Quotes About Memoir

Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.

I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.

A Diogenesian search for an honest person would rarely lead to the author of a memoir.

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.

I love to read nonfiction and memoir, but I'm mostly interested in the piece of writing more than the person.

I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.

A recently reprinted memoir by Frederick Douglass has footnotes explaining what words like 'arraigned,' 'curried' and 'exculpate' meant, and explaining who Job was. In other words, this man who was born a slave and never went to school educated himself to the point where his words now have to be explained to today's expensively under-educated generation.

I don't really think of my essays as being about myself. I know it sounds insane, but I just don't think of them as a memoir. They're essays; they're not an autobiography.

I had cancer for fourteen months and wrote a memoir about the experience.

Now that Mr. Carter has made a book of his diary, an adoring memoir entitled Keeping Faith, the notes read like a collection of letters sent from scout camp.

In her memoir, Anne Robinson recounts the wake-up call which motivated her to stop drinking. Leaving her eight-year-old daughter alone in their car while she went to buy liquor, she returned to find her daughter with tears running down her cheeks. The guilt and horror Ms. Robinson felt at this sight jolted her into sobriety.

I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.

I think that the celebrity memoir as a genre is looked upon as a lesser form. One of my missions as a ghostwriter has been to elevate that form. Maybe that sounds pretentious!

Clyde Phillip Wachsberger's delightful memoir about tending beds of flowers as compensation for a lonely middle age only to find unexpected romance along the way is a sweet reminder that, as he puts it, 'anything can happen in a garden.' In prose that balances candor with perfect courtesy, he charms us with the message that keeping a garden with a beloved companion, this most ephemeral of all the arts, can bring us the most enduring joys and pleasures.

In memoir, can you really tell the truth about yourself? You're not going to write about your little peccadilloes, like, "I like a finger in my ass during sex." Or whatever it is. You're not going to come out in typical everyday conversation and say that. That's something that's going to be only for a select few.

I'm making a kind of a memoir of certain aspects and times in my life. Now that I'm older I can look back and analyze some things, and see the root of things.

I had many reasons for writing memoir but among them was the hope that every Latino child and adult would find something familiar in it.

Much more than memoir; it's history.

I'm doing the best I can with the ravages of time on my body and I'm a work in progress. I can't write a memoir because I can't do it this week or next week... I try to be an inspiration to the young to respect their older people; we can't stay the same, but we do the best we can with what's left. You can't whine about stuff, you have to learn to eat humble pie along the way and keep going, because the alternative is going to happen.

Madame Bellwings, Memoir Elf Coordinator, was not at all pleased with this request, because elves who write the memoirs of teenage girls have the habit of returning to the magical realm with atrocious grammar. They can't seem to shake the phrases "watever" and "no way," and they insert the word like into so many sentences that the other elves start slapping them...and for no apparent reason occasionally call out the name Edward Cullen.

A memoir should have some uplifting quality, inspiring or illuminating, and that's what separates a life story that can influence other people.

I ignored my stand-up career for twenty-five years, but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years.

The failures of other genres to provide an emotional connection with some of their characters and narratives gives memoir a toehold.

My Family and Other Saints echoes Gerald Durrell's classic memoir, My Family and Other Animals, not only in its title, but in its wonderful humor and lyrical prose. Like Durrell, Kirin Narayan takes the reader to a fascinating world far from our own, and brings to life its myriad sights, sounds and smells, while revealing the profound cultural beliefs of its people. India is just the most complex character among a cast of characters-family members, gurus, hippies, and neighbors-all of whom I now count as old friends.

As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy.

I had a very high-grade publisher tell me I was incapable of writing a memoir.

I don't feel any ethical dilemma when I write. In my memoir, I was able to write with candor about the two most difficult people in the world to write with candor about - mom and dad. Everything else is downhill from there.

Henry Miller wrote novels, but he calls his protagonist Henry, often Henry Miller, and his books are in this gray area between memoir and novel.

I was wowed by Margo Jefferson's memoir, Negroland, which is about growing up black and privileged in Chicago in the fifties and sixties. It was a window into an alien world. Obviously, I'm not black, but what was really alien to me was her family's focus on respectability. I was never taught when to wear white gloves, what length skirt is appropriate.

Defining oneself is a revolutionary act, and, as described in her memoir, Janet Mock fiercely fought to free herself with exquisite bravery and sensitivity. Redefining Realness is full of hope, dreams, and determination. It is a true American girl story.