Quotes About Opera

I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.

During the 1970s and 1980s, the popular television soap opera As The World Turns portrayed sunrise during the opening credits and sunset during the closing credits... The soap-opera sunrise showed the sun moving toward the left as it rose rather than to the right. They obviously had gotten a piece of film showing a sunset and played it in reverse... Had they called their local astrophysicists, any one of us might have recommended that if they needed to save money, they could have shown the sunset in a mirror before they showed it running backward.

True expression is hard when performing opera. The problem is that opera relies on the dramatic context of the piece. It can be interpreted and represented, but there are guidelines; there is a vocabulary within the pieces that you must know objectively and reflect.

There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.

The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.

I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.

I trained with a guy named Tito Gobbi, who was the Marlon Brando of the opera world. Tito Gobbi was the greatest singing baritone in the opera world and I studied in Florence, Firenze, with him. That was my first love, as it was Frank Sinatra's, oddly enough.

The nice thing about doing a pop opera is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of "Why is this person bursting out into song?" because the whole thing is sung.

I think every singer should be able to jump in for a singer who has been sick, for instance, and learn an opera in two days. I know people who can do it.

My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.

For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume ... to do something with your body. When singing in concert you have to stand up in front of the audience, next to the conductor, which is less natural.

Philanthropy is no longer about writing a check for $10,000 to the opera.

I've always said, I prefer the opera to the soap - those extreme characters and circumstances.

Italians are fantastic people, really. They can work you over in an alley while singing an opera.

Almost everyone admits to hunger during the Opera.... Hunger is so exalting that during a last act you practically levitate.

The catalogue of miseries seems to cry out for commercial spots and a station break: the stuff of noonday soap opera.

Among the numerous pleasures of Vienna the hotel evenings are famous. During supper Strauss or Lanner play waltzes...After every waltz they get huge applause; and if they play a Quodlibet, or jumble of opera, song and dance, the hearers are so overjoyed that they don't know what to do with themselves. It shows the corrupt taste of the Viennese public.

I think you're born with style, but you have to develop it. You can be born with the talent to be an opera star, but you've got to work and practice it.

What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't

I love classical music and often listen to symphonies or opera in the morning.

Fitzcarraldo is a mad dreamer. He's willing to sacrifice everything in order to make his vision of an opera house. That metaphor of pulling the boat over the mountain is so integral to anyone making any creative effort. It's that universal Sisyphean struggle.

My works are a direct response to the typical space opera. I grew tired of always reading about how the people with power, with agency, get involved in huge sweeping arcs of stories. I wanted stories that dealt with real people, people I could relate to.

I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera.

The work that launched Snohetta into the architectural big leagues was their Oslo Opera House, which will certainly rank among the firm's highlights whatever else they may do. Although this is by any measure a triumph of city planning, the building itself is not quite a masterpiece, though very fine indeed.

Like an opera singer, I am able to sing out my song in paint.

The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.

Four billion years ago the planet Earth was molten rock; now it sings opera!

Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.

Directing an opera is similar to directing a play. The singing must not get in the way of the drama.

So my methodological approach is to draw on many different features in highlighting different facets of the novella (and the opera and the film).

The Hitch Hiker's Guide has not been an opera. It has however been a tapestry, if you count a woven bath towel as a tapestry.

I didn't want to become this stiffened - and that was just a personal choice, at that time. And, the idea was also to go to film first, get enough notoriety in film that I could interpret some of the opera stuff the way I would want to interpret it.

Above all, I am an opera singer. This is how people will remember me.

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.

Music has always played a big part in my life and, believe it or not, in my soap opera career.

When you're on a daytime drama you get one page, you better damn well know your character. You better know what she would do in every situation because it's a very, very fast paced business. You do ninety pages a day on a Soap Opera. It's insane. It's such a small world, the soaps. It's all contained in one little studio.

The most widely criticised singers in the history of opera, Maria Callas and Franco Corelli, happen also to be the best singers. I am honoured for being part of their group.

That small circle of earth became a second home to both of us. Gardening boring? Never! It has surprise, tragedy, startling developments - a soap opera growing out of the ground. I'd forgotten that tremolo of expectation produced by a tiny forest of sprouts.

There were a few things that went into it. When you're doing something you're trying to be your audience at the same time, so if somebody tells me that this is a movie about retired opera singers, you think 'maybe I'll wait for it to come to DVD'. You're not rushing off to see it.

Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?

Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings.

People perceive opera and classical as elitist - I disagree. I've always tried to mix the two, make it more accessible.

In no instance is there to be a musical or opera of Inherit the Wind because it doesn't sing. It's an intellectual play.

I became a set designer for opera.

Let us be clear: I take ten times more money for a concert than for an opera performance.

I remember someone once saying, "Pete, you know you really should take voice lessons." And I said, "Well, if I could find any voice teacher that could teach me to sing like Lead Belly I'd spend every cent to study under him." But every time you'd go to a voice teacher, he'd teach you to warble, as if you'd want to be an opera singer, and that's not what I'm interested in.

New York. It's home to opera, Broadway, museums, the ballet and orchestra - everything that I love. The most real people in the world live there.

I looked at the job of piano accompanist. It's a selfless position and generally they are odd people, according to opera singers I talked to. Just like everybody else, they want more from their life, but now their job is to make others shine.