Quotes About Metaphor

Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.

I'm not going to tell people how to write, but we do have a skill set, and the more we put ourselves out into the world as poets, as a sort of poet of the tribe, as representatives of metaphor, and try to claim space for metaphor in the inner life, that's going to be important and be helpful to poetry and bring a tension for poets writing about whatever they choose.

I think that as poets, we can get away with stuff because we can ride on the melt of metaphor. We cover a lot of terrain psychically and temporally and linguistically via metaphor, and that can be a stand-in for an argument, whereas in prose, you have to make the argument, and you have to be convincing because the sequence must make sense in time and purpose.

Creativity itself is a joyous unlatching. The act of creative imagining, inventing, saying differently, crafting a metaphor or image, then crafting another metaphor or image when you go further or when you revise - all these take whatever you think "is" and make clear that other possibilities exist as well. The sense of possibility, the amplitude and freedom that sense of malleability brings - for me, that cannot help but be joyous.

If you think about Don Quixote, Don Quixote is this guy who wants to live as if he was in a medieval chivalric romance, when actually he lives in sixteenth-century Spain, which is already going through secularization, industrialization, modernization. He goes out to kill a giant, and instead he collides with this huge windmill and injures himself and also damages the windmill. I think that's a metaphor for the collisions we all have over time, as our ideas of ourselves get out of synch with the historical moment.

Metaphor for the night sky: a trillion asterisks and no explanations.

Metaphor is no argument, though it be sometimes the gunpowder to drive one home, and imbed it in the memory.

I hate to use this as a metaphor, but making movies is kind of like going to war. It's not - but the stamina required and what it takes to tell a story that is this big in scope, you need a general that will bring out the best in you.

Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly... perhaps even malignant. Homesickness is a real sickness--the ache of the uprooted plant.

The film [Sightseers] is really the story of the journey of a relationship, so the killings are almost a metaphor for the trials they go through. We wanted people to identify with the experience of going on holiday and having a quarrel with your wife, boyfriend, whatever. We knew if we didn't crack that it would not be watchable as a film.

There is a terrible sameness to the euphoria of alcohol and the euphoria of metaphor.

A simile is just a metaphor with the scaffolding still up.

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin. -- Mr. Magorium

Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art.

The 1947 Court (Everson v. Board of Education) for the first time had used only Jefferson's metaphor - completely divorced from its context and intent.

Face, to me, is a metaphor of sadness. And I want to share this sadness. I'm not really interested whether it's an Indian face or not - that's not as important for me. But it's still important to establish the relationships in order to bring about a consciousness of our fragility.

When I went to jail, reality hit so hard that it took my breath away, took my stance away, took my strength away. I was there buck naked, humiliated, sitting in my own crap and urine - this is a metaphor. My ego had run off. Your ego is the biggest coward.

Be passive. In your passivity, God comes. Be feminine. In your femininity, God comes. Have you not watched it? Buddha looks very feminine, Krishna looks very feminine. Why? - because it is simply a metaphor. They have been depicted as feminine, graceful, to show that that is their inner quality - receptivity. When you are doing something you are being aggressive. When you are not doing anything you are non-aggressive. And God cannot be conquered; you can only allow him to conquer you.

I can't think of anything to write about except families. They are a metaphor for every other part of society.

A theory of creativity is actually just a metaphor. A pool of ideas, a well of memories, a voice.

Tango is serious and takes discipline. It must be studied hard to be done well. It is elegant, formal, passionate and intimate. It is about power and vulnerability. It is both dance and metaphor. And to its captives becomes a magnificent obsession

Much like photographs, I also love the idea that ghosts are memories frozen in time. We can be haunted by both just as horrifically. One really becomes a metaphor for the other.

Your music can be played easily and well by any half-stringed harper or fumble-fingered idiot. Not that I'm maligning your songs. It's just that they're an entirely different kettle of fish-to use a seamanly metaphor-to Domick's. Don't you judge your songs against his standard! More people have already listened to your melodies and liked them than will ever hear Domick's, much less like them.

The desktop metaphor was invented because one, you were a stand-alone device, and two, you had to manage your own storage. That's a very big thing in a desktop world. And that may go away. You may not have to manage your own storage. You may not store much before too long.

The mind is a metaphor of the world of objects.

The ocean is a supreme metaphor for change. I expect the unexpected but am never fully prepared.

Breastfeeding is an unsentimental metaphor for how love works, in a way. You don’t decide how much and how deeply to love - you respond to the beloved, and give with joy exactly as much as they want.

Metaphorically I am made of chairs. It's a metaphor though. That means I am not actually made of the chairs.

Gardening is peaceful, yet there is a great element of failure. It's the perfect metaphor for life -- a lot of pleasure, then it's over. There's great satisfaction in tending something, feeling it needs you, even if it's just a plant on your windowsill.

Sport is a wonderful metaphor for life. Of all the sports that I played - skiing, baseball, fishing - there is no greater example than golf, because you're playing against yourself and nature.

Geography is the key, the crucial accident of birth. A piece of protein could be a snail, a sea lion, or a systems analyst, but it had to start somewhere. This is not science; it is merely metaphor. And the landscape in which the protein "starts" shapes its end as surely as bowls shape water.

Censorship is the mother of metaphor.

I had very literal parents and I wanted to survive with metaphor and art, and there was a real sense of shame around it.

Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.

We're still living with the old paradigm of age as an arch. That's the old metaphor: You're born, you peak at midlife and decline into decrepitude.

We are dealing with the best-educated generation in history. But they've got a brain dressed up with nowhere to go. Science is all metaphor. In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show. If you don't like what you are doing, you can always pick up your needle and move to another groove. If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.

The metaphor that I frequently use for entrepreneurship is jumping off a cliff and assembling an airplane plane on the way down.

Travel, I was coming to realize, was a metaphor not only for the countless options life offers but also for the fact that choosing one option reduces you to the parameters of that choice. Thus, in knowing my possibilities, I also knew my limitations.

Conversations...begin with the sort of imaginative engagement you get when you read a novel or watch a movie or attend to a work of art that speaks from some place other than your own. So I'm using the word 'conversation' not only for literal talk but also as a metaphor for engagement with the experience and ideas of others. And I stress the role of the imagination here because the encounters, properly conducted, are valuable in themselves. Conversation doesn't have to lead to consensus about anything, especially not values; it's enough that it helps people get used to one another.

We need a metaphor that can contain the daemon of the future that we have conjured into being.

PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.

I think anorexia is a metaphor. It is a young woman's statement that she will become what the culture asks of its women, which is that they be thin and nonthreatening. Anorexia signifies that a young woman is so delicate that, like the women of China with their tiny broken feet, she needs a man to shelter and protect her from a world she cannot handle. Anorexic women signal with their bodies "I will take up only a small amount of space. I won't get in the way." They signal "I won't be intimidating or threatening." (Who is afraid of a seventy-pound adult?)

Not so many years ago there was no simpler or more intelligible notion than that of going on a journey. Travel -movement through space -provided the universal metaphor for change. One of the subtle confusions -perhaps one of the secret terrors -of modern life is that we have lost this refuge. No longer do we move through space as we once did.

You have to put your own oxygen mask before you put on others... It's a good metaphor for parenting

The "wall of separation between church and State" is a metaphor based on bad history.

We often attribute 'understanding' and other cognitive predicates by metaphor and analogy to cars, adding machines, and other artifacts, but nothing is proved by such attributions.

Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.

It's just that romance, with its dips and turns and glooms and highs, its swoops and swoons and blues, is a natural metaphor for music itself