Quotes About Metaphor

The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learned from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity of the dissimilar.

All slang is metaphor, and all metaphor is poetry.

The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.

Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.

Bangladesh is a world of metaphor, of high and low theater, of great poetry and music. You talk to a rice farmer and you find a poet. You get to know a sweeper of the streets and you find a remarkable singer.

Web media needs to move to TV metaphor - with full-screen imagery and other content interrupted with full-screen ads.

Poetry teaches us music, metaphor, condensation and specificity.

Remus Lupin was supposed to be on the H.I.V. metaphor. It was someone who had been infected young, who suffered stigma, who had a fear of infecting others, who was terrified he would pass on his condition to his son. And it was a way of examining prejudice, unwarranted prejudice towards a group of people. And also, examining why people might become embittered when they're treated that unfairly.

They see me as a symbol, and not a human being. That way they can kill me, say it’s not murder it’s a metaphor.

Food is a great metaphor for the consolidation of corporate power in the hands of very few, who are mostly interested in their own profits and not the wellbeing of the animals they're slaughtering, or the land and the water they're using or abusing, or the workforce they're exploiting or even the people eating it.

For my generation - the "Children of Nixon," as I call us in the book - the Lebanese civil war was an iconic event. Downtown Beirut became a metaphor for so many things: man's inhumanity to man, what Charles Bukowski called "the impossibility of being human." It shaped our perceptions of war and human nature, just as Vietnam did for our parents. We used it to understand how the world works.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

It is raining DNA outside. On the bank of the Oxford canal at the bottom of my garden is a large willow tree, and it is pumping downy seeds into the air. ... spreading DNA whose coded characters spell out specific instructions for building willow trees that will shed a new generation of downy seeds. ... It is raining instructions out there; it's raining programs; it's raining tree-growing, fluff-spreading, algorithms. That is not a metaphor, it is the plain truth. It couldn't be any plainer if it were raining floppy discs.

For some people, 'ten feet tall' is just a metaphor. For me, it's more than twice my height!

We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.

Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.

The trickle-down theory of economics has it that it's good for rich people to get even richer because some of their wealth will trickle own, through their no doubt lavish spending, upon those who stand below them on the economic ladder. Notice that the metaphor is not that of a gushing waterfall but of a leaking tap: even the most optimistic endorsers of this concept do not picture very much real flow, as their language reveals" pg. 102.

Face, to me, is a metaphor of sadness. And I want to share this sadness. I'm not really interested whether it's an Indian face or not - that's not as important for me. But it's still important to establish the relationships in order to bring about a consciousness of our fragility.

I was searching for something a little more than a dashing metaphor, a good deal less than a cultural map: and for those purposes the two cultures is about right.

In the simplest formulation, when we use a metaphor we have two thoughts of different things active together and supported by a single word, or phrase, whose meaning is a resultant of their interaction.

Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.

Then I strip the pants away from each leg, like peeling a banana. That's it, the perfect metaphor: peeling a banana.

It sometimes happens that you just know... You have a feeling that things are coinciding, and that they operate and work on a number of levels - obviously visual aesthetics, but also content and narrative in terms of the bigger picture. When document and metaphor come together.

A theology whose god is a metaphor is wasting its time.

I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.

... characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about.

I remember from my father's funeral that the minister kept using a metaphor about life of a prism. And I took that away like a cherished image.

The ocean is a supreme metaphor for change. I expect the unexpected but am never fully prepared.

I think life is cotton candy on a rainy day. For those who grew up with cotton candy the old-fashioned way, it is very delicate. Pre-made cotton candy that has preservatives is not nearly as good or true. True cotton candy is sugar, color, and air and it melts very quickly. That was the metaphor - it can't be preserved, it can't be put aside, it can't be banked. It has to be experienced, like life.

To an artist a metaphor is as real as a dollar.

When you talk about "infertility" you're already using a land-based metaphor - a woman's body compared to property, to be considered fruitful or barren. And "estate" encompasses both legacy and landscape. Think of Emerson, referring to his son's death as "the loss of a beautiful estate."

Language is memory and metaphor.

The metaphor is so obvious. Easter Island isolated in the Pacific Ocean — once the island got into trouble, there was no way they could get free. There was no other people from whom they could get help. In the same way that we on Planet Earth, if we ruin our own [world], we won't be able to get help.

Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.

Marathoning is a metaphor for life, so there are a lot of parallels you can draw. I tell people to follow your dream, follow your heart, follow your passion, run your own race and believe in yourself. I think anybody who wants to succeed has to have passion. My love for this sport, you can't instill it in someone else.

Metaphor is one of a group of problem-solving medicines known as figures of speech which are normally used to treat literal thinking and other diseases.

The way that I work is that I try to work in metaphors, and you can't write a metaphor unless you know where you're going, so I always think about the future.

Training for me is a metaphor for life, period. The dedication, the determination, the desire, the work ethic, the great successes and the great failures - I take that into life.

I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.

Movement is my medium and my metaphor. I know that if a wave of energy is allowed to complete itself, it yields a whole new wave, and in fact that is all I really know. Riding these waves means joining the cosmic dance that, as Dante says, 'moves the sun and the other stars.'

Football brings out the sociologist that lurks in some otherwise respectable citizens. They say football is a metaphor for America's sinfulness.

Running is the greatest metaphor for life, because you get out of it what you put into it.

The coldest word was once a glowing new metaphor.

Transcendence is something between a metaphor and a miracle.

Everything becomes agitated. Ideas quick-march into motion like battalions of a grand army to its legendary fighting ground, and the battle rages. Memories charge in, bright flags on high; the cavalry of metaphor deploys with a magnificent gallop; the artillery of logic rushes up with clattering wagons and cartridges; on imagination's orders, sharpshooters sight and fire; forms and shapes and characters rear up; the paper is spread with ink - for the nightly labor begins and ends with torrents of this black water, as a battle opens and concludes with black powder.

The primary metaphor for the Easter season is the church as the resurrected people living a resurrected spirituality. Because of Easter we are in union with Christ and are called to live in our baptismal identity in his resurrection. This essential theme of Easter cannot be communicated in a day. It takes a season.

The "wall of separation between church and State" is a metaphor based on bad history.

Through humility, soul-searching, and prayerful contemplation we have gained a new understanding of certain dogmas. The church no longer believes in a literal hell where people suffer. This doctrine is incompatible with the infinite love of God. God is not a judge but a friend and a lover of humanity. God seeks not to condemn but only to embrace. Like the fable of Adam and Eve, we see hell as a literary device. Hell is merely a metaphor for the isolated soul, which like all souls ultimately will be united in love with God.