Quotes About Magic

There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.

Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.

I write some crappy songs. ... but every once in a while I get just the right words put together for the right moment, and it feels like magic. There is no explaining the magic. It floats in and then just like that, it floats out. There's no amount of money that will buy magic. I've watched myself try to coax it, but it is only when I relax and totally allow magic to envelop me that it has ever been kind.

A lot of people lose a sense of reality when they achieve success. That's a terrible danger because you have to remember who you were and who you are basically and that you're still a person and all that out there is a kin of magic - what people see out there is magic, it's media magic. It's not very real and it's very glamorous, but you have to keep a sense of you through it all.

The unicorns were the most recognizable magic the fairies possessed, and they sent them to those worlds where belief in the magic was in danger of falling altogether. After all there has to be some belief in magic- however small- for any world to survive.

There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.

If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.

Life's an act of magic, too. Claire Hamill sings a line in one of her songs that really sums it up for me: 'If there's no magic, there's no meaning.' Without magic- or call it wonder, mystery, natural wisdom- nothing has any depth. It's all just surface. You know: what you see is what you get. I honestly believe there's more to everything than that, whether it's a Monet hanging in a gallery or some old vagrant sleeping in an alley.

I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.

One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?

Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.

There’s a bit of hidden magic in every mistake. The magic is called learning.

In place of science, the Eskimo has only magic to bridge the gap between what he can understand and what is not known. Without magic, his life would be one long panic.

I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.

It's appropriate to have magic in a love story, because magic is a sort of metaphor for what love feels like? When we fall in love, the world feels magical to us. It becomes an enchanted place.

I thought, "Wow, English is like magic." It not only shattered my voice, it changed me physiologically. I believed this for months ... There's magic in the language. I never fell out of the enchantment.

Matthew kept hinting that his desire - for blood, chiefly- was so strong that it put everything else at risk. But vampires weren’t the only creatures who had to manage such strong impulses. Much of what qualified as magic was simply desire in action. Witchcraft was different- that took spells and rituals. But magic? A wish, a need, a hunger too strong to be denied- these could turn into deeds when they cross a witch’s mind.

I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.

The dream is so thick; the Maya is so thick. There's no magic as long as there's all this thought. So the first condition for the practice of higher magic is the stopping of thought.

This time it had been magic. And it didn't stop being magic just because you found out how it was done.

In magic, man has to rely on himself. So, in religion, of course, you're looking for outside support but that's the appeal of magic.

[Magic] can guide people to the very edge of reason - and then push them off. Thoughts collapse for a moment and the mind is free to just experience. Magic is a window to eternity.

Magic underlies the relationship between us, and the greater immensities of birth and death. Thus the experience of being in the presence of something magical is an empowering, uplifting experience. Magic, understood this way, contributes meaning to life.

I invented magic stuff; it came very easily. Now, I sucked at everything else, but I was good at magic as a kid.

Perhaps society should give actors the same sort of protection it gives to those who follow a religious life. Actor/priest was originally the same job. The theater is left wing magic and theology is right wing magic.

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Because love is the meeting point of truth and magic. Truth, as in photography; magic, as in ballooning.

Love can be magic. But magic can sometimes... just be an illusion.

Not all magic is fireworks and fanfare. Sometimes magic is quiet and sneaks up on you.

Alistair Crowley used to define magic as anything in which you can exercise your will in the world through the use of your mind. So what's the magical way of opening or closing that door? Well, to will your body to stand up and close or open that door, that's magic. With the iPhone, it's like you put your intent into it, and it helps you exercise that intent in the world.

For me, I was watching Gene Kelly, Fred Astaire, Orson Welles, Victor Fleming movies, and I said, "I want to tell stories like that. I want to move people like that. But I'm good at magic, so what am I going to do?" So I started using magic for the right reasons - to get the girl.

This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.

To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.

I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.

I think it was in the Rose Garden where I issued this brilliant statement: If I had a magic wand -- but the president doesn't have a magic wand. You just can't say, 'low gas.'

It's not enough to create magic. You have to create a price for magic, too. You have to create rules.

When I was a little kid - and even still - I loved magic tricks. When I saw how movies got made - at least had a glimpse when I went on the Universal Studios tour with my grandfather, I remember feeling like this was another means by which I could do magic.

Everyone does magic all the time in different ways. "Life" plus "significance" = magic.

If Goddess religion is not to become mindless idiocy, we must win clear of tendency of magic to become supertition. Magic - and among its branches I include psychology as its purpose to describe and change consciousness - is an art.

Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate that the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo’s fear was greater than these. It was not external but lay deep within himself.

What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.

The word "feral" has a kind of magic potency which allied itself to two other words, "ferocious" and "free." To revert to a feral state!

An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.

It's worth remembering George W. Bush, Barack Obama also came in thinking they had the magic key to better, warmer relations with Russia; those efforts ended in tears.

When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.

The Orlando Magic were so bad last season, the cheerleaders stayed home and phoned in their cheers.

The software is where the magic is. If you're going to have all this power be simple enough, appealing enough and cool enough, it's going to be because the software is right.

To the children who loved Harry Potter, I want to say your enthusiasm was the real magic. I so enjoyed being on the journey with you. And to the adults who bought the Harry Potter books and devoured them, I just want to say, those books were for children.