Quotes About Old

An old market had stood there until I'd been about six years old, when the authorities had renamed it the Olde Market, destroyed it, and built a new market devoted to selling T-shirts and other objects with pictures of the old market. Meanwhile, the people who had operated the little stalls in the old market had gone elsewhere and set up a thing on the edge of town that was now called the New Market even though it was actually the old market.

I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.

If you're talking about mugging little old ladies, you don't say, 'What's our target for the rate of mugging little old ladies?' You say, 'Mugging little old ladies is bad, and we're going to try to eliminate it.' You recognize you might not be a hundred percent successful, but your goal is to eliminate the mugging of little old ladies. And I think we need to eventually come around to looking at carbon dioxide emissions the same way.

In moments of spiritual crisis we naturally fall back upon what worked for us, or seemed to work, heretofore. Sometimes this shows up through the reassertion of our old values in belligerent, testy ways. Regression of any kind is just such a return to old presumptions, often after they have been shown to be insufficient for the complexity of larger questions. The virtue of the old presumptions is that they once worked, or seemed to work, and therein lies if not certainty, then nostalgia for a previous, presumptive security. In our private lives, we frequently fall back upon our old roles.

[T]his free and easy old-bachelor sort of life is quite full of fun and jollity. Pease and myself room together; and everything like order and neatness is banished from our presence as a nuisance--old letters and old boots and shoes, duds clean and duds dirty, books and newspapers, tooth-brushes, shoe-brushes, and clothes-brushes, all heaped together on chairs, settees, etc., in dusty and "most admired confusion." Now, what is there imaginable in clean, tidy private life equal to this?

I want to try with someone who loves me enough to try with me. I want to grow old looking at the same face every morning. I want to grow old looking at the same face every night at the dinner table. I want to be one of those old couples you see still holding hands and laughing after fifty years of marriage. That's what I want. I want to be someone's forever.

...it is so silly of people to fancy that old age means crookedness and witheredness and feebleness and sticks and spectacles and rheumatism and forgetfulness! It is so silly! Old age has nothing whatever to do with all that. The right old age means strength and beauty and mirth and courage and clear eyes and strong painless limbs.

I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.

Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written

You know how old I am? I'm so old, I remember when Letterman used to be funny and it was presidents who were serious. That's how old I am.

For me, being Christian Armenian, born into the Islamic culture in Iran and then, at the age of 13, being sent to England and embracing the English culture and becoming part of so-called swinging London and the era of euphoria and celebration that the '60s represented is very critical. It was a moment when, for the first time, the business of internationalism was being effectively represented-in music, art, cinema, design. Before that, everything was directed toward the old industry, the old school, the old format, and there was no room for varieties to evolve.

Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.

The old actors in the old days, they used to go on tour, to get the play ready for the West End, and to learn their lines. The old timers used to say, "Be very careful, dear boy, what you get in to during the first weeks of a long tour."

Give people a taste of Old Crow, and tell them it's Old Crow. Then give them another taste of Old Crow, but tell them it's Jack Daniel's. Ask them which they prefer. They'll think the two drinks are quite different. They are tasting images

So it was, my dear Watson, that at two o'clock today I found myself in my old armchair in my own old room, and only wishing that I could have seen my old friend Watson in the other chair which he has so often adorned. - Sherlock Holmes.

The Marquis sighed. "I thought it was just a legend," he said. "Like the alligators in the sewers of New York City." Old Bailey nodded, sagely: "What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. "It was OK," gurned Old Bailey with a grin that was most terrible to behold. "He had another.

[D]on't grow old. With age comes caution, which is another name for cowardice.... Whatever else you do in life, don't cultivate a conscience. Without a conscience a man may never be said to grow old. This is an age of very old young men.

We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.

I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.

I'm not to blame for an old body, but I would be to blame for an old soul. An old soul is a shameful thing.

Learning acquired in youth arrests the evil of old age; and if you understand that old age has wisdom for its food, you will so conduct yourself in youth that your old age will not lack for nourishment.

We live in the Age of the Higher Brain, the cerebral cortex that has grown enormously over the last few millennia, overshadowing the ancient, instinctive lower brain. The cortex is often called the new brain, yet the old brain held sway in humans for millions of years, as it does today in most living things. The old brain can't conjure up ideas or read. But it does possess the power to feel and, above all, to be. It was the old brain that caused our forebears to sense the closeness of a mysterious presence everywhere in Nature.

I would have to say that in this sort of feminized atmosphere in which we exist today, guys who are masculine and muscular like that in their private conduct, kind of old fashion tough guys, run some risk.... This guy is very much an old fashioned masculine, muscular guy, and there are political risks associated with that. Maybe it shouldn’t be, but that’s how it is.

The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song...I thought that was the most wonderful, amazing thing...That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio.

The life of a thinking man will probably be divided into two parts -- the first in which he desires to exterminate modern thinkers, and the second in which he desires to watch them exterminating each other. ... Suppose, for instance, there is an old story and a new skeptic who is skeptical of the story. We have only to wait a little while for a yet newer skeptic who is skeptical of the skeptic. He will probably find the old notion actually a help in his new notion. This process is an abstract truth applying to anything, apart from agreement or disagreement.

Writing about the indignities of old age: the daunting stairway to the restaurant restroom, the benefits of a wheelchair in airports and its disadvantages at cocktail parties, giving the user what he described as a child's-eye view of the party and a crotch-level view of the guests. Dying is a matter of slapstick and pratfalls. The aging process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.

That folly of old age which is called dotage is peculiar to silly old men, not to age itself.

Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age.

It's a different story because guess what, the kid is only 28 years old, 28. He's not his dad, not his grandpa. He's 28 years old.

I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.

‎Old enough to kill means old enough to die

Once I was looking through the kitchen window at dusk and I saw an old woman looking in. Suddenly the light changed and I realized that the old woman was myself. you see, it all happens on the outside; inside one doesn't change.

Pop stars are capable of growing old. Mick Jagger at 50 will be marvelous - a battered old roue - I can just see him. An aging rock star doesn't have to opt out life. When I'm 50, I'll prove it.

I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.

Do not be deceived by the outward appearance of age or youth - a new pitcher may be full of good, old wine, while an old one may be totally empty.

I am the father of a 9 year-old son whose descent into the world of autism began at the age of 7 months old after receiving numerous vaccinations in a single day; the same story that is told by thousands of other parents of children throughout the country whose healthy, normally developing children have become autistic after vaccinations.

You feel like you're an outcast. You're the old man. I promise you, all the kids, none of them have beards. They all just have a little stubble on their face. The girls all look like middle schoolers. I just felt really old. It really reminded me how far removed from college I am.

My father passed away a couple of years ago, but he was very old. He was almost a 100 years old. And, you know, he had a very good life. He came to America and he had a good life.

Christ is a most precious commodity, he is better than rubies or the most costly pearls; and we must part with our old gold, with our shining gold, our old sins, our most shining sins, or we must perish forever. Christ is to be sought and bought with any pains, at any price; we can not buy this gold too dear. He is a jewel more worth than a thousand worlds, as all know who have him. Get him, and get all; miss him and miss all.

I've got cheekier with age. You can get away with murder when you're 71 years old. People just think I'm a silly old fool.

To grow old is to grow common. Old age equalizes -- we are aware that what is happening to us has happened to untold numbers from the beginning of time. When we are young we act as if we were the first young people in the world.

I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much [as] finding things important to him that are somewhat ridiculous.

People have told me 'Betty, Facebook is a great way to keep in touch with old friends...' .. At my age, if I wanted to keep in touch with old friends, I'd need a Ouija board

The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew into the air came to rest upon the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing.

Love does not die, when someone gets old, people get old, because they can not love anymore.

When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."

Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine.

With old liars who have been acting all their lives there are moments when they enter so completely into their part that they tremble or shed tears in earnest, although at that very moment, or a second later, they are able to whisper to themselves, "You know you are lying, you shameless old sinner! You're acting now, in spite of your 'holy' wrath.