Quotes About Play

We have the freedom to either play a tempo or not to play a tempo; to play a note or not to play a note; or to play what some people would say is a sound.

Learning to play the guitar is a combination of mental and motor skill acquisition. And to develop motor skill, repetition is essential... Whenever musicians have trouble executing a passage, they generally tend to blame themselves for not having enough talent. Actually, all that's wrong is they don't know where their fingers are supposed to go...you should learn the piece in your head before you play it. And when you do play it, play it so slow that there's no possibility of making a mistake.

I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].

People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.

Play with heart; Play with passion; Play within yourself; Have fun; Play like a champion.

Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.

Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.

Football, you can go out and buy a football and play it in your backyard. Basketball, you can go out and play it in the schoolyard or in your driveway. Baseball, you get a glove and a bat and a ball and you go out and play in the neighborhood. You can't do that in hockey.

I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.

Both T.S. Eliot and I like to play, but I like to play euchre, while he likes to play Eucharist.

Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.

The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.

Don't force your kids into sports. I never was. To this day, my dad has never asked me to go play golf. I ask him. It's the child's desire to play that matters, not the parent's desire to have the child play. Fun. Keep it fun.

I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.

I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.

You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.

I discover that I am thinking about a play, which is the first awareness I have that a new play is forming. When I'm aware of the play forming in my head, it's already at a certain degree in development.

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.

I love to sing, but I'm just terrible. I play guitar, and I play enough where I can play most country stuff, and I'll sing when it's just me.

Never play for the win, never play for the draw, just play chess!

As an actor, you can't play big, huge things. But, what you can play is love for your father and caring for your daughter and being afraid, and having to dig deep and find out what you're made of. All of those things have been incredibly fun to play.

I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.

You can not say you're unhappy because you have to travel, have to play this tournament, having to play sports ... You can't because you chose to play it and you love it. I'm tremendously grateful for the support I have received from my family and the close ones.

I would never play an extra year for money. I play the game because I love it. I just so happen to get paid. If I don't feel I still enjoy the game, I can care less what a year is worth. I'm not going to play the game just because of money.

Boy's natural play is rough and tumble play, it's the universal play of little boys. And it's very different from aggression. And we are a society that's failing to understand the distinction.

It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play.

We don't play slow and we don't play fast, we play half fast

I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.

I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."

Trios aren't really geared for slide unless you're gonna play chords, or play that simple George Thorogood style. It gets pretty thin when you play single note lines.

And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.

You have to always keep conditioning. My coach used to say, "You play like you practice." If you practice s - -ty, you're going to play s - -ty.

You understand, you do not invent stuff on this team. Guys that invent stuff will not play for me. Make the easy play

The opposite of play is not work—the opposite of play is depression.

I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.

I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.

Just as blueprints don't necessarily specify blue buildings, selfish genes don't necessarily specify selfish organisms. As we shall see, sometimes the most selfish thing a gene can do is build a selfless brain. Genes are a play within a play, not the interior monologue of the players.

I am totally confident not that the world will get better, but that we should not give up the game before all the cards have been played. The metaphor is deliberate; life is a gamble. Not to play is to foreclose any chance of winning. To play, to act, is to create at least a possibility of changing the world.

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

An actress can only play a woman. I'm an actor, I can play anything.

I'd love to play a gangster but I think people might say I looked a bit too young and cheeky to play a character who'd just blown someones head off!

I suppose, writing a play is finding out what the play is.

Maturity - among other things, the unclouded happiness of the child at play, who takes it for granted that he is at one with his play-mates.

Why do you play a game? I play a game to see how good we can be.

If you are armed with knowledge, if you are aware that certain dynamics are at play then you have options. You can play defense, you can ignore certain person and take the consequences perhaps with a game plan in mind and it goes on, you've increased your options.

[The internet has] already had a huge impact in the sports world, and the play-by-play guys that are not paying attention to it are losing out. They're losing out on getting the real pulse of a game that they're covering. My point with blogs and with podcasts is that it can't be the basis of your prep work, there has to be much more. We understand that. But, it has to be at least a part of what you're doing. If you're not paying attention to it, then you're not seeing the full picture.

I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.