Quotes About Metaphor

Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.

For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That's a metaphor for the acquisition of knowledge. When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water. We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.

The traditional metaphor for careers is a ladder, but I no longer think that metaphor holds. It just doesn’t make sense in a less hierarchical world... Build your skills, not your resume. Evaluate what you can do, not the title they’re going to give you. Do real work. Take a sales quota, a line role, an ops job. Don’t plan too much, and don’t expect a direct climb. If I had mapped out my career when I was sitting where you are, I would have missed my career.

Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.

If you think about Don Quixote, Don Quixote is this guy who wants to live as if he was in a medieval chivalric romance, when actually he lives in sixteenth-century Spain, which is already going through secularization, industrialization, modernization. He goes out to kill a giant, and instead he collides with this huge windmill and injures himself and also damages the windmill. I think that's a metaphor for the collisions we all have over time, as our ideas of ourselves get out of synch with the historical moment.

Poetry teaches us music, metaphor, condensation and specificity.

It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.

The New Religion will manifest, for instance, through organizations like Masonry. In Freemasonry is embedded the core or the secret heart of the occult mysteries, wrapped up on number, metaphor and symbol.

A tree is such a rich metaphor in a million beautiful ways. You can consider a tree growing and consider its connectedness to all things above and under the ground.

Poetry is a way of being alone without feeling alone. It allows you to experience another mind, I suppose. And it does that more fully than other art forms, I think. It doesn't simply describe an experience, or a feeling, or a moment: it evokes it through, say, rhythm or tone or diction or metaphor. It creates a mood. A poem communicates before it is understood; it's not a fully paraphrasable form, which distinguishes it from other forms of writing.

At the core of an analytical edge is an ability to systematically distinguish between fundamentals and expectations. Fundamentals are a well thought out distribution of outcomes, and expectations are what's priced into an asset. A power metaphor is the [pari-mutuel] racetrack. The fundamentals are how fast a given horse will run and the expectations are the odds on the tote board. As any serious handicapper knows, you make money only by finding a mispricing between the performance of the horse and the odds. There are no 'good' or 'bad' horses, just correctly or incorrectly priced ones.

Football became my obvious metaphor as it does for many, and I began to equate this as being 'halftime' in my life. As I reflected on my professional life I realized how much time I had spent trying to make first downs and score touchdowns. My focus had now changed into trying to be more about people and serving others.

They see me as a symbol, and not a human being. That way they can kill me, say it’s not murder it’s a metaphor.

For my generation - the "Children of Nixon," as I call us in the book - the Lebanese civil war was an iconic event. Downtown Beirut became a metaphor for so many things: man's inhumanity to man, what Charles Bukowski called "the impossibility of being human." It shaped our perceptions of war and human nature, just as Vietnam did for our parents. We used it to understand how the world works.

The recognition that no knowledge can be complete, no metaphor entire, is itself humanizing. It counteracts fanaticism. It grants even to adversaries the possibility of partial truth, and to oneself the possibility of error.

The film [Sightseers] is really the story of the journey of a relationship, so the killings are almost a metaphor for the trials they go through. We wanted people to identify with the experience of going on holiday and having a quarrel with your wife, boyfriend, whatever. We knew if we didn't crack that it would not be watchable as a film.

For some people, 'ten feet tall' is just a metaphor. For me, it's more than twice my height!

If gold has been prized because it is the most inert element, changeless and incorruptible, water is prized for the opposite reason -- its fluidity, mobility, changeability that make it a necessity and a metaphor for life itself. To value gold over water is to value economy over ecology, that which can be locked up over that which connects all things.

In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.

Yale's endowment became a metaphor for the kind of training it offered its graduates, namely, how to exploit the global marketplace, and technology, for your own interests, while maintaining a smokescreen of virtuous intent.

Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art.

For an instant I think I saw. I saw the loneliness of man as a gigantic wave which had been frozen in front of me, held back by the invisible wall of a metaphor.

A vampire is a flexible metaphor. You know, death, sex, change, stagnation, loss of self, loss of agency, having to keep one's real self secret, the possibility of something lasting forever: love, hate, grief.

The vampire movies I embraced as a kid used vampirism as a metaphor that expressed deep sadness and a lot of human qualities.

Consider, if you will, the morning boner. What a metaphor of hope and renewal! How can anyone give way to despair when one’s groin greets each day with such a gala spectacle of physical optimism?

Then I strip the pants away from each leg, like peeling a banana. That's it, the perfect metaphor: peeling a banana.

It sometimes happens that you just know... You have a feeling that things are coinciding, and that they operate and work on a number of levels - obviously visual aesthetics, but also content and narrative in terms of the bigger picture. When document and metaphor come together.

The thing we adore about these dog-whistle kerfuffles is that the people who react to the whistle always assume it's intended for somebody else. The whole point of the metaphor is that if you can hear the whistle, you're the dog.

I think working with actors is a little bit how a chef would work with a potato or a piece of meat. You have to kind of have a look at the potato or the piece of meat and see what kind of possibilities are in the ingredient. I know I'm using the wrong metaphor. I think my job is to see what potato is there and from there, just work under their conditions.

One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."

I explain at the parties that I believe knitting is a transformative and intriguing act that can change the life and brain of the person doing it, and that knitting is a perfect metaphor for life and insight into some better ways through it.

The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.

The desktop metaphor was invented because one, you were a stand-alone device, and two, you had to manage your own storage. That's a very big thing in a desktop world. And that may go away. You may not have to manage your own storage. You may not store much before too long.

A French woman is a perfect architect in dress: she never, with Gothic ignorance, mixes the orders; she never tricks out a snobby Doric shape with Corinthian finery; or, to speak without metaphor, she conforms to general fashion only when it happens not to be repugnant to private beauty.

Let me take up your metaphor. Friendship is a vase, which, when it is flawed by heat or violence or accident, may as well be broken at once; it can never be trusted after. The more graceful and ornamental it was, the more clearly do we discern the hopelessness of restoring it to its former state. Coarse stones, if they are fractured, may be cemented again; precious stones, never.

Language is memory and metaphor.

Marathoning is a metaphor for life, so there are a lot of parallels you can draw. I tell people to follow your dream, follow your heart, follow your passion, run your own race and believe in yourself. I think anybody who wants to succeed has to have passion. My love for this sport, you can't instill it in someone else.

There are things that I love in Iranian cinema and things that I don't. In Iranian cinema, you have to use metaphor because you are living under a dictatorship.

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.

Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.

I think the reason my stories have been so successful is that I have a strong sense of metaphor.

I sense the world might be more dreamlike, metaphorical, and poetic than we currently believe--but just as irrational as sympathetic magic when looked at in a typically scientific way. I wouldn't be surprised if poetry--poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs--is how the world works. The world isn't logical, it's a song.

Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.

Cancer's life is a recapitulation of the body's life, its existence a pathological mirror of our own. Susan Sontag warned against overburdening an illness with metaphors. But this is not a metaphor. Down to their innate molecular core, cancer cells are hyperactive, survival-endowed, scrappy, fecund, inventive copies of ourselves.

In all aspects of life... we define our reality in terms of metaphors and then proceed to act on the basis of the metaphors. We draw inferences, set goals, make commitments, and execute plans, all on the basis of how we in part structure our experience, consciously and unconsciously, by means of metaphor.

Literature, not scripture, sustains the mind and - since there is no other metaphor - also the soul.

The emotional brain is highly attuned to symbolic meanings and to the mode Freud called the 'primary process' - the messages of metaphor, story, myth, the arts.

Reading with an eye towards metaphor allows us to become the person we’re reading about, while reading about them. That’s why there is symbols in books and why your English teacher deserves your attention. Ultimately, it doesn’t matter if the author intended the symbol to be there because the job of reading is not to understand the author’s intent. The job of reading is to use stories as a way into seeing other people as a we ourselves.