Quotes About Paris

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.

Paris Hilton is one of the hosts for Nicole Richie’s baby shower, and they’re serving sushi. Awesome, Paris—sushi, the one thing pregnant women are forbidden to eat. Thanks for the mercury.

Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.

Life, that is Paris! Paris, that is life!

For a painter, the Mecca of the world for study, for inspiration, and for living is here on this star called Paris. Just look at it. No wonder so many artists have come here and called it home. Brother, if you can't paint in Paris, you'd better give up and marry the boss's daughter.

The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.

Beckham in Paris will certainly be good for shopping. I love this player but he is not the footballer he was. And if he comes to Paris now it will be to do something other than football.

William: You're just gonna have to take who I give you and deal Paris: Like anyone would pick you over me. William: You just wait and see. I'll have every single on of them eating out of my hand. Paris: Only if you had one of those delicious fried Twinkies. Strider rolled his eyes. Egotistical morons. Anyone with a set of eyes could see that Strider was the pretty one in their little three-some.

We have reason to believe that when, during the crusades, Europe at last began to establish hospitals, they were inspired by the Arabs of near East....The first hospital in Paris, Les Quinze-vingt, was founded by Louis IX after his return from the crusade 1254-1260.

Creativity does not belong exclusively to professional artists and geniuses; it is the birthright of every single human being. Creativity is our common heritage. You don’t need to quit your job and move to Paris in order to lay claim to this heritage - all you have to do is clear some space in your life for whimsy, invention, sensory pleasure, and play. Most of all, you have to learn how to follow your curiosity more than your fear.

The sculptor, the painter the musician the dancer, or any artist, if he can first obtain celebrate in Paris, acquires very easily the esteem and eulogy of other countries.

The first thing to do is to arrange to be born in Paris. After that, everything follows quite naturally.

In Paris now, when I walk into stores and the shopgirls literally say to me every time, "We don't have anything in your size".

The French are a smallish, monkey-looking bunch and not dressed any better, on average, than the citizens of Baltimore. True, you can sit outside in Paris and drink little cups of coffee, but why this is more stylish than sitting inside and drinking large glasses of whiskey I don't know.

He had no one but himself to blame, for he’d opened himself up to it. Just a fraction at first, like a crack in a window. But the funny thing was, once you welcomed in a breeze, there was no stopping what came next. A wind, a storm, thunder and lightning, until you could no longer reach the window to close it—and didn’t really want to anyway. That’s what this new darkness was. Evil in its purest form... -Paris

America is a nation with no truly national city, no Paris, no Rome, no London, no city which is at once the social center, the political capital, and the financial hub.

I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.

Paris is always a good idea.

But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.

Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!

When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.

But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.

I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.

San Francisco, America's B-movie imitation of Paris. San Francisco, the city that ruined punk rock. San Francisco, the most intolerant place in the country.

The murders in Paris are sickening, we stand with the French people in the fight against terror and defending the freedom of the press.

If Marilyn Monroe and Princess Diana were "candles in the wind," and Anna Nicole Smith was a bonfire in a hailstorm, and Lindsay Lohan is an electric toaster thrown intentionally into a Jacuzzi, then Paris Hilton s a strobe light in an epilepsy ward.

And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.

I'm out here to bomb, period. That's what I started for. I didn't start writing to go to Paris, I didn't start writing to do canvases. I started writing to bomb... destroy all lines.

I have more friends in New York than Paris.

there's something about Paris that gives you a mental slap all the time, and you can't just sit still and do nothing. You've got to work, to keep up with the pace, the sting in the atmosphere.

After my best friend jumped off the bridge, I knew that I was next. So-Paris. With forty dollars and a one-way ticket.

I don’t know how you prepare for something like that. I cannot imagine living in a fishbowl like that. I don’t live here so I don’t know it will be that bad anyway because I live in Paris and we don’t have that sort of phenomenon there. So I don’t know, we’ll see what happens.

Custom, law bent my first years to the religion of the happy Muslims. I see it too clearly: the care taken of our childhood forms our feelings, our habits, our belief. By the Ganges I would have been a slave of the false gods, a Christian in Paris, a Muslim here.

I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.

In Los Angeles, you feel like everything revolves around the movies. In Paris, you still have other things to do.

every human activity, whether it be love, philosophy, art, or revolution, is carried on with a special intensity in Paris.

Instead of going to Paris to attend lectures, go to the public library, and you won't come out for twenty years, if you really wish to learn.

I'm very attached to Paris because I have a base there and am also recording there, but New York is home to me when I'm in the U.S., because it's nice to have a bed to go back to.

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.

I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.

The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

I think it is immensely difficult to get the U.S. interested in non-U.S. topics. I dont think this is because the average American reader is disinterested, but more because of publishers playing it safe: if a thriller based in L.A. is a sure winner, why spend money plugging one based in Paris - or Bangkok?

How can someone like Alain Juppé still claim I haven't condemned the Paris and Brussels attacks, when I actually have. What I am saying is crystal clear.

Passion Of Mind movie is one of my rare romantic things. I'm ready for another. Shooting that, I remember France. We were in the south of France, and Paris. That's the first thing that comes to mind for that. I just remember that that was a beautiful place to be when we shot it.

The public's appetite for frothy, flippant blondes has waned, but Paris Hilton still fascinates me.

Eventually, I was sent to Wales and Germany, and after the war, to Paris.

I wouldn't attach too much importance to these student riots. I remember when I was a student at the Sorbonne in Paris, I used to go out and riot occasionally.