Quotes About People

Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.

I'd like to say that people... people can change anything they want to; and that means everything in the world. Show me any country and there'll be people in it. And it's the people that make the country. People have got to stop pretending they're not on the world... It's time to take that humanity back into the center of the ring and follow that for a time... Think on that. Without people you're nothing.

It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.

When I was in Mecca I noticed that their, they had no color problem. That they had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest white person to the blackest black person.

I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.

The true story is that black people need to tell their history. Very few films are made by black people about slavery. That itself is a crime because slavery is a very important historical event that has held our people hostage. Forget white people's role in it. In the end what's important is black people remain and live with the scars and psychological issues.

White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people - their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear.

People misunderstand happiness. They think it's the absence of trouble. That's not happiness, that's luck. Happiness is the ability to live well alongside trouble. No two people have the same trouble, or the same way of metabolizing it. Q.E.D. - No two happy people are happy in the same way. . . . Every day brilliant people, people smarter than I, wallow in safe tragedy and pessimism, shying from what really takes guts - recognizing how much courage and labor happiness demands.

Guns don't kill people; people kill people. Of course, people with guns kill more people. But that's only natural. It's hard. But it's fair.

People can be in a prison of their own mind. [There are] people who don't have their hearts open to other people's ideas, and can't listen to other people's ideas without feeling like they're being slapped in the face. Those people are more in a prison.

I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.

I'm not talking about the people. I have nothing against the people. I have nothing against the Indonesian people or the Arab people or the Muslim people. I'm talking about the ideology.

Everybody knows about Las Vegas. It's a state of mind. Some people want to come with their kids and have a great weekend. Some people want to shop. Some people want to find hookers. Some people want to eat. Some people just want to gamble. It's a potpourri of decadence.

I've actually always wanted to be able to read people's minds. My sister did a movie with super-powers and that's the one I would have wanted, so I really lucked out. The negative is that people are really cruel in their own minds, but you can weed out the bad people from the good people, and then just hang out with the good people.

People like to make fun of the fans who camp out but people have renaissance fairs; people do Civil War re-enactments; people do what they like. I'm tired of hearing people rage on the fans. If you don't like Twilight, don't buy a ticket.

People are used to being stimulated. People are drunk on entertainment and when you're going out and seeing movies where 200 people are machine gunned down and vampires are tearing people's throats out, and I'm not saying that is bad or it should be censored, but people are drunk on stimuli.

Going from Army base to base as a kid taught me to be a man of all nations. I'd go to the Jewish people and say, 'Shalom, brother.' I go to the Muslim people and say, 'Salaam aleikum.'I go to the Chinese people and say, 'Nee hao mah,' which means, 'How you doin'?' I go to the Japanese people and say, 'Konnichiwa.' I go to San Antonio, Texas, and I get along with Mexicans. Then I go to Louisiana and hang with the Creoles. Moving around a lot made me a man of all people.

I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.

Oh, I see people everywhere. Some are celebs, but most of my friends are just regular people. The thing is, even celebs are normal people too. Just people.

When you're a person of color in white America, you know white people. You know why you know white people? Because you can't enjoy any kind of entertainment if you are not able to humanize white people. If you watch a film and are like, "Oh, this has white people in it? Then I'm not interested," then you can't enjoy anything in America!

I don't know what the comics community could do to make everyone feel welcome; I'm cynical and unsure if everyone can feel welcome, simply because so many people have conflicting ideas of what is welcoming, but I think that calling out creators and comic industry people who have harassed people and/or been abusive is a good first step. If we create a culture where those kinds of actions can no-longer go unchecked, then more people may feel welcome to participate and know that they will be heard if they experience unfairness.

People are interested in certain ideas, in certain periods, and then that moves, and okay, now people are more interested in studying this, and there is no perfect balance, and how would you know what the perfect balance is? I mean, what does it mean to have too many Beethoven chairs and too few Stravinsky chairs? I mean, that's kind of a value judgment that isn't really based on humility. We don't know what the optimum number is, so let people figure this out on their own. People are more interested in Beethoven than Stravinsky? Great! Why would that bother me?

Have a care over my people. You have my people--do you that which I ought to do. They are my people.... See unto them--see unto them, for they are my charge.... I care not for myself; my life is not dear to me. My care is for my people. I pray God, whoever succeedeth me, be as careful of them as I am.

My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.

Basically there are two types of people in the world: people who are confident because they know they have the ability to create, and then people who have been demoralised, who have no confidence in themselves because they have been told they have no creative ability, but must just take orders. The Establishment likes people who take no responsibility and cannot respect themselves.

A lot of people preach that, if we put guns in the hands of good people, that will outweigh the guns in the hands of bad people, but what we fail to look at is the mental stability of these people, no matter how good or bad they are.

I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.

For me, there are no my people and strangers, no bad people and good people. All people are equal for me.

I like to watch people. For example, people at the airport... What is interesting about them is that they dont know what they are like. People at airports are the most brilliant actors in the world, because their attention is elsewhere, and they are idiosyncratic. I like to imitate people. I walk behind them and imitate their backs.

I watch mainly fiction. The films I like watching are films where you see people change, like with Boyhood. You see a moment in someone's life where it's a breakthrough. For me, the breakthrough in Boyhood is that amazing moment right at the end when he finds somebody he can feel relaxed with, and who will maybe be a friend for the rest of his life. I like that it doesn't end in a love affair or marriage. It just ends in, "Wow, I found people I can relate to for the first people in my life. These people accept me, I like them."

If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.

Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.

I don`t know if this is good politics or bad politics to criticize Trump, but you`ve got to call out, just like people in communities when people say racist things and feel it`s OK now to be a sexist or a racist or a misogynist or a bigot, individuals have to call them out, I have to call them out when I see it. You have to call out this president when he engages, when he hires somebody that makes people even more uncomfortable. I mean, it`s not a difference in policy. People in this country, the fear levels are higher than I can ever remember.

Outrun the people who quit when they feel discomfort, outrun the people who stop because of despair, outrun the people who are delayed because of prejudice, outrun the people who surrender to failure, and outrun the opponent who loses sight of the goal. Because if you want to win, the will can never retire, the race can never stop, and faith can never weaken.

Trump says things others so desperately want to say to people that work, to people wherever they encounter them. Trump says it. Trump carries a banner of this stuff for people. He says and acts in ways that they do in private, but can't get away with in public. But Trump is. It makes him a hero to these people.

Do not really like rich people, as they make us poor people feel dopey and inadequate. Not that we are poor. I would say we are middle. We are very, very lucky. I know that. But still, it is not right that rich people make us middle people feel dopey and inadequate.

I think that we need more economic-based solutions to the problems afflicting the Black community, and I think that that's a way to redefine affirmative action. I grew up with poor white people in West Virginia, and I know there's a culture of poverty. I know that I've seen white people perform exactly the same pathological forms of behavior as Black people do when they're systematically deprived, whether it's getting pregnant, doing drugs, dropping out of school, whatever we're talking about. I think that we should have affirmative action for poor white people too.

Dropping of the atomic bomb was the main subject of conversation for many years and so people had very strong feelings about it on both sides and people who thought it was the greatest thing they'd ever done and people who thought it was just an unpleasant job and people who thought they should have never done it at all, so there were opinions of all kinds.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

You definitely want your kids to understand their heritage, but I don't want my kids to just focus on being black. They are people. I don't want them to judge other people or to be judged. I want them to be good people, so good people will treat them accordingly. I preach that to my kids and everything else falls into place.

People tend to think that life really does progress for everyone eventually, that people progress, but actually only some people progress. The rest of the people don't.

The kinds of people we need in government are precisely the kinds of people who are most reluctant to go into government -- people who understand the inherent dangers of power and feel a distaste for using it, but who may do so for a few years as a civic duty. The worst kind of people to have in government are those who see it as a golden opportunity to impose their own superior wisdom and virtue on others.

My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.

I think there's a great storytelling tradition in the restaurant business that tends to attract people with an oral tradition of bulls - ting and bollocking. Creative people, people for whom the 9-to-5 world is not attractive or impossible. It seems that way. There are a lot of stories in the business, and a lot of characters - and it seems to attract its share of artists and writers and people who hope to do something creative in their lives.

We always think of saints as these monks or nuns or popes or priests from centuries ago who were celibate or lived very quiet lives. Maybe we don't know a lot about a lot them but what I'm saying is the saints of the 21st century are gonna be regular people - people who've kissed other people. They're gonna be married people.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

A hundred children, a hundred individuals who are people--not people-to-be, not people of tomorrow, but people now, right now--today.

No matter where you are in your life, whatever set of people you're with, it all still breaks down like high school does. You have your social cliques, you have the people you get along with, the people you don't and the people you're ambivalent about. All of the dynamics are still here.