Quotes About Paris

Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.

I love Paris - it's one of my favorite cities - and so to shoot a video in Paris was a dream come true.

What we think about Paris is a part of how we feel about it. Our idea of Paris is our idea and we don't know that that's not necessarily the way it really is. It feels so real.

The brown toxic cloud strangling Los Angeles never lifts and grows thicker with every immigrant added. One can't help appreciate the streets of Paris will soon become the streets of LA. However, Paris' streets erupted while LA's shall sink into a Third World quagmire much like Bombay or Calcutta, India. When you import that much crime, illiteracy, multiple languages and disease-Americans pick up stakes and move away.

When I was going to Paris for Paris Fashion Week, I'd often walk down the street and go into all the different shops that we didn't necessarily have in the UK and Maje was definitely one of the ones that stood out for me.

William: You're just gonna have to take who I give you and deal Paris: Like anyone would pick you over me. William: You just wait and see. I'll have every single on of them eating out of my hand. Paris: Only if you had one of those delicious fried Twinkies. Strider rolled his eyes. Egotistical morons. Anyone with a set of eyes could see that Strider was the pretty one in their little three-some.

My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.

I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.

While I was doing the residency in Paris, I found out that I was chosen as one of the five winners of the Focus Features Africa First Program. All this happened less than a year after I made my first two short films.

She said, 'I'm your biggest fan,' and I said, 'Who are you?' She said, 'Paris Hilton.'

When we came back to Paris it was clear and cold and lovely.

I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.

I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.

There's a place in Paris where I'd like to work one day. It's called the Slow Club.

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'

Paris is a mighty schoolmaster, a grand enlightener of the provincial intellect.

Imagine Americans who go to Paris. Why would you want to go where someone's going to disparage you? Why would you go anywhere where they treat you bad? Well, that's how it is for us to go to Mexico. You have to be on your guard, because I think the Mexicans are harder on the Mexicans, the Mexican-Americans. They don't see us as Mexican. I think part of it's a class issue and a color issue. We're more connected to their servants, so what are we doing staying at a nice hotel? There's a kind of shame.

When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.

I was used to theatre classes. I studied with my mother; she was a theatre teacher and directed, too, so it was very family-like. Then I studied with a great teacher in Paris, and she was wonderful; she pushed me, but she was a warm soul.

Paris in the early morning has a cheerful, bustling aspect, a promise of delicious things to come, a positive smell of coffee and croissants, quite peculiar to itself. The people welcome a new day as if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night-clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.

To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.

I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.

I say it is impossible that so sensible a people [citizens of Paris], under such circumstances, should have lived so long by the smoky, unwholesome, and enormously expensive light of candles, if they had really known that they might have had as much pure light of the sun for nothing.

I saw this train driver and said, 'I wanna go to Paris.' He said, 'Eurostar?' I said, 'Well I've been on telly but I'm no Dean Martin.' Mind you, at least the Eurostar's comfy. It's murder on the Orient Express isn't it?

The west has decided to channel money and effort into studying other customs and practices, but no one has really given other people the chance to study western customs and practices, except at schools maintained by white expatriates, or by allowing the rich from other cultures to study in Oxford or Paris. What happens then is that they return home to organise fundamentalist movements, because they feel solidarity with those of their compatriots who lack the opportunity for such education.

anybody can be a princess. all you have todo is have the right parents. it's no harder than being born Paris Hilton, for God's sake. at least you remember to put on underwear in the morning, i'm assuming

She is a mortal danger without meaning to be one; she's exquisite without giving ita thought; shes a trap set by nature, a rose in which love lies in ambush! Anyone who has seen her smile has known perfection. She creates grace without movement and makes all divinity fit into her slightest gesture. And neither Venus in her shell, nor Diana striding in the great, blossoming forest, can compare to her when she goes through the streets of paris in her sedan chair.

To know Paris is to know a great deal.

I am on the road all the time. Whether I'm in Paris or in a small college town in Texas, I can't tell the difference, and that's good. You don't have to leave where you were born to be cool anymore.

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I had actually, after the Paris attacks in this country, we all patted ourselves on the back and said, "Well, we have a much more assimilated Muslim population here than they do in Europe."

Paris is one of the largest, and certainly it is the pleasantest, of modern American cities.

The murders in Paris are sickening, we stand with the French people in the fight against terror and defending the freedom of the press.

Traditionally the United States has been the natural leader of the world. That's not just pride as an American speaking; it's just the reality. Without the U.S. being involved in Paris Climate Agreement, it's hard for the world community to move forward as effectively.

I feel like I have to go back to Paris every so often. It just grows on you - the look of the city, the way people hang out there. If you're in Europe, it's good for that.

The food that's never let me down in life is porridge, especially with milk and maple syrup, which is delicious. Paris isn't a porridge place, but I can buy it in London when I'm there and bring it back with me.

I used to go on runs, it's kind of hard for me now unfortunately in Paris because it's a little bit hectic. My knees aren't that great, so recently I haven't been on the treadmill that much but that's why I like to box on a soft floor. It's good for me.

I'm out here to bomb, period. That's what I started for. I didn't start writing to go to Paris, I didn't start writing to do canvases. I started writing to bomb... destroy all lines.

Look at London or Paris: they're both filthy. You don't get that in Tokyo. The proud residents look after their city.

I have more friends in New York than Paris.

there's something about Paris that gives you a mental slap all the time, and you can't just sit still and do nothing. You've got to work, to keep up with the pace, the sting in the atmosphere.

Russia makes its money through selling of oil, and we've got underneath us more oil than anybody, and nobody knew it until five years ago. And I want to use it. And I don't want that taken away by the Paris Accord. I don't want them to say all of that wealth that the United States has under its feet, but that China doesn't have and that other countries don't have, we can't use.

The Paris slums are a gathering-place for eccentric people - people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behavior, just as money frees people from work.

It's in our interest to continue with the Paris Agreement and to deal with climate change as the real threat it actually is.

Modernism probably wouldn't have happened without lesbians in Paris.

I had a recent delivery of new fashion plates from Paris, and you hardly glanced at the hairstyles. My husband tells me you are still having difficulty controlling the change. And your cravat has been tied very simply of late, even for evening events.