Quotes About Memoir

A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.

A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.

I'm not into this memoir craze that's been going on for 20 years now and doesn't seem to ever let up. People just indiscriminately say "memoir" now when it's a person writing about their own life.

If you can propose a memoir, even if you are eighteen years old - and what do you remember? What are you memeing? If you can propose a memoir, I believe someone will pay you to write it. And you will get a contract for nonfiction. And if it is about victimology in one way or another than you'll get more money. It's a sensation.

Though I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.

I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.

I will say, with memoir, you must be honest. You must be truthful.

There has never been a book like this. At once a poetics of place, a work of deep history, a bildungsroman, and an acute inquiry into the big subjects: love, family, other animals, the nature of creativity. It is sublime. It's also very funny. Haunting and haunted, Hold Still is the memoir of an artist that is art itself.

I often wonder if you wrote your memoir today, if your life story would be lived on the edge of possibility, if you held wonder in one hand and courage in the other and truly believed that anything was possible.

Kaethe Schwehn's poignant memoir explores longing, both spiritual and physical, community and faith, in prose that is calm, lovely, and filled with clear-eyed honesty and grace. Tailings is simply an exquisite book.

I disagree that Blood Will Out is a memoir in the conventional sense. It's the story of a relationship, primarily, not an individual. The "me" in the book is a specialized version of me, the person who Clark manipulated and fooled. I could cover the same years of my life from an entirely different perspective in another book, by concentrating on my experience as a husband, say. But I was selective. I focused on my duping.

I think that's the thing that memoir can do more than anything it does; it testifies and bears witness to the existence of people whose lives, pleasures and virtues would never have been testified to without my having done it. That makes me really glad.

Clyde Phillip Wachsberger's delightful memoir about tending beds of flowers as compensation for a lonely middle age only to find unexpected romance along the way is a sweet reminder that, as he puts it, 'anything can happen in a garden.' In prose that balances candor with perfect courtesy, he charms us with the message that keeping a garden with a beloved companion, this most ephemeral of all the arts, can bring us the most enduring joys and pleasures.

I’ve always liked to read about extremely wealthy people, especially when they are crazy (like Howard Hughes or Caligula.) While writing this book I did a lot of fun research on robber barons like Rockefeller and Morgan. But the most helpful stuff came from studying royal families and mad emperors. The best book I read was probably A King’s Own Story, which is the memoir of Edward VIII. Also, anything about Ivan the Terrible or Ted Turner.

In the 19th century, the English were loathed. Every memoir that you read of that period, indicates the loathing that everybody felt for the English, the only difference between the English and Americans, in this respect, is the English rather liked being loathed and the Americans apparently dislike it intensely.

I thought, frankly, that it would be more pleasant to write a memoir than it was.

I believe the personal is the collective. One of the ironies of writing memoir is in using the "I" it becomes an alchemical "we." This is the sorcery of literature.

As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy.

The reason I like writing a memoir is because it isn't preachy.

The contemporary memoir is playing an important role in at least just bringing certain relationships out into the open in American society, and also it's a place where the novel of development, the novel of consciousness, has gone.