Quotes About Poets

I think that poets can say, "What we want is for everybody on earth to wake up free from fear and with access to medicine and clean water and education." But I don't think poets have any special insight on how to get there. And the 20th century is a pretty good record of that because so many of the great poets were Stalinists: Vallejo, Neruda, Eluard, Aragon, etc. They wrote their odes to Lenin and Stalin. They glorified some of the most violent and grotesque dictatorships of the 20th century. And a lot of the ones who were not Stalinists were fascists or fascist sympathizers.

Sure there are poets which did never dream Upon Parnassus, nor did taste the stream Of Helicon; we therefore may suppose Those made not poets, but the poets those.

Poets who are not interested in music are, or become, bad poets.

Some of us – poets are not exactly poets. We live sometimes – beyond the word.

For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

It will be hard James but you come from sturdy peasant stock men who picked cotton and dammed rivers and built railroads and in the teeth of the most terrifying odds achieved an unassailable and monumental dignity You come from a long line of great poets some of the greatest poets since Homer. One of them said "The very time I thought I was lost My dungeon shook and my chains fell off." You know and I know that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you James and Godspeed.

All poets are idlers, even if all idlers are not poets.

Language ought to be the joint creation of poets and manual workers.

The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.

Saints have no moderation, nor do poets, just exuberance.

Each state of the human mind has some parable in the physical creation by which it is shadowed forth; nor is it only artists and poets, but even the most abstract thinkers that have drawn from this source. Lively activity we name fire; time is a stream that rolls on, sweeping all before it; eternity is a circle; a mystery is hid in midnight gloom, and truth dwells in the sun. Nay, I begin to believe that even the future destiny of the human race is prefigured in the dark oracular utterances of bodily creation.

The great religions are the ships, Poets the life boats. Every sane person I know has jumped overboard.

If you're just starting off as an artist, steal as much inspiration from everything you like, as much as you can. Take from books, from poets, from musicians. Just steal stuff from all over the place and then mix it up to make something of your own.

We are chained hand and foot by protocol, enslaved to a static, empty world where men and women can’t read, where the scientific advances of the ages are the preserve of the rich, where artists and poets are doomed to endless repetitions and sterile reworking of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden

It is possible that Mount Olympus may have supplied the poets with the hint for saying that Jupiter obtained the kingdom of heaven, because Olympus is the common name both of the mountain and of heaven.

A lot of young poets today, from what I've heard and experienced, can't get their heads past George W. Bush, and I've heard so many poems about this democracy and this era of politics that I'm kind of bored by it

Frequently, as so many poets and psalmists and songwriters have said, the invisible shift happens through the broken places.

In the end, time is the best ally of poets. It clarifies their works and makes them accessible to an ever widening circle of readers.

Novelists and poets have existed side by side forever.

When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.

I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.

I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them.

The thing I like about the band [Dead Child] is that there's no pretense. We aren't even trying to be artists or poets.

I don't like realism. We already know the real facts about li[fe], most of the basic facts. I'm not interested in repeating what we already know. We know about sex, about violence, about murder, about war. All these things, by the time we're 18, we're up to here. From there on we need interpreters. We need poets. We need philosophers. We need theologians, who take the same basic facts and work with them and help us make do with those facts. Facts alone are not enough. It's interpretation.

Poets have said that the reason to have children is to give yourself immortality. Immortality? Now that I have five children, my only hope is that they are all out of the house before I die.

And mighty poets in their misery dead.

I co-edited an anthology called Interfictions with Delia Sherman and wrote a short scholarly book on three women poets called Voices from Fairyland: The Fantastical Poems of Mary Coleridge, Charlotte Mew, and Sylvia Townsend Warner. So I've been busy, but I haven't had time to write a novel.

Sometimes the greatest love is not found in the dramatic scenes that poets and writers immortalize. Often, the greatest manifestations of love are the simple acts of kindness and caring we extend to those we meet along the path of life.

When I first collected these authorities, I was desirous that every quotation should be useful to some other end than the illustration of a word; I therefore extracted from philosophers principles of science; from historians remarkable facts; from chymists complete processes; from divines striking exhortations; and from poets beautiful descriptions.

I'd like to imagine that "dreamoir" becomes a subgenre of nonfiction, maybe ultimately because I'd love to read many more dreamoirs by other writers - poets and memoirists especially.

We have been led to imagine all sorts of things infinitely more marvelous than the imagining of poets and dreamers of the past. It shows that the imagination of nature is far, far greater than the imagination of man. For instance, how much more remarkable it is for us all to be stuck-half of us upside down-by a mysterious attraction, to a spinning ball that has been swinging in space for billions of years, than to be carried on the back of an elephant supported on a tortoise swimming in a bottomless sea.

Kabul was a thriving cosmopolitan city with its vibrant artistic, intellectual and cultural life. There were poets, musicians, and writers. There was also an influx of western culture, art, and literature in the '60s and '70s.

I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

I was inspired by, when I was in college, seeing some incredible speakers come to my school: Michael Eric Dyson, Spike Lee, Nikki Giovanni, and other poets and writers. I always loved that experience: going and sitting in an auditorium and listening to their opinions.

I hope I can write toward my interests. But poets should be afraid of too fluidly responding to what they're interested in.

Those ancients who in poetry presented the golden age, who sang its happy state, perhaps, in their Parnassus, dreamt this place. Here, mankind's root was innocent; and here were every fruit and never-ending spring; these streams--the nectar of which poets sing.

Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become.

Some poets marry a language; some have affairs with it; some treat it as a parent, some as a child, some as an equal, or as a friend.

Janice Gould is one of our best poets. The music of her poetry will delight you, and her gentle courageous accounts of tribal, family, and personal history make this book unforgettable. Doubters and Dreamers is a master-piece.

I wonder how long this word will last, governed exclusively by the merciless, inhuman and immoral criteria of global economy. Seeing the shadow of distant islands, I imagined one still inhabited by a tribe of poets set aside for when, after the middle age of materialism, humanity will have to start to put other values into his existence.

I must say what I admire most is the person who masters an area of practical experience, and can teach me something. I mean, my local midwife has taught me how to keep bees. Well, she can't understand anything I write. And I find myself liking her, may I say, more than most poets. And among my friends I find people who know all about boats or know all about certain sports, or how to cut somebody open and remove an organ. I'm fascinated by this mastery of the practical.

Poets are like steam valves, where the ordinary feelings of ordinary people can escape and be shown.

God thinks within geniuses, dreams within poets, and sleeps within the rest of us.

Adrienne Rich was one of the most widely-read and influential poets of her time, a leading feminist, known especially for her politically-engaged verse. Her best-known volume, "Diving into the Wreck," won the National Book Award in 1973.

I do feel that now and I feel that this development of recording poems, of speaking poems at readings, of having records of poets, I think this is a wonderful thing. I'm very excited by it. In a sense, there's a return, isn't there, to the old role of the poet, which was to speak to a group of people, to come across.

It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.

Ever since roughly 1890, when snot poets first decided that rhyme was confining and unnecessary, every idiot with a pen fancied hisself a poet. The mere act of rhyming was suddenly regarded as a quaint, mannered, and uncool atavism, consigning doggerelists like me to the trash bin of literary history.

The poets are nothing but interpreters of the gods, each one possessed by the divinity to whom he is in bondage.