Quotes About Paris

Eww," Jack said, and then giggled. "Yeah, and a Paris Hilton doll that had an optional brain."Aphrodite raised her brow at him. "Don't go all crazy. There are some things even Paris Hilton can't buy.

If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.

My teacher introduced me to this photographer Eugène Atget. He was a French photographer in the late 1800s up until 1927 in Paris. He didn't consider himself an artist, but he was probably one of the artists of the 20th century. This guy documented all of Paris during those years. It's unbelievable. The books are phenomenal. The Museum of Modern Art has all his stuff now and [American photographer] Berenice Abbott saved his work. Not very much is known about his life, but the work is unreal and it totally spoke to me. He was the only artist for a number of years that I cared about at all.

The whole of Paris is a vast university of Art, Literature and Music... it is worth anyone's while to dally here for years. Paris is a seminar, a post-graduate course in everything.

The Countess was considerably younger than her husband. All of her clothes came from Paris (this was after Paris) and she had superb taste. (This was after taste too, but only just. And since it was such a new thing, and since the Countess was the only lady in all Florin to posses it, is it any wonder she was the leading hostess in the land?)

To study in Paris is to be born in Paris!

You know, I sometimes think, how is anyone ever gonna come up with a book, or a painting, or a symphony, or a sculpture that can compete with a great city. You can't. Because you look around and every street, every boulevard, is its own special art form and when you think that in the cold, violent, meaningless universe that Paris exists, these lights. I mean come on, there's nothing happening on Jupiter or Neptune, but from way out in space you can see these lights, the cafés, people drinking and singing. For all we know, Paris is the hottest spot in the universe.

Artemis: "Right, brothers. Onward. Imagine yourself seated at a cafe in Montmartre." Myles: "In Paris." Artemis: "Yes, Paris. And try as you will, you cannot attract the waiter's attention. What do you do?" Beckett: "Umm...tell Butler to jump-jump-jump on his head?" Myles: "I agree with simple-toon." Artemis: "No! You simply raise one finger and say clearly 'ici, garcon.'" Beckett: "Itchy what?

Couture has a lot of issues today. Here in Paris there are oddly so few houses showing. And I'm not talking about the style. I'm talking about the sense of couture and these young actresses that you were talking about - they want long dresses that are not always the most innovative or the most interesting. So it's a bit lost.

That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

The sculptor, the painter the musician the dancer, or any artist, if he can first obtain celebrate in Paris, acquires very easily the esteem and eulogy of other countries.

Whoever thought to name a candy bar Butterfinger has either never seen Last Tango In Paris or seen it far too many times.

I have two loves: my country and Paris.

I notice that, in the lecture … which Prof. Lowry gave recently, in Paris … he brought forward certain freak formulae for tartaric acid, in which hydrogen figures as bigamist … I may say, he but follows the loose example set by certain Uesanians, especially one G. N. Lewis, a Californian thermodynamiter, who has chosen to disregard the fundamental canons of chemistry—for no obvious reason other than that of indulging in premature speculation upon electrons as the cause of valency

What switched me to films was the flood of American pictures into Paris after the Liberation.

I always love going to Paris, and now I feel like I know it really well.

One my favorite things is to go to the provinces of Russia and see the 18th century wood churches with the onion dome architecture. These humble wonders of incredible imagination of architects that were obviously not living in places like Paris or London, but they've created these amazing churches.

It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.

I wasn't captivated by the romance of Paris or London. I love visiting, but I'd rather be in L.A.

I'd love to follow the Tour de France one day. It's a really exciting spectacle. I've only seen it once as it was coming into Paris and that was very exciting for me. I have memories of that.

We worship not the Graces, nor the Parcae, but Fashion. She spins and weaves and cuts with full authority. The head monkey at Paris puts on a traveler's cap, and all the monkeys in America do the same.

There's a very apt saying in show business: "If you don't go over budget in Paris, you're either very rich or very sick. "

Imagine Americans who go to Paris. Why would you want to go where someone's going to disparage you? Why would you go anywhere where they treat you bad? Well, that's how it is for us to go to Mexico. You have to be on your guard, because I think the Mexicans are harder on the Mexicans, the Mexican-Americans. They don't see us as Mexican. I think part of it's a class issue and a color issue. We're more connected to their servants, so what are we doing staying at a nice hotel? There's a kind of shame.

From Paris we took the Orient Express to Vienna. I must say I was terribly disappointed; nobody was murdered on the train.

I think that taking night trains or meeting someone on the road is pretty romantic. I've done a couple of things like that. I've surprised someone in Paris. And hopefully, when you surprise someone, they're happy to see you.

I was used to theatre classes. I studied with my mother; she was a theatre teacher and directed, too, so it was very family-like. Then I studied with a great teacher in Paris, and she was wonderful; she pushed me, but she was a warm soul.

Look at the Paris Commune. That was the Dictatorship of the Proletariat.

There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline.

I always read everything on the desks of people I went to see in Moscow, London, Paris I found it quite useful.

I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.

anybody can be a princess. all you have todo is have the right parents. it's no harder than being born Paris Hilton, for God's sake. at least you remember to put on underwear in the morning, i'm assuming

I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.

I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'

I've lived in Paris. I've lived in the Slovak Republic. I've spent extensive time in England, and I've traveled all over Europe.

To find love in Paris you must go down among those classes where the absence of education and of vanity, and the struggle for bare necessities, have allowed more energy to survive.

Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.

In Paris, everybody wants to be an actor; nobody is content to be a spectator.

It is altogether an extraordinary growing, swarming, glittering, pushing, chattering, good-natured, cosmopolitan place, and perhaps in some ways the best imitation of Paris that can be found (with a great originality of its own).

Following the attacks in Paris, French President François Hollande has a completely different set of concerns. France needs more police, more security personnel and a greater emphasis on integration. He says that security is more important than the Stability Pact.

I move between San Francisco and Paris... I have a wonderful beach house in California.

I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.

Oh, it was so hard to leave Paris, just about my favorite city in the world.

People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American.

Whether you like it or not, Paris is the beating heart of Western civilisation. It's where it all began and ended.

They were enormously chic. My father was very chic. My mother was a heavy woman and she wore wonderful, bright colors, and pajamas, but when she was in town or in New York City or in Paris, she would wear navy blue or black. But there was a flamboyance to both of them.

It's in our interest to continue with the Paris Agreement and to deal with climate change as the real threat it actually is.

When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.

[On Paris:] It exists, constant, eternal, surrounding us who live in it, and it is in us. We love it or hate it, but we cannot escape it. It is a circle of associations in which man exists, being himself a circle of associations. Having entered it and come out of it we are not what we were before knowing it: it devoured us, we devoured it, and the problem is not did we or didn't we want it. We consumed each other. It courses in our blood.