Quotes About Magic

Writing is the act of creation. Put words on page. Words to sentences, sentences to paragraphs, paragraphs to 7-book epic fantasy cycles with books so heavy you could choke a hippo. But don't give writing too much power, either. A wizard controls his magic; it doesn't control him. Push aside lofty notions and embrace the workmanlike aesthetic. Hammers above magic wands; nails above eye-of-newt. The magic will return when you're done. The magic is what you did, not what you're doing.

Know your magic, trust your magic, use your magic and know that you are a manifestation of life's magic.

I'd like to transform the system in very fundamental ways, but you've got to do that in every way that you can. You can't wait for some magic bullet or some magic politician or some magic anything to have that happen. You got to get out there and use your vote.

What you try to become is a bringer of magic, for magic and the truth are closely allied and movies are sheer magic ... when they work, it's, well, it's glorious.

I love fairytales. I like fantasy a lot, science fiction, I like magic. I like to create magic. I love magic.

The night swelled with magic; not the beneficent kind of love-magic that sweeps couples away, but the kind of magic that rips and tears, the enchantment that creeps out of the woods and pounces.

One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.

Magic is a two-way process: you use it to change yourself and in return, it changes you. Letting yourself enter a magical reality is not about creating an enclave of magic beyond your everyday life, but of allowing magic in- allowing for the intrusion of the weird, the irrational, the things you can't explain, yet are undeniably real.

You see the button with the guy with the tray, and you push it, and he arrives with a sandwich! And you think: "Yes! Yes! I control sandwich monkey! I live in magic land, magic land, magic land"

She was sitting cross-legged on her bed in her white kimono, writing in a notebook with an ink pen she dipped in a bottle. 'Never let a man stay the night,' she told me. 'Dawn has a way of casting a pall on any night magic.' The night magic sounded lovely. Someday I would have lovers and write a poem after.

Normally, I do magic on the stage. But I can make magic credible and resonate through a TV screen.

Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.

I see painting as an evocative magic, and there must always be a random factor in magic, one which must be constantly changed and renewed.

When I was a boy, I read with great interest but skepticism about as magic lamp which was used with success by a certain Aladdin. Today I have no skepticism whatsoever about the magic of the xenon flash lamp which we use so effectively for many purposes. (1970)

I grew up in a house full of music, and a house that didn't have a television. We had a piano, but no television. And really, I very quickly realized that this was, you know, there was magic there, there was magic to be had, you could lose yourself in it, it was a refuge, it was joy, it was all of those things.

I’m your worst nightmare come to walk this side of the lines. I’m an elf, Trent something you’re forgotten how to be. You’re scared of black magic. I can see fear shimmering under your aura like sweat. I live and breathe black magic. I’m so tainted with it that I will use it without thought, without guilt and without hesitation.

It's not only the wealth of sounds in Omnisphere; You're struck by the fact that you hear magic sound after magic sound.

The real secret of magic is that there is no magic.

No person has ever held all the power. There must be a balance between chaos and order, dark and light. With the Temple magic bound to you, the realms are no longer in balance. The power could change you... and you could change the magic.

Magic is used in espionage, all the time, for clandestine things. I've got a whole library from a gentleman who was hired by the CIA to create magic technology for the use of anti-terrorism.

It was a magic caused by the collision of modern methods and old ones; modern history and ancient; accessibility and isolation. And it was a magic which could only strike spark about that time. A few years earlier, from the point of view of aircraft alone, it would have been impossible to reach these places; a few later, and there will be no such isolation.

There's no subtext in Harry Potter really; it's all magic, anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it.

You know how teachers tell you the magic word is 'please'? That's not true. The magic word is 'puke'. It will get you out of class faster than anything else.

I invented magic stuff; it came very easily. Now, I sucked at everything else, but I was good at magic as a kid.

That old black magic has me in its spell, That old black magic that you weave so well; Icy fingers up and down my spine, The same old witchcraft when your eyes meet mine.

Learn to master yourself-to understand both your fears and your desires. That's the key to magic. Then, no one shall have any hold over you. Remember... the magic (sic)... is a living thing, joined to whomever it touches and changed by them as well... You must come to know everything-even your darkest corners. Especially those...Everything has its price.

We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls.

I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.

Alistair Crowley used to define magic as anything in which you can exercise your will in the world through the use of your mind. So what's the magical way of opening or closing that door? Well, to will your body to stand up and close or open that door, that's magic. With the iPhone, it's like you put your intent into it, and it helps you exercise that intent in the world.

I'm helplessly and permanently a Red Sox fan. It was like first love...You never forget. It's special. It's the first time I saw a ballpark. I'd thought nothing would ever replace cricket. Wow! Fenway Park at 7 o'clock in the evening. Oh, just, magic beyond magic: never got over that

For me, I was watching Gene Kelly, Fred Astaire, Orson Welles, Victor Fleming movies, and I said, "I want to tell stories like that. I want to move people like that. But I'm good at magic, so what am I going to do?" So I started using magic for the right reasons - to get the girl.

I think there is an element of magic in photography - light, chemistry, precious metals - a certain alchemy. You can wield a camera like a magic wand almost. Murmur the right words and you can conjure up proof of a dream. I believe in wonder. I look for it in my life every day; I find it in the most ordinary things.

To do magic, to do great magic, he has to know himself as a piece of the universe.A piece of the universe?A little piece that has all the rest of it in it. Everything outside of him is also inside of him.

Magic is a set of techniques and approaches which can be used to extend the limits of Achievable Reality. Our sense of Achievable Reality is the limitations which we believe bind us into a narrow range of actions and successes - what we believe to be possible for us at any one time. In this context, the purpose of magic is to simultaneously explore those boundaries and attempt to push them back - to widen the 'sphere' of possible action.

Magic is an exercise of a pattern of thought (sometimes represented by a gesture, ritual, or the calling of a true name) that results in manifestation/s. But these patterns of thought can have so much to do with whimsy that magic often is jokes.

That's what I don't like about magic, it does everything by magic!

Henceforth, whilst there are a great many theories and models proposed as to how, or why, magic works (based on subtle energies, animal magnetism, psychological concepts, quantum theory, mathematics or the so-called anthropomorphic principle) it is not a case that one of them is more 'true' than others, but a case of which theory or model you choose to believe in, or which theory you find most attractive. Indeed, from a Chaos Magic perspective, you can selectively believe that a particular theory or model of magical action is true only for the duration of a particular ritual or phase of work.

To work magic is to weave the unseen forces into form; to soar beyond sight; to explore the uncharted dream realm of the hidden reality; to infuse life with color, motion and strange scents that intoxicate; to leap beyond imagination into that space between the worlds where fantasy becomes real; to be at once animal and god. Magic is...the ultimate adventure.

For example, John Law's Mississippi Company venture printed shares, and the money had gone up in smoke when it had been inscribed objects. The inscription made it magic and changed its meaning. That's how objects become charmed in The Arabian Nights, and they are often originally ordinary objects. The carpet is an ordinary, paltry object. The lamp is a rusty old lamp, and the bottles jinns are imprisoned within are old bottles. They are changed by the magic and the jinn's presence, and the jinn's presence is often embodied in the seal or inscription.

Sometimes magic sounds like tape.

Magic Johnson, former basketball player, may run for mayor of L.A. in the next election. Remember the good 'ol days when only qualified people ran for office like actors and professional wrestlers.

I must say this now about that first fire. It was magic. Out of dead tinder and grass and sticks came a live warm light. It cracked and snapped and smoked and filled the woods with brightness. It lighted the trees and made them warm and friendly. It stood tall and bright and held back the night.

What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.

I hold the most archaic values on earth ... the fertility of the soul, the magic of the animals, the power-vision in solitude.... the love and ecstasy of the dance, the common work of the tribe.

Magic won't save us. The power it would take to conjure on such a scale, the tithe would destroy us. The only hope...is hope. You don't need tokens for it - it's in your heart or nowhere. And in your heart, child, it had been stronger than I have ever seen.

I don't even believe in magic, or ghosts or anything like that, and yet in a city like New York, on the subway, I definitely see ghosts and art seems to have some magical properties.

I’ve spent more than two decades speaking to women through magazines. What’s so exciting about Yahoo is that I can inspire and connect with hundreds of millions more women, and bring them the magic of the fashion world in ways they haven’t yet experienced.

To the children who loved Harry Potter, I want to say your enthusiasm was the real magic. I so enjoyed being on the journey with you. And to the adults who bought the Harry Potter books and devoured them, I just want to say, those books were for children.