of a magician is measured by his refusal to use magic. The true magician, the greatest, is the poorest and most unfortunate of all mortals. Because between his magic and his person forgetfulness takes shape, in the form of the world.

Magic clubs have as much to do with magic as country clubs have with being in the country.

Boxing is the magic of men in combat, the magic of will, and skill, and pain, and the risking of everything so you can respect yourself for the rest of your life.

When we talk about magic a lot of people think you use that to pick up girls. So therefore there's this slimy connotation associated with it, like, "Oh hey, pick a card - my number's on it!" So I think I've avoided ever having people think that's what's happening. I try to make magic the treat of the interaction or the treat of the flirt. I've never gone up and tried to do a trick to get a girl's number, only because I feel like that's what people expect and it feels slimy.

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Egypt is the First Nome. New York is the twenty-first. What’s the last one, the Three-hundred-and-sixtieth?” “That would be Antarctica,” Zia said. “A punishment assignment. Nothing there but a couple of cold magicians and some magic penguins.” “Magic penguins?” “Don’t ask.

Because love is the meeting point of truth and magic. Truth, as in photography; magic, as in ballooning.

Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.

Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.

Genius is another word for magic, and the whole point of magic is that it is inexplicable.

It's easy to believe in magic when you're young. Anything you couldn't explain was magic then. It didn't matter if it was science or a fairy tale. Electricity and elves were both infinitely mysterious and equally possible - elves probably more so.

If I ever saw magic on television I would say: 'I want that. That's what I want from Santa Claus'. So the cupboard in my bedroom was full of boxes of magic tricks, cups and balls, cards and foam rabbits, all sorts of stuff.

You know, I'm not very good at magic - I can only do half of a trick. Yes - I'm a member of the Magic Semi-circle.

I didn't want to believe that killing was deep inside of me. I didn't want to think about the part of me that took a dark joy in gathering all the power it could and using it as I saw fit, everything else be damned. There was power to be had in hatred, too, in anger and in lust, in selfishness and in pride. And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos.

When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.

Magic is a set of techniques and approaches which can be used to extend the limits of Achievable Reality. Our sense of Achievable Reality is the limitations which we believe bind us into a narrow range of actions and successes - what we believe to be possible for us at any one time. In this context, the purpose of magic is to simultaneously explore those boundaries and attempt to push them back - to widen the 'sphere' of possible action.

It means that though the Witch knew the Deep Magic, there is a magic deeper still that she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and darkness before Time began, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and death itself would work backwards.

I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.

I think it was in the Rose Garden where I issued this brilliant statement: If I had a magic wand -- but the president doesn't have a magic wand. You just can't say, 'low gas.'

There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.

The only truly safe thing you can do is to try over and over again. To go for it, to get rejected, to repeat, to strive, to wish. Without rejection there is no frontier, there is no passion, and there is no magic.

Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.

Without Leskov there would be no Bulgakov, no Chekhov, but also no Garca Mrquez and Julio Cortzar. . . . Leskov is the essential storyteller: he does not portray life, he creates it in all its wonder and terror and magic.

There are so many wonderful shows that come out through the year. What makes some stick is an unknown factor, you know? It's gotta be the right show at the right time. Really, you've got to have magic elements line up. But I felt that this was going to be something that was really going to ring true to people.

How I grew to believe Black hair has power, genius, and magic in it, defying gravity and limitation. I mean, look at how marvelous it is: Black hair grows up and out.

Tips like that. Wearing necklaces, knowing how to layer, wearing a statement piece. Don't wear big earrings and a big necklace and a big ring all at the same time. Pick your magic. I have this whole thing: if you look good, you feel good, and if you feel good, you look good.

The mission of the artist in an over-technologi zed society, is to call the old magic back to life.

We are participating in the orderly transfer of administrative authority by the direction of the people. And this is the simple magic which makes a commonplace routine a near miracle to many of the world

Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost That breaks his magic chains at curfew time, No goblin, or swart fairy of the mine, Hath hurtful power o'er true virginity.

I also have a brand-new prescription for gunfire jitters: When the shooting gets loud, proceed to the nearest wooden staircase. Run up and down a few times, making sure to stumble at least once. What with the scratches and the noise of running and falling, you won't even be able to hear the shooting, much less worry about it. Yours truly has put this magic formula to use, with great success!

The real magic wand is the child's own mind.

Science and technology were often used by [the magician of old], even before they came into the marketplace on a mass basis. For example, prior to the moving picture going into theatre, magicians were using the technique of images in motion as illusions in their shows. At that time the process was so new, an audience perceived it as magic. Also in the early stages of holograms magicians would use these images to baffle and mystify their fans. Hence, you always need to stay one step ahead of the technology game to "WOW" the audience.

If someone says, 'Hey, I ran 100 miles this week. How far did you run?' ignore him! What the hell difference does it make?.... The magic is in the man, not the 100 miles.