Quotes About Poet

I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.

In days of yore, the poet's pen From wing of bird was plunder'd, Perhaps of goose, but now and then, From Jove's own eagle sunder'd. But now, metallic pens disclose Alone the poet's numbers; In iron inspiration glows, Or with the poet slumbers.

A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

I mean, in the history of poetry there have been a lot poetries where you have to inherit the position of poet from your ancestors and I think that if you just leave anyone to become a poet based on an aristocratic society, then a lot of people are left out who might have something to offer.

I'd rather be a great bad poet than a good bad poet.

I haven't seen any poet in this country behave nearly as rudely as Newt Gingrich or Bill O'Reilly. I'm not asking these people to approve of everyone's manners. I don't feel obliged to defend the manners of every poet who submits a poem to my web site. That's not my job. My job is to provide them with an opportunity to speak from the heart. If there's not much in the heart and if the mouth is running wild, that's not my problem.

What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music.... And people flock around the poet and say: 'Sing again soon' - that is, 'May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.

If a poet has any obligation toward society, it is to write well. Being in the minority, he has no other choice. Failing this duty, he sinks into oblivion. Society, on the other hand, has no obligation toward the poet. A majority by definition, society thinks of itself as having other options than reading verses, no matter how well written. Its failure to do so results in its sinking to that level of locution at which society falls easy prey to a demagogue or a tyrant. This is society's own equivalent of oblivion.

I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.

The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater.

Sir, I admit your general rule, That every poet is a fool, But you yourself may serve to show it, That every fool is not a poet.

For even they who compose treatises of medicine or natural philosophy in verse are denominated Poets: yet Homer and Empedocles have nothing in common except their metre; the former, therefore, justly merits the name of the Poet; while the other should rather be called a Physiologist than a Poet.

When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.

A poet in history is divine, but a poet in the next room is a joke

Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.

Plato said that poets should be excluded from the ideal republic because they are such liars. I am a poet, and I affirm that this is true. About no subject are poets tempted to lie so much as about their own lives; I know one of them who has floated at least five versions of his autobiography, none of them true. I of course - being also a novelist - am a much more truthful person than that. But since poets lie, how can you believe me?

The attention one gets from being a poet isnt great.

If you want to annoy a poet, explain his poetry.

The philosopher proves that the philosopher exists. The poet merely enjoys existence.

Only the poet has any right to be sorry for the poor, if he has anything to spare when he has thought of the dull, commonplace rich.

With Ameen Rihani the matter is diametrically opposite to Alois Musil's Arabian Desert, in purpose, in point of view and, above all, in personal psychology... I have considerable admiration for Mr. Rihani as a writer, an authentic poet and a philosopher.

Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life.

Every poet, be his outward lot what it may, finds himself born in the midst of prose; h e has to struggle from the littleness and obstruction of an actual world into the freedom and infinitude of an ideal.

To cook, and to do it well, every talent must be used; the strength of a prize-fighter, the imagination of a poet, the brain of an empire builder, the patience of Job, the eye and the touch of an artist, and, to turn your mistakes into edible assets, the cleverness of a politician.

Shakespeare's fault is not the greatest into which a poet may fall. It merely indicates a deficiency of taste.

When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.

For the poet the credo or doctrine is not the point of arrival but is, on the contrary, the point of departure for the metaphysical journey.

Allen Ginsberg is a tremendous warrior as time goes by. He's a warrior first and a poet second.

You can never hope to recapture the first fine careless rapture as the poet put it, but it stays with you like a good acid trip.

Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.

Only the poet can look beyond the detail and see the whole picture.

The earnings of a poet could be reckoned by a metaphysician rather than a bookkeeper.

The dreamer whose dreams are non-utilitarian has no place in this world. In this world the poet is anathema, the thinker a fool, the artist an escapist, the man of vision a criminal.

Coleridge cried; "O God, how glorious it is to live!" Renan asks, "O God, when will it be worth while to live?" In Nature we echo the poet; in the world we echo the thinker.

The aim of the poet, or other artist, is first to make something; and it's impossible to make something out of words and not communicate

The only gift is a portion of thyself . . . the poet brings his poem; the shepherd his lamb. . . .

Fact is not truth, but a poet who wilfully defies fact cannot achieve truth.

I am the scroll of the poet behind which samurai swords are being sharpened.

I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."

I'm not the kind of poet who arranges treasure-hunts to please the academics and keep them busy. Poetry should be surprising in deeper ways.

I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions.

The writer of prose can only step aside when the poet passes...

My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.

A wise man can and should stand above his times, not so the poet, but he should be their apex.

None but a poet can write a tragedy. For tragedy is nothing less than pain transmuted into exaltation by the alchemy of poetry.

This round of green, this orb of flame, Fantastic beauty; such as lurks In some wild poet, when he works Without a conscience or an aim.

I'm a poet,' the young man said, 'And it's my job to remember the sadness of things.

A poet's autobiography is his poetry. Anything else can only be a footnote.