Quotes About Satire

Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.

I've never been much drawn towards satire of any kind. I don't like that style whereby you kind of stitch people up. But the deeper thing is that I just find these people so impressive and admirable.

I grew up around media so for me I've always been interested in that topic, whether it's a complete satire or a documentary. I love anything that touches on the state of information versus entertainment and what's newsworthy and what's not.

Satire has its limits. It is really up to the people to make the change. The satirist's role ends at the screen.

I mean, sometimes we do do that, The National Anthem was a caustic satire and sometimes that's the way to go with the story rather than me being particularly misanthropic.

Every writer scrounges for inspiration in different places, and there's no shame in raiding the headlines. It's necessary, in fact, when attempting contemporary satire. Sharp-edged humor relies on topical reference points.

The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines...I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirize George Bush and his puppeteers, I want to vaporize them. And that's not funny....OK, well, if I say that, I might get a shock laugh, but it's not really satire.

Satire lies about literary men while they live and eulogy lies about them when they die.

Praise to the undeserving is severe satire.

An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it.

Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work."

One man's pointlessness is another's barbed satire.

I like the George Romero films, which were really great, social satire movies; really twisted.

Violins are the lively, forward, importunate wits, that distinguish themselves by the flourishes of imagination, sharpness of repartee, glances of satire, and bear away the upper part in every consort.

Fools are my theme, let satire be my song.

It is a frightful satire and an epigram on the modern age that the only use it knows for solitude is to make it a punishment, a jail sentence.