Quotes About Magic

Know your magic, trust your magic, use your magic and know that you are a manifestation of life's magic.

Magic enables man to carry out with confidence his important tasks, to maintain his poise and his mental integrity in fits of anger, in the throes of hate, of unrequited love, of despair and anxiety. The function of magic is to ritualize man's optimism, to enhance his faith in the victory of hope over fear. Magic expresses the greater value for man of confidence over doubt, of steadfastness over vacillation, of optimism over pessimism.

There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.

When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.

Some people love magic for the right reasons: They love to experience wonder. They don't want to know how it works. In this day and age, we know how everything works. We can Google anything and the answer is never really far away. Magic is a break from that where you get to enjoy mystery. And then there's the people who watch the trick but don't want to enjoy it because they want to figure it out and they feel like I'm challenging their intelligence, which I'm not doing. Those people are hell-bent on not enjoying magic and probably not enjoying their lives either.

Every time we fix something that broken, whether it's a car engine or a broken heart, that an act of magic. And what makes it magic is that we choose to create or help, just as we can choose to harm.

[ Gil Cates] said, "You've got a point of view with your magic. There's this comedy to it, there's drama. You're telling stories with magic."

I used to think great teachers inspire you. Now I think I had it wrong. Good teachers inspire you; great teachers show you how to inspire yourself every day of your life. They don't show you their magic. They show you how to make magic of your own.

When I was a boy, I read with great interest but skepticism about as magic lamp which was used with success by a certain Aladdin. Today I have no skepticism whatsoever about the magic of the xenon flash lamp which we use so effectively for many purposes. (1970)

The magic of drama is infinitely more powerful than the magic of trickery. It is as available to the conjurer as it is to the actor. The only difference is that actors take it for granted, whereas few conjurers are even aware that it exists.

What terrible questions we are learning to ask! The former men believed in magic, by which temples, cities, and men were swallowed up, and all trace of them gone. We are coming on the secret of a magic which sweeps out of men's minds all vestige of theism and beliefs which they and their fathers held and were framed upon.

If you could ever do a project that really has magic in it, and justifiable magic, you should do it.

All writers believe in the magic of books; Jim Hines has created a system where that magic becomes real, usable, and very definitely not always safe.

In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.

My notion of art is very maximalist and souped-up: I love spectacle, overload, magic materials, magic words, incantation and litany, incarnation and possession, spilling and wounds. Art as a sacred event.

Perseus wore a magic cap that the monsters he hunted down might not see him. We draw the magic cap down over eyes and ears as a make-believe that there are no monsters.

Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.

The Web is cool, but the library is magic. Where else can the spirit of generations of writers stir your soul? So many writers talk about libraries setting them on their magical paths, it's almost a groaner. But we know it's true. Wander through the stacks and you can feel the dreams, the unique worlds bubbling within each volume. The magic enters you as if by osmosis. On the Web, you may feel clever, lucky and driven to download--but rarely inspired to dream and to write.

The purely formal language of geometry describes adequately the reality of space. We might say, in this sense, that geometry is successful magic. I should like to state a converse: is not all magic, to the extent that it is successful, geometry?

I don't think you should be an Auror, Harry," said Luna unexpectedly. Everybody looked at her. "The Aurors are part of the Rotfang Conspiracy, I thought everyone knew that. They're working to bring down the Ministry of Magic from within using a mixture of dark magic and gum disease.

I came to magic absolutely hating magic on a very, very deep level.

I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.

Why is monotheistic faith better than polytheistic? I mean, either you believe - if you believe in, like, a magic person who can do magic things, why is it different - so different if it's Superman or the Fantastic Four?

I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.

I believe that the combination of pencil and memory creates a kind of practical magic, and magic is dangerous.

Magic is antiphysics, so it can't really exist. But is shares one thing with science. I can explain the principle behind a good science experiment in 15 seconds; the same way with magic.

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

We're all Americans trying to compete. Magic was competing for his team and Larry for his team.

If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.

Harry Potter has been a fantastic experience and the fact it has made stars of us all is unbelievable at times - it really is magic of a sort.

Keep thinking, keep interested, keep praying, keep dreaming. Be mentally sensitive at all times so that the magic word that motivates you may one day speak to your deep inner self.

Without Leskov there would be no Bulgakov, no Chekhov, but also no Garca Mrquez and Julio Cortzar. . . . Leskov is the essential storyteller: he does not portray life, he creates it in all its wonder and terror and magic.

Magic is the art of thinking, not strength or language.

To each his own magic.

I certainly don't feel like I am desperate to run away from a film set. I love the hustle and bustle. Everything is sort of mad right before a take, and then it just settles, and you've got these two minutes of a bit of magic. I just love that in film.

As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.

Artemis Fowl grinned right back at him and pointed his index finger to the sky... from the tip of this finger sprang a small blue spark that exploded like a tiny firework. “I know magic can be stolen,” said Artemis. “Because I stole some myself.

What is being lost is the magic of the word. I am not an image person. Imagery belongs to another civilization: the caveman. Caveman couldn't express himself so he put images on walls.

The Orlando Magic were so bad last season, the cheerleaders stayed home and phoned in their cheers.

It seemed to me at an early age that all human communication - whether it's TV, movies, or books - begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own for even the briefest moment, is the key to the magic that was born in our bones.

these hips have never been enslaved, they go where they want to go they do what they want to do. these hips are mighty hips. these hips are magic hips

We need the discipline of magic, of consciousness-change, in order to hear and understand what the earth is saying to us. And listening to the earth, doing the rituals the land asks us for, giving back what we are asked for, will also bring us healing, expanded awareness and intensified life.

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

For the most part, any serious magic show is not using very much technology newer than theatrical lights.

The purpose of ritual is to change the mind of the human being. It's a sacred drama in which you are the audience as well as the participant, and the purpose of it is to activate the parts of the mind that are not activated by everyday activity ... 'Magic' becomes the development of techniques that allow communication with hidden portions of the self, and with hidden portions of all other islands in this 'psychic sea.'

There is a magic in that little world, home; it is a mystic circle that surrounds comforts and virtues never know beyond its hallowed limits.

I want to take you to a place of pure magic... It's the place athletes call the "zone". Buddhists call "satori" and ravers call "trance". I call it the Silver Desert. It's a place of pure light that holds the dark within it. It's a place of pure rhythm.

Obviously, therefore, we must be able to transcribe what is in us into our mental and objective consciousness, by establishing a relationship between the life in us and observation of that life in Nature. This we find supremely well expressed by the ancient Egyptians. It is a knowledge of magic, pure and sane, which can lead rapidly toward the spiritual goal of our lives, owing to the fact that we can evoke, by means of the sympathy of analogues in our surroundings, the consciousness of the heart latent in us.